Aiming to proofread translation, copied from &oldid=72532434 at by Wakuna99 2019-04-27T09:20:09 （UTC). First subsection consists of raw machine translation output with lots of grammar/context errors, and maybe second or later editor tried to tidy links. Second subsection is not translated. --Omotecho (talk) 12:17, 4 October 2019 (UTC)
Fleurbaey a été membre de la Commission Stiglitz-Sen-Fitoussi sur la mesure de la performance économique et du fr:progrès social. Elle est officiellement intitulée « Commission sur la mesure des performances économiques et du progrès social ». Le but de cette Commission est de développer une « réflexion sur les moyens d'échapper à une approche trop quantitative, trop comptable de la mesure de nos performances collectives »[4] et d'élaborer de nouveaux indicateurs de fr:richesse. On peut résumer les principales préconisations du rapport issu de la commission suivant les économistes Didier Blanchet, M. Clerc, M. Gaini:
"La commission a surtout privilégié dans ses travaux le caractère multidimensionnel du fr:bien-être. Elle n'a pas proposé de tableau de bord tout constitué, mais son rapport peut ainsi se lire comme une esquisse des grandes lignes à suivre lors de la construction d'un tel tableau de bord. Ce dossier présente les principaux enseignements que l'on peut tirer d'une comparaison entre la fr:France et quelques pays de même fr:niveau de développement, à l'aune des critères retenus par la commission Stiglitz. L'utilisation d'indicateurs alternatifs de fr:niveau de vie conduit à quelques reclassements entre pays mais sans véritablement remettre en cause l'avance apparente des fr:États-Unis. Les indicateurs de fr:conditions de vie font apparaître en revanche des contrastes bien plus marqués dans les domaines de la santé, de l'éducation, des risques de chômage et de pauvreté ou de sécurité. Les contributions des différents pays au problème de soutenabilité climatique varient du simple au triple. Quant à la soutenabilité économique, l'indicateur proposé par la commission suggère qu'elle reste tendanciellement assurée, mais avec une marge de sécurité assez faible dans plusieurs pays"[5].
Marc Fleurbaey、Maurice Salles、John A. Weymark、Justice, political liberalism, and utilitarianism : themes from Harsanyi and Rawls、ケンブリッジ大学出版局、2008年。ISBN 9780521640930、NCID BA8594088X。
Marc Fleurbaey、Fairness, responsibility, and welfare、オックスフォード大学出版局、2012年。ISBN 9780199653591、NCID BB09273976。
The _Translation_ is not completed, or just a raw machine translation output that has book/journal titles into ja without original title so that incomplete as a bibloigraphic list. Later edit on jawp changed it into original bibliography; 著作 (bibliograpy) of MF. FYI, copied jawp original bibio list from &oldid=74489304 at at 2019-10-03T18:39:55; by Omotecho (会話 | 投稿記録) による版（UTC). --Omotecho (talk) 12:17, 4 October 2019 (UTC)
Marc Fleurbaey、Maurice Salles、John A. Weymark、Justice, political liberalism, and utilitarianism : themes from Harsanyi and Rawls、ケンブリッジ大学出版局、2008年。ISBN 9780521640930、NCID BA8594088X。
Marc Fleurbaey、Fairness, responsibility, and welfare、オックスフォード大学出版局、2012年。ISBN 9780199653591、NCID BB09273976。
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This article is about a topic whose name is originally rendered in the Japanese script; however the article does not have that version of its name in the article's lead paragraph. Anyone who is knowledgeable enough with the original language is invited to assist in adding the Japanese script. For more information, see: MOS:FOREIGN·Wikipedia:Naming conventions (Japanese)·MOS:JAPAN.
石坂照子 (Ishizaka Teruko) (28 September 1926–)[1]は日本の免疫学者。カリフォルニア州立工科大学助教授、ジョンズホプキンス大学教授を歴任、在米時代の愛称は Terry。
ISHIZAKA Kimishige; ISHIZAKA Teruko (1952). "Studies on the mechanism of the flocculation". Nippon Saikingaku Zasshi (in Japanese). 7 (6): 571–575. doi:10.3412/jsb.7.571. ISSN0021-4930. OCLC804336438.
石坂 公成; 石坂 照子 (February 1953). "フロキュラシオンの機構に関する研究 -2- [Studies on the mechanism of the flocculation]". 日本細菌学雑誌 [Nippon Saikingaku Zasshi]. 8 (1): 9–15. doi:10.3412/jsb.8.9. ISSN0021-4930. OCLC5179147088.
ISHIZAKA Kimishige; ISHIZAKA Teruko (1954). "Studies on the relationship between toxin-anaphylaxis and antitoxic immunity I. Quantitative studies on the toxin-anaphylaxis in vitro". Japanese Journal of Medical Science and Biology. 7 (6): 641–653. doi:10.7883/yoken1952.7.641. ISSN0021-5112. OCLC5576009590. PMID13251775.
石坂 照子 (January 1954). "ジフテリア毒抗素間の補体結合反応に関する研究 -3- [Studies on the complement fixation reaction of diphtherial toxin and antitoxin]". 日本細菌学雑誌. 9 (1): 41–47. doi:10.3412/jsb.9.41. ISSN0021-4930. OCLC5179151277.
石坂 照子 (February 1955). "ジフテリア毒素抗毒素間の補体結合反応に関する研究 -2- [Studies on the complement fixation reaction of diphtherial toxin and antitoxin]". 日本細菌学雑誌. 10 (2): 171–176. doi:10.3412/jsb.10.171. ISSN0021-4930. OCLC5179135115.
ISHIZAKA Kimishige; ISHIZAKA Teruko; SUGAHARA Takao (1955). "Studies on the toxin-anaphylaxis and antitoxic immunity II. Significance of the relation between the tissue antitoxin and circulating antitoxin on the toxin anaphylaxis and antitoxic immunity". Japanese Journal of Medical Science and Biology. 8 (3): 283–293. doi:10.7883/yoken1952.8.283. ISSN0021-5112. OCLC5575849867. PMID13285965. S2CID19971646.
石坂 照子 (March 1955). "ジフテリア毒素抗毒素間の補体結合反応に関する研究 -3- [Studies on the complement fixation reaction of diphtherial toxin and antitoxin]". 日本細菌学雑誌. 10 (3): 211–217. doi:10.3412/jsb.10.211. ISSN0021-4930. OCLC4804335089.
ISHIZAKA Kimishige; ISHIZAKA Teruko; SUGAHARA Takao (1957). "Quantitative studies on anaphylaxis in vitro II. Studies on the species difference of diphtheria antitoxin in sensitizing activity". Japanese Journal of Medical Science and Biology. 10 (2): 93–103. doi:10.7883/yoken1952.10.93. ISSN0021-5112. OCLC5575846704. PMID13474845.
ISHIZAKA Kimishige; ISHIZAKA Teruko; SUGAHARA Takao; MATSUNAGA Setsuo (1957). "Quantitative studies on anaphylaxis in vitro III. Comparison between Schultz-Dale's reaction and serological reactions in vitro". Japanese Journal of Medical Science and Biology. 10 (5): 329–342. doi:10.7883/yoken1952.10.329. ISSN0021-5112. OCLC5576010647. PMID13538574. S2CID22798675. {{cite journal}}: Cite has empty unknown parameter: |1= (help)
ISHIZAKA Kimishige; ISHIZAKA Teruko; SUGAHARA Takao; MARUYAMA Shizue (1957). "Quantitative studies on anaphylaxis in vitro III. Significance of allergic reaction on the neutralization of toxin injected intracutaneously". Japanese Journal of Medical Science and Biology. 10 (5): 343–361. doi:10.7883/yoken1952.10.343. ISSN0021-5112. OCLC5576008812. PMID13538575.
ISHIZAKA Kimishige; ISHIZAKA Teruko (August 1959). "Biological Activities of Aggregated Gamma Globulin I. Skin Reactive and Complement-Fixing Properties of Heat Denatured Gamma Globulin (∗)". Proceedings of the Society for Experimental Biology and Medicine. 101 (4): 845–850. ISSN0037-9727. OCLC6846987324.[16]
Kimishige Ishizaka; Teruko Ishizaka; Margaret M. Hornbrook (1 July 1966). "Physico-Chemical Properties of Human Reaginic Antibody". The Journal of Immunology. 97 (1): 75–85.
Kimishige Ishizaka; Hisao Tomioka; Teruko Ishizaka (1 December 1970). "Mechanisms of Passive Sensitization". The Journal of Immunology. 105 (6): 1459–1467.
Ishizaka, Kimishige; Ishizaka, Teruko; Campbell, Dan H. "The Biological Activity of Soluble Antigen-antibody Complexes: II. Physical Properties of Soluble Complexes Having Skin-irritating Activity". The Rockefeller University Press. OCLC679055797. {{cite journal}}: Cite journal requires |journal= (help)
^. Gale. {{cite web}}: Missing or empty |title= (help); Missing or empty |url= (help)
^ ∗: These experiments were performed while the authors were in residence in Depts. of Microbiology and Medicine, Johns Hopkins School of Medicine and Public Health. This work was done under auspices of Commission on Cutaneous Diseases of Armed Forces Epidemiological Board, and supported by Office of Surgeon General, Department of Army, and National Science Fn. † Fulbright Fellow; Permanent address: National Inst. of Health, Tokyo.
c&p German edition "Ishizuka Teruko" dated 10:30, 14 May 2013 by Drahreg01 (HC: +Kategorie:Träger des Canada Gairdner International Award; +Kategorie:Mediziner (20. Jahrhundert))
Ishizaka erwarb 1949 ihren M. D. Abschluss als Medizinerin an der Frauenmedizinhochschule Tokio. 1955 wurde sie an der Universität Tokio promoviert. 1951 bis 1957 forschte sie in der Abteilung Serologie des nationalen Gesundheitsforschungszentrums in Japan. 1957 bis 1959 war sie am Caltech und 1959 an der Johns Hopkins University. 1962 bis 1970 war sie am Asthma Research Institute und Hospital der University of Colorado Medical School in Denver und ab 1970 Associate Professor und später Professor an der Johns Hopkins University (zuerst für Mikrobiologie und später für Medizin und Immunologie).
Sie forschte über Allergien und unmittelbare Hypersentivität.
Founder, Vimla Devi Foundation[1] to promote literature and the arts (since 1999).
Nominated as an advisor to broadcasters DD Bharati (2014–15), Prasar Bharati, Doordarshan (2015–16)
Nominated advisor to the Hindi World Service (2015–16)
'Lata: Sur-Gatha' brought Yatindra Mishra to present himself at book readings, interviews, talks, panel discussions, book signing and appearances in New Delhi, Lucknow, Mumbai and Faizabad. Excerpts from the book are reprinted in magazines such as India Today, Shukrawar and Naya Jnyanodaya. [2]
There are numerous monuments, memorials, reliefs, memorials, and tablets, which have been arranged on different occasions over the centuries, scattered over the city of Braunschweig. However, some of these works are no longer available for various reasons (mostly due to wars).
Undoubtedly the most important works of art history and the history of the city are also the oldest:
The "Imervard Cross", named after its creator, is one of the most important Romanesque sculptures on German soil.
The Brunswick Lion (en)is the oldest preserved large sculpture of the Middle Ages north of the Alps and the first larger figural hollow cast since ancient times.
The tomb of ハインリヒ獅子公 (Henry the Lion)Heinrich der Löwe (ja) and his second wife, error: {{nihongo}}: Japanese or romaji text required (help)Mathilde of England (ja) (de), is also exceptional, as it is one of the first tombstones, with a naturalistic style.
== Weblinks ==
{{Commonscat|Geschützte Landschaftsbestandteile in Braunschweig}}
{{Navigationsleiste Listen der geschützten Landschaftsbestandteile in den Kreisen und kreisfreien Städten in Niedersachsen}} {{All Coordinates}}
[[Category:Geography of Braunschweig]]
[[Category:Protected landscape part in Lower Saxony (en)]]
Quelle für Fuhsekanal, laut NIBIS Kartenserver[11] „in erdfallartiger Senke periodisch spuckende“ Plänerkarst-Quelle. Fläche: Länge 10 m, Breite 20 m. Stratigraphie: Oberkreide.
stark gegliedertes, größtenteils rekultiviertes ehemaliges Abbaugebiet am Nußberg. Richtprofil. Länge 600 m, Breite 200 m. Stratigraphie: Trias-Unterer Buntsandstein.
^The BLIK signs for cultural monuments are symbolized by a sign which is inspired by the Hague Convention for the Protection of Cultural Property. Each signpost is highly recognizable for those who are interested in culture and tourists, with its square-shape and design in brown, or the international cultural information color.
^ abcdefghijkCite error: The named reference 3_06_VO was invoked but never defined (see the help page).
The list of geotopes in Braunschweig contains the geotopes in the city of Braunschweig in Lower Saxony .
Geotop no.
designation
place
comment
coordinates
image
3629/04
Twisted pair
In Querum
On-site brick trench [1]
Stratigraphy: Central antagonist.
52 ° 18 '1 " N , 10 ° 33' 52" O
3728/02
Source Teufelsspring
About 650 m west of Broitzem
Source for Fuhsekanal , according to NIBIS map server [2] "periodic spitting" Plänkarst source in earth-like depression periodically.
Area: length 10 m, width 20 m.
Stratigraphy: Upper Chalk.
52 ° 14 '2 " N , 10 ° 27' 41" O
3729/01
Lower Buntsandstein incl. Rogenstein of the nut nut
At the Prinz-Albrecht-Park in Braunschweig
Highly divided, largely recultivated former mining area at the Nußberg. Directional profile.
Length 600 m, width 200 m.
Stratigraphy: Trias-Bottom Buntsandstein.
52 ° 16 '16 " N , 10 ° 33' 30" O
3729/02
Dowesee
Northern city area of Braunschweig
Earthfall over saltstock [1] .
52 ° 17 '37 " N , 10 ° 31' 54" O
3729/07
Moor Cottage Pond
In Volkmarode
Moorhütte brick clay pit [1]
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^Ellin Beltz (talk) 23:00, 28 November 2016 (UTC)
Deleted: per nomination. –Jcb (talk) 00:45, 4 December 2016 (UTC)
{{int:filedesc}}
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｛｛Information
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|source=原本からスキャン (『風俗画報』177号「東京名所圖會・第17編 麹町區之部 中巻」挿図); volume 177, Fūzoku gahō (1889), periodical. This is an illustration in an article "Tokyo Meisho zue : dai-17 hen, Kojimachiku no bu chukan" (literally "Kojimachi district, number two of three parts", number 17, Picture guide to scienic Tokyo.)
|date=1898
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|author=東陽堂; Tōyōdō
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｝｝
For magazines, Wakamatsu Shizuko (Shizu) submitted her writings and translation mainly on either Jogaku zasshi or Hyōron which were published by Jogaku Zasshisha in Tokyo.[1][2]
Little Lord Fauntleroy by Frances Hodgson Burnett was introduced by Wakamatsu to juvenile readers,Cite error: A <ref> tag is missing the closing </ref> (see the help page). and followed by various reprints and popularized with the Iwanami Shoten edition[3] which has issued the 30th impression.[4] Burnett's "Sara Crewe" or "A Little Princess" is also a very popular juvenile story in Japan, while Wakamatsu did not finish the translation before her death but published parts in several Shōnen-en issues running between 1893 and 1894.[5] It was in 1904 when Wakamatsu's translation was revised after her death.[6][7] Both Little Lord Fauntleroy and Sara Crewe had its translation made into theatrical pieces as well as manga cartoons.
The Sailor Boy,[13] a poem by Adelaide Anne Procter was translated and adopted as Wasurekatami[11][14] and published its first edition in 1887. That year Wakamatsu concentrated on the works by Proctor.[11][15][16][17].
Kate Douglas Wiggin and her The Birds's Christmas Carol was introduced to Jogakuzasshi readers in 1893.[11][23]. The work was originally published as [24] Also titled as クリスマスの天使 (Christmas Angel, Kurisumasu no tenshi).
"旧き都のつと" [Products of Old City]. 女学雑誌. 1886. ncid=AN00117377
"In Memoriam—Condolence Poem Dedicated for Tōko Kimura, the First Principal of Meiji Girls' School" [明治女学校初代校長木村鐙子を弔う詩]. 女学雑誌. 1886. Written in English.
"お向ふの離れ" [The De-touched Room Facing to Ours]. 女学雑誌. 1889.
"お向ふの離れ" [The Detouched Room Facing to Ours]. 現代日本文学大系 - 樋口一葉・明治女流文學・泉鏡花集 (Higuchi Ichiyo, Meiji literature by woman writers, and Izumi Kyōka). 5. Chikumashobo. 1976. ISBN4480100059. OCLC40086632.
"ストウ女子小説の一節—大学に入らんとして伯父を訪ふ" [From Mrs.Stowe's novel; Visiting my Uncle for Advice on Entering College]. Hyōron. 1893. OCLC835664697.[25] Inspired by Harriet Beecher Stowe.
Wakamatsu, Shizuko (1894). [Thinking of our Sisters across the great sea]. The Japan Evangelist. {{cite magazine}}: |trans-title= requires |title= or |script-title= (help)
other periodicals
"Thinking of our Sisters across the Great Sea" [海外のシスターを思う]. The Japan Evangelist. 1894.[26]
^解説(尾崎るみ著): p145-150 = Ozaki, Rumi; Japan Society of the History of Children's Culture, eds. (1995). "Children's stories Translated by Shizuko Wakamatsu". History of Japanese Children's Culture. 4. Kyūzansha. ISBN9784906563647. OCLC34720410.
^
Jogaku zasshi was reprinted in 1984. Manshundō, ed. (1984). 女学雑誌 (復刻版) [Jogaku zasshi, reprint] (in Japanese). Rinsen Shoten. OCLC894824931.
^Burnett, Frances Hodgson (1904). 木下祥真 (ed.). 英話譯訳セーラ・クルー物語 [Eiwayaku Sera Kuru monogatari] (in Japanese). Translated by Wakamatsu, Shizuko. Naigai Shuppankyokai. OCLC244247161.
^Burnett, Frances Hodgson (2000). Kawato, Michiaki; Sakibara, Takanori (eds.). "セイラ・クルーの話 バーネット集" [Sera Kuru no hanashi Banetto-shu (Sara Crewe's Story: Anthology of Burnett)]. 明治翻訳文学全集—新聞雑誌編 21 (Translated literatures of Meiji era—Newspapers and Magazines). 21. Translated by Wakamatsu, Shizuko. Ōzorasha. ISBN9784756803184. OCLC840679455.
^Cite error: The named reference Ceddie was invoked but never defined (see the help page).
^Jean Ingelow (1893). "ローレンス" [Laurance]. Jogaku zasshi (in Japanese).
^ abThe Magazine Hyōron was merged with Jogaku zasshi in 1894.
^Cite error: The named reference thinking was invoked but never defined (see the help page).
Anthology
Titles reprinted in recent years.
Iwamoto, Zenzi, ed. (1896). In memory of Mrs.Kashi Iwamoto, with a collection of her English writings. Z.Iwamoto.
Iwamoto, Kashiko (1982). Iwamoto, Yoshiharu (Zenzi) (ed.). 巖本嘉志子—英文遺稿集 [Anthology of Mrs.Iwamoto Yoshiko's writings in English] (2 ed.). Ryūkei shosha. OCLC672610011.
Iwamoto, Kashi (1995). Iwamoto, Yoshiharu (ed.). In memory of Mrs.Kashi Iwamoto. Sosho Joseiron. Vol. 1. Ozorasha. ISBN4756800106.[1]
Iwamoto, Kashiko (1903). Sakurai, Oson (ed.). 忘れかた美—若松賎子遺稿 (2 ed.). Hakubunkan.Cite error: There are <ref> tags on this page without content in them (see the help page).
Kawato, Michiaki; Sakibara, Takanori, eds. (2000). "若松賤子集" [Works of Shizuko Wakamatsu]. 明治の女流文学—翻訳編 第1巻 (Translated literature—Works of women novelist in Meiji era). 明治文学復刻叢書 (Reprinted works of novel and literature in Meiji era). 1. Translated by Wakamatsu, Shizuko; Senuma, Kayō; Ōtsuka, Kusuoko. Gogatsu Shobō. ISBN9784772703253. OCLC959673525.[3]
Kawato, Michiaki; Sakibara, Takanori, eds. (2000). "若松賤子集" [Works of Shizuko Wakamatsu]. 明治の女流文学—翻訳編 第1巻 (Translated literature—Works of women novelist in Meiji era). 明治文学復刻叢書 (Reprinted works of novel and literature in Meiji era). 1. Translated by Wakamatsu, Shizuko; Senuma, Kayō; Ōtsuka, Kusuoko. Gogatsu Shobō. ISBN9784772703253. OCLC959673525.[3]
Modern Literature Research Laboratory, ed. (1956). "Studies on Modern Literature". 2. Kokakai, Showa Women's University. {{cite journal}}: Cite journal requires |journal= (help)
Namerikawa, Michio, ed. (1968). "Japanese Children's Literature by works". Meiji to Taisho, Early Showa, Late Showa. 牧書店. A serial run by 1972
Ishimaru, Hisashi, ed. (1973). "Shizuko Wakamatsu, Chronology". Anthology of Meiji Literature. 32. Chikuma Shobō., appendix to Magazines—Jogaku Zasshi and Bungakukai'.
Yamaguchi, Reiko (1980). Take a good look at me—Life of Shizuko Wakamatsu. Shinchosha.
Japan Society of Children's Literature, ed. (1988). Encyclopedia of Children's Literature. Tokyo Shobo. ISBN4487731917.
Ozaki, Rumi (2007). Wakamatsu Shizuko ran through the dawn—a woman harbored many writings. ISBN9784896291780.
^Iwamoto, Kashiko (1903). Sakurai, Oson (ed.). 忘れかた美—若松賎子遺稿. Hakubunkan.
^ abKawato, Michiaki; Sakibara, Takanori, eds. (2000). "若松賤子集" [Works of Shizuko Wakamatsu]. 明治の女流文学—翻訳編 第1巻 (Translated literature—Works of women novelist in Meiji era). 明治文学復刻叢書 (Reprinted works of novel and literature in Meiji era). 1. Translated by Wakamatsu, Shizuko; Senuma, Kayō; Ōtsuka, Kusuoko. Gogatsu Shobō. ISBN9784772703253. OCLC959673525.
^Cite error: The named reference samazama was invoked but never defined (see the help page).
^In memory of Mrs. Kashi Iwamoto—with a collection of her English writings edited posthumus by her husband includes Wakamatsu Shizuko's last writing and.
^Dedication by Sakurai Ōson, Togawa Zanka, Kimura Kumaji, Shimazaki Tōson, and Yutani Saichirō. Bunbudō edition.)
Infobox person
| name =
| image =
| alt =
| caption =
| birth_name = {{Nihongo || ロバート木下| Robāto Kinoshita}}
| birth_date = ''{{birth date and age|yyyy|mm|dd}} for living people.
For people who have died, use <nowiki>{{Birth date|YYYY|02|24}}''
| birth_place = Los Angeles
<nowiki>| death_place = [[Torrance (California)|Torrance]], California
| nationality =
| other_names =
| occupation =
| years_active =
| known_for =
| notable_works =
| death_place = Torrance (California)
| death_date = December 9
| death_year = 2014
| activities = artist
| activity2 = designer
| nationality = US
| postnationality= internationally known for his work in [[Cinema | Cinematographic]] of [[1950 | fifties]] and [[1960 | Sixties]]
}}
[[File: Osaka Tin Toy Institute - Tin Age Collection - Robby the Robot with Blaster - Front.jpg | right | thumb | Robby the Robot, built by Kinoshita for the 1956 film ''[[Forbidden Planet]]''.]]
Japan Spaceguard Association (JSGA) is keen to have astronomical education for young people and held Spaceguard Private Investigator of the Stars: the fugitives are asteroids! program in 2001. Yoshiaki Oshima participated as one of the committee memeber. JSGA submitted a paper on that project in a proceedings, with Oshima as a contributor.[1][notes 1]
JSGA held an astronomical education program as part of their International Asteroid Monitoring Project, that collaborated with the British Council and its International Schools' Observatory (ISO)[notes 2] program which had involved 12 teams of junior high to senior high school classes from Asian and European countries. in the UK is held with John Moor University in Liverpool. The University operates a robotic telescope in the Canary Islands, and schools are allowed that they carry out scientific research using the remote telescope."Teacher Zone, National Schools' Observatory". Retrieved 2016-10-15.</ref> ISO was a project by the British Council involving youth in junior to senior high school, 12 in total.[4]
The Private Investigator of Stars was co-sponsored by the British Council which advised the International Asteroid Monitoring Project and coordinated with observatories and laboratories participated in and cooperated for ISO. Yomiuri Shinbun newspaper held a asteroid hunting contest for the JSGA and run articles on their paper. 438 school classes and other teams signed up , with 1317 indibivisuals, and 133 contestants reported the results of their observation.
^"National Schools' Observatory" program is held in connection with the Liverpoor John Moores University. It holds Asteroid Watch program for schools in many areas.[3]
^The contest was due March 4, 2001, and Japan Spaceguard Association (JSGA) examined 133 reports for two weeks. On 14 March, the jury meeting was held, and winners were announced on Yomiuri Shinbun on 20th March. Award overview as well as assessment comments were along with presentation report with interviews to awardees, and JSGA presented the prospectus for future astronomic education and asteroid hunting projects.[2]
^ ab"国際小惑星監視プロジェクト 入賞者決まる" [Recepient of International Asteroid Monitoring Project is announced] (in Japanese). Yomiuri shinbun. 2001-03-27. Archived from the original on 2001-05-19. Retrieved 2016-10-15. {{cite web}}: |archive-date= / |archive-url= timestamp mismatch; 2007-02-09 suggested (help)
Note that this template is a '''"Wikipedia:Self-references to avoid|self reference"''', and therefore should be placed on talk pages and not used directly in articles.
1 (first parameter) Yes; The language code of the source page, for example de for German, fr for French, or another from meta:List of Wikipedias.
2 (second parameter) Yes; The exact name of the source page. (This will become a link, so non-English characters must be retained. Do not transliterate the title.)
3 (third parameter) No; Additional pertinent information, in sentence form. This will be inserted at the end of the standard text.
insertversion: Recommended; The version identifier of the revision of the target page into which the translation was placed. (Follow the same procedure as for version, but with the target page.)
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nocat no; Set this parameter to nocat=true only when transcluding the template as an example.｛｛refn|This template formerly used the parameters category or cat to perform these functions. This behaviour is no longer supported.|group="Note"｝｝ (For example, it is used on this documentation page to prevent this page from being categorized as a translation.) Further information is available at "Wikipedia:Category suppression".
In the preceding table, the first and second (unnamed) parameters are required in order to comply with Wikimedia projects' licencing terms (e.g. "CC-BY-SA"). The version and insertversion parameters are (strongly) recommended, because they allow readers to identify the exact source and target revisions, without searching through the revision histories.
This template can be used more than once, if several translations were inserted (from several revisions of one article, several articles and/or several Wikipedias). Group the ｛｛tlf|translated page｝｝ templates in chronological order, with the newest (i.e. largest insertversion, when used) on top. Arrange the ｛｛tlf|translated page｝｝ boxes with other low-priority items, just before the first topic on the talk page. Even if a section of the talk page talks about the translation, avoid placing ｛｛tlf|translated page｝｝ there, because the template should not be moved when the section is "Help:Archiving a talk page|archived".
"Wikipedia:Template namespace" has a general introduction to the use of templates. --Omotecho (talk) 07:26, 15 October 2016 (UTC)
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Aigen, Kenneth (2013). Ongakuchusin ongaku ryoho. translated by Kotoe Suzuki and Daiyu Suzuki. Shunjusha. ISBN978-4-3939-3498-2. translated from Music Centered Music Therapy.. error: {{nihongo}}: Japanese or romaji text required (help)
Wakao, Yutaka (2000). Kanaderu koto no chikara [Empowered with music performance]. Shunjusha. ISBN978-4-3939-3753-2. error: {{nihongo}}: Japanese or romaji text required (help)
Watanabe, Ken'ichi (1995). Ongaku no shotai [Indentity of music]. Yamaha Music Media. ISBN4-6362-0878-1. error: {{nihongo}}: Japanese or romaji text required (help)
Matsui, Toshikazu (1980). Ongaku ryōhō no tebiki: Ongaku ryōhōka no tameno [Music therapy handbook: for music therapists]. Tokyo: Makino Shuppan. ISBN978-4-8950-0012-3.
Nakamura, Akikazu (2010). Baion: oto, kotoba, shintai no bunkashi [Overtone: cultural history of tone, words and body]. Tokyo: Shunjūsha Publishing Company. ISBN978-4-3939-5704-2.
Yoneyama, Fumiaki (2007). Utsukushī koede nihongowo hanasu [Speaking Japanese with sweet voice]. Tokyo: Heibonsha. ISBN978-4-5828-5377-3.
error: {{nihongo}}: Japanese or romaji text required (help)
error: {{nihongo}}: Japanese or romaji text required (help)
error: {{nihongo}}: Japanese or romaji text required (help)
Yalom, Irvin D; Vinogradov, Sophia (1989). Concise guide to group psychotherapy (1st ed.). Washington, DC: American Psychiatric Press.
"Considering the group music therapy". Feature Article. 10 (1). Japan Music Therapy Association: 38–75. 2010.
Hiroko, Kimura (March 2014). "Potential of music therapy: Songs in the care for Japanese clients". Ethics Laboratory Bulletin (Sentan Rinri Kenkyu). 8. Kumamoto University: 197–208.
"en:Jarinko Chie", a manga, is rather true to izakaya in Osaka area after World War II, serving broiled and stewed beef and pork intestines with cheap sake and shōchū for working class customers▲, on the contrary, menus at "Izakaya Choji" is rather sophisticated with better quality sake.▲
Izakaya food is usually more substantial than tapas or mezze. Many items are designed to be shared. Always check the paper strips or notice board on the wall for seasonal treats, quantity limited.
Otsumami, the hors d'oeuvre.
sashimi, tanpin or mori-awase (sashi-mori). Mori-awase is a combination of three, five, seven, or eight kinds of fish and shellfish arranged in portion for two or more people. Example might include tai sea bream for weeks while sakura is in full bloom when they are very fat; crum and shallow water shellfish March to end of May; Katsuo in season late May to August, buri, tara (cod) and sea crab mainly in winter between October to early February. Ask for local delicacies as whit are somSquid, if you are brave to try, they will serve you the best variety of the season.
Nimono stew and nabe
nikomi, oden as they prepare ahead. Nabe is cooked by order.
Agemono deep fried; fried potato in shoestring or sectioned, isobeage, karaage, kawaebi, korokke (crocette), tenpura.
Karaage – bite-sized chicken marinade with soy sauce and fried
Udon, soba; Japanese napolitan spagetti, gratin, yakimeshi (chāhan). not necessarily put as a single category on menus, actually.
Oshokuji, meaning rice dishes such as ochazuke and noodle dishes such as yakisoba are sometimes eaten at the end to round off a drinking session. (For the most part, the Japanese do not eat rice or noodles (shushoku – "staple food") at the same time as they drink alcohol, [citation needed]since sake, brewed from rice, traditionally takes the place of rice in a meal.). With rice dishes, some soup, misoshiru or ushiojiru, dashi soup and tsukemono are ordered as condiments.
Ochazuke – small portion of rice with hot green tea poured over. Flavor is selected from Ume, Sake grilled and crushed salmon, or Nori.
I suggest to expand the food section in this article, with some research. Or is it too minute? Categorize typical food menu into several groups by how they are cooked: the common way the menu book is presented, and I guess they are ordered by how fast they are served.
(New sub section.)
--Omotecho 19:17, 28 January 2016 (UTC)
Done. top section, deleted subsections from here as copied to the article. --Omotecho 18:52, 6 February 2016 (UTC)
--Omotecho 06:58, 6 February 2016 (UTC) --Omotecho (talk) 09:56, 7 April 2016 (UTC)
Translated Kushikatsu from Japanese article, subsections[edit]
citation needed
During the latter part of Edo period prior to 1868, those food stands called “tempura yatai” served kushikatsu that was called tempura back then.
Code {{Nihongo|English|Kanji|Rōmaji|extra|extra2}}
Gives English (Kanji Rōmaji?, extra) extra2
This template marks the Kanji segment as being in Japanese Kanji, which helps web browsers and other user agents to display it correctly. The template uses the following parameters
English. Optional. The word as translated into English. Note that this will sometimes be the actual Japanese word due to it being adopted into English.
Kanji/Kana. Required. The word in Japanese kanji and/or kana, the logographic writing system.
Romaji. Optional. The word in Japanese Romaji, the Romanized syllabic writing system used for foreign words. Also known as a "transliteration".
extra. Optional. Can also be expressed as a named parameter, extra=
extra2. Optional. Can also be expressed as a named parameter, extra2=. It is only useful in ";" definitions (extra2 will be displayed without bold, whereas text following the template will get the bold).
tip--narrowing down the list of "Articles containing Japanese language": change address to desired index by replacing the last letter to, ex. X, in Articles_containing_Japanese-language_text=from=Z
Category:Articles_containing_Japanese-language_text&from=X --Omotecho (talk) 15:10, 16 September 2016 (UTC)
Got Unicode? This Page has input systems for format:
<ref>
{{cite web|url=http://www.personal.psu.edu/ejp10/psu/gotunicode/macron.html |title=PSU University : Get Unicode? |publisher=PSU.edu |date=2005-10-06 |accessdate=2015-09-15}}</ref>
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Questionable writing in Wikipedia article
[[Macron#Vowel_length |macron vowel length]]
Isn't it Modified Hepburn or Revised HepburnRevised Hepburn ((修正ヘボン式), Shūsei Hebon-shiki)?
The Hepburn romanization system of Japanese, for example, "traffic (交通, こうつう) kōtsū" opposed to "bone or knack (骨, こつ) kotsu".
* HTML Codes
Use these codes to input accented letters in HTML. For instance, if you want to type bōnus with a long O, you would type bōnus.
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Hepburn -> simplified Hepburn (more popular in use today) -> Modified Hepburn or Revised Hepburn (修正ヘボン式 Shūsei Hebon-shiki)
The rendering of syllabic n as m before certain consonants is no longer used, resulting in e.g. Shinbashi for 新橋（しんばし）. This style was introduced in the third edition of Kenkyusha's New Japanese-English Dictionary (1954), adopted by the Library of Congress as one of its ALA-LC romanizations, and is the most common version of the system today.
[1]
Macrons are used for Modified Hepburn or Revised Hepburn (修正ヘボン式 Shūsei Hebon-shiki). Circumflexes often used for [[Nihon-shiki]] and [[Kunrei-shiki]], or when a word processor does not allow macrons.
Double (or "geminate") consonant sounds are marked by doubling the consonant following the [[sokuon]], っ; for consonants that are digraphs in Hepburn (sh, ch, ts), double only the first consonant of the set, except for ch → tch.
* {{nihongo|'''Railway Standard'''|鉄道掲示基準規程|Tetsudō Keiji Kijun Kitei}},<ref>{{cite web|url=http://homepage1.nifty.com/tabi-mo/font_kitei2.htm#10 |title=鉄道掲示基準規程 |publisher=Homepage1.nifty.com |date= |accessdate=2012-07-13}}</ref> which follows the ''Hyōjun-shiki Rōmaji''. All <code><nowiki>[[Japan Rail|JR]] railways and other major railways use this type for station names.
Ministry of Land, Infrastructure, Transport and Tourism Standard,[6] which follows the modified Hepburn style. This is used for road signs.</nowiki>
MS Word<ref>{{cite web|url=http://www.language.iastate.edu/latinpreview/unit00/04type.html |title=IA State University : Latin Preview |publisher=iastate.edu |date=2005-10-06 |accessdate=2014-07-6}} </ref>
If you're using MS Word on a PC, it's easy to type with macrons without using a special font. This option will work best for you if you always use the same computer to type Latin. Here's how it works:
Open MS Word
Select the menu item INSERT>SYMBOL
In the font box choose the font you normally use
If the special characters are available, a second box ("subset") appears (as it does with the Times font) called "subset." Choose Latin Extended A in this subset box. You should then see all the characters you need. You can either click on a character to insert it from here, or at the bottom of the window you have the option of creating a shortcut.
You will need to specify different shortcut keys for lower- or uppercase characters. For example, you could use alt+the character for lower case and shift+alt+the character for its uppercase equivalent.
For magazines, Wakamatsu Shizuko (Shizu) submitted her writings and translation mainly on either Jogaku zasshi or Hyōron. Both magazines were published by Jogaku Zasshisha in Tokyo.
"旧き都のつと" [Products of Old City]. 1886. {{cite magazine}}: Cite magazine requires |magazine= (help) ncid=AN00117377
"In Memoriam—Condolence Poem Dedicated for Tōko Kimura, the First Principal of Meiji Girls' School" [明治女学校初代校長木村鐙子を弔う詩]. 1886. {{cite magazine}}: Cite magazine requires |magazine= (help) Written in English.
Proctor, Adelaide Anne (1890). "忘れ形見" [The Sailor Boy]. Jogaku zasshi (in Japanese). Adopted from Adelaide Anne Proctor's poetry.
Tennyson, Alfred (1890). "イナック・アーデン物語" [Enock Arden]. Jogaku zasshi (in Japanese).
Burnett, Frances Hodgson (1890). "小公子" [Little Lord Fauntleroy]. Jogaku zasshi (in Japanese).
Dickens, Charles (1892). 雛嫁 [Hinayome] (in Japanese). Kokumin no Tomo. Translated from part of Charles Dickens' David Copperfield.
Ingelow, Jean (1893). "ローレンス" [Laurance]. Jogaku zasshi (in Japanese).
Burnett, Frances Hodgson (1893). "セイラ・クルーの話" [Sara Crewe]. Shōnen-en (in Japanese). A serial run through 1894.
Wiggin, Kate Douglas (1893). "いわひ歌" [The Birds's Christmas Carol]. Jogaku zasshi (in Japanese). Also titled as いわひ歌 (Carol) [クリスマスの天使 (Christmas Angel)].
Ozaki, Rumi; Japan Society of the History of Children's Culture, eds. (1995). "Children's stories Translated by Shizuko Wakamatsu". History of Japanese Children's Culture. 4. Kyūzansha. ISBN9784906563647. OCLC34720410.
Burnett, Frances Hodgson (2000). Kawato, Michiaki; Sakibara, Takanori (eds.). "Sara Crewe (Anthology of Burnett)" [セイラ・クルーの話 バーネット集]. 明治翻訳文学全集—新聞雑誌編 21 (Translated literatures of Meiji era—Newspapers and Magazines). 21. Translated by Wakamatsu, Shizuko. Ōzorasha. ISBN9784756803184. OCLC840679455.
Anthology
Iwamoto, Zenzi, ed. (1896). In memory of Mrs.Kashi Iwamoto,with a collection of her English writings. Z.Iwamoto.
Iwamoto, Kashiko (1903). Sakurai, Oson (ed.). 忘れかた美—若松賎子遺稿 (2 ed.). Hakubunkan.Cite error: There are <ref> tags on this page without content in them (see the help page).
Iwamoto, Kashiko (1982). Iwamoto, Yoshiharu (ed.). 巖本嘉志子—英文遺稿集 [Anthology of Mrs.Iwamoto Yoshiko's writings in English] (2 ed.). Ryūkei shosha. OCLC672610011.
Iwamoto, Kashi (1995). Iwamoto, Yoshiharu (ed.). In memory of Mrs.Kashi Iwamoto. Sosho Joseiron. Vol. 1. Ozorasha. ISBN4756800106.[4]
Kawato, Michiaki; Sakibara, Takanori, eds. (2000). "若松賤子集" [Works of Shizuko Wakamatsu]. 明治の女流文学—翻訳編 第1巻 (Translated literature—Works of women novelist in Meiji era). 明治文学復刻叢書 (Reprinted works of novel and literature in Meiji era). 1. Translated by Wakamatsu, Shizuko; Senuma, Kayō; Ōtsuka, Kusuoko. Gogatsu Shobō. ISBN9784772703253. OCLC959673525.[5]
Details
Ozaki, Rumi; Japan Society of the History of Children's Culture, eds. (1995). "Children's stories Translated by Shizuko Wakamatsu". History of Japanese Children's Culture. 4. Kyūzansha. ISBN9784906563647. OCLC34720410.[6]
Kawato, Michiaki; Sakibara, Takanori, eds. (2000). "若松賤子集" [Works of Shizuko Wakamatsu]. 明治の女流文学—翻訳編 第1巻 (Translated literature—Works of women novelist in Meiji era). 明治文学復刻叢書 (Reprinted works of novel and literature in Meiji era). 1. Translated by Wakamatsu, Shizuko; Senuma, Kayō; Ōtsuka, Kusuoko. Gogatsu Shobō. ISBN9784772703253. OCLC959673525.[5]
Burnett, Frances Hodgson (1904). 木下祥真 (ed.). Sara Crewe [英話譯訳セーラ・クルー物語] (in Japanese). Translated by Wakamatsu, Shizuko. Naigai Shuppankyokai. OCLC244247161.
Reprints
Titles reprinted in recent years.
Wakamatsu, Shizuko (1976). "お向ふの離れ" [The Detouched Room Facing to Ours]. 現代日本文学大系 (in Japanese). 5. Chikumashobo.
Iwamoto Yoshiharu, ed. (1982). 巌本嘉志子英文遺稿集 [Anthology of Iamoto Yoshiko's writings in English]. Ryukei shosha.
女学雑誌 (復刻版) [Jogaku Zasshi, reprint] (in Japanese). Rinsen Shoten. 1984.
小公子. Iwanami Shoten. 1994. in Iwanami bunko, reprinted for 30th impression.
Ozaki, Rumi, ed. (1995). "Children's stories by Shizuko Wakamatsu". History of Japanese Children's Culture. 4. Kyuzansha. ISBN9784906563647.
Wakamatsu, Shizuko (2000). Kawato, Michiaki; Skakibara, Takanori (eds.). "セイラ・クルーの話". Translated Literatures of Meiji Era—Newspapers and Magazines. 21. Ozorasha.
Additinal readings
Modern Literature Research Laboratory, ed. (1956). "Studies on Modern Literature". 2. Kokakai, Showa Women's University. {{cite journal}}: Cite journal requires |journal= (help)
Ishimaru, Hisashi, ed. (1973). "Shizuko Wakamatsu, Chronology". Anthology of Meiji Literature. 32. Chikuma Shobō., appendix to Magazines—Jogaku Zasshi and Bungakukai'.
Namerikawa, Michio, ed. (1968). "Japanese Children's Literature by works". Meiji to Taisho, Early Showa, Late Showa. 牧書店. A serial run by 1972
Yamaguchi, Reiko (1980). Take a good look at me—Life of Shizuko Wakamatsu. Shinchosha.
Japan Society of Children's Literature, ed. (1988). Encyclopedia of Children's Literature. Tokyo Shobo. ISBN4487731917.
Ozaki, Rumi (2007). Wakamatsu Shizuko ran through the dawn—a woman harbored many writings. ISBN9784896291780.
Notes
References
^ abThe Magazine Hyōron was merged with Jogaku zasshi in 1894.
^Cite error: The named reference thinking was invoked but never defined (see the help page).
^Iwamoto, Kashiko (1903). Sakurai, Oson (ed.). 忘れかた美—若松賎子遺稿. Hakubunkan.
^ abcdefghijklmnopqrKawato, Michiaki; Sakibara, Takanori, eds. (2000). "若松賤子集" [Works of Shizuko Wakamatsu]. 明治の女流文学—翻訳編 第1巻 (Translated literature—Works of women novelist in Meiji era). 明治文学復刻叢書 (Reprinted works of novel and literature in Meiji era). 1. Translated by Wakamatsu, Shizuko; Senuma, Kayō; Ōtsuka, Kusuoko. Gogatsu Shobō. ISBN9784772703253. OCLC959673525.
^In memory of Mrs. Kashi Iwamoto—with a collection of her English writings edited posthumus by her husband includes Wakamatsu Shizuko's last writing and.
^First published in Jogaku zasshi.ウィギン (1893). Manshundo (ed.). "いわひ歌（クリスマスの天使）" [Celebration (Angel on Christmas day)]. Jogaku Zasshi (in Japanese). Keisei Shoten.
^Dedication by SakuraiOson, Togawa Zanka, Kimura Kumaji, Shimazaki Toson, and Yutani Saichiro. Bunbudo edition.)
| birth_date = {{birth date and age|YYYY|MM|DD}} for living people. For people who have died, use {{Birth date|YYYY|MM|DD}}.
| birth_place =
| death_date = {{Death date and age|YYYY|MM|DD|YYYY|MM|DD}} (death date then birth date)
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}}</br>
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{{
Infobox person
| name =
| image =
| alt =
| caption =
| birth_name = {{Nihongo || ロバート木下| Robāto Kinoshita}}
| birth_date = ''{{birth date and age|yyyy|mm|dd}} for living people.
For people who have died, use <nowiki>{{Birth date|YYYY|02|24}}''
| birth_place = Los Angeles
<nowiki>| death_place = [[Torrance (California)|Torrance]], California
| nationality =
| other_names =
| occupation =
| years_active =
| known_for =
| notable_works =
| death_place = Torrance (California)
| death_date = December 9
| death_year = 2014
| activities = artist
| activity2 = designer
| nationality = US
| postnationality= internationally known for his work in [[Cinema | Cinematographic]] of [[1950 | fifties]] and [[1960 | Sixties]]
}}
[[File: Osaka Tin Toy Institute - Tin Age Collection - Robby the Robot with Blaster - Front.jpg | right | thumb | Robby the Robot, built by Kinoshita for the 1956 film '' [[Forbidden Planet]] '' .]]
Japan Spaceguard Association (JSGA) is keen to have astronomical education for young people and held Spaceguard Private Investigator of the Stars: the fugitives are asteroids! program in 2001. Yoshiaki Oshima participated as one of the committee memeber. JSGA submitted a paper on that project in a proceedings, with Oshima as a contributor.[1][notes 1]
JSGA held an astronomical education program as part of their International Asteroid Monitoring Project, that collaborated with the British Council and its International Schools' Observatory (ISO)[notes 2] program which had involved 12 teams of junior high to senior high school classes from Asian and European countries. in the UK is held with John Moor University in Liverpool. The University operates a robotic telescope in the Canary Islands, and schools are allowed that they carry out scientific research using the remote telescope."Teacher Zone, National Schools' Observatory". Retrieved 2016-10-15.</ref> ISO was a project by the British Council involving youth in junior to senior high school, 12 in total.[4]
The Private Investigator of Stars was co-sponsored by the British Council which advised the International Asteroid Monitoring Project and coordinated with observatories and laboratories participated in and cooperated for ISO. Yomiuri Shinbun newspaper held a asteroid hunting contest for the JSGA and run articles on their paper. 438 school classes and other teams signed up , with 1317 indibivisuals, and 133 contestants reported the results of their observation.
^"National Schools' Observatory" program is held in connection with the Liverpoor John Moores University. It holds Asteroid Watch program for schools in many areas.[3]
^The contest was due March 4, 2001, and Japan Spaceguard Association (JSGA) examined 133 reports for two weeks. On 14 March, the jury meeting was held, and winners were announced on Yomiuri Shinbun on 20th March. Award overview as well as assessment comments were along with presentation report with interviews to awardees, and JSGA presented the prospectus for future astronomic education and asteroid hunting projects.[2]
^ ab"国際小惑星監視プロジェクト 入賞者決まる" [Recepient of International Asteroid Monitoring Project is announced] (in Japanese). Yomiuri shinbun. 2001-03-27. Archived from the original on 2001-05-19. Retrieved 2016-10-15. {{cite web}}: |archive-date= / |archive-url= timestamp mismatch; 2007-02-09 suggested (help)
| birth_place = California, U.S.A.
| death_date = February 2, 2014
| death_place =
| nationality = American
| field = Video artist, Film Maker, Screen play
| training = Univerity of California Irvine Univesity of California Los Angeles
| movement =
| works =
| patrons =
| influenced by =
| influenced =
| awards = ( ) ( )
|
｝｝
norman yonemoto was born in 1946, and bruce yonemoto in 1948 and they were raised in california when japanese americans were trying to reclaim and rebuild their lives after the hard times post the wwii. bruce and norman yonemoto worked together until norman passed away on october 01, 2015. [1]
Bruce is represented by the Alexander Gray Gallery in New York, U.S.A.[2][3]
Major exhibitions:
2009: Solo exhibition, “North South East West”, Survey Retrospective, Gallerie Quynh Contemporary Art, Ho Chi Minh City, Vietnam.
2010: LAX Art, Los Angeles, California, Saint Louis Museum of Art, Missouri. Alexander Gray & Associates Gallery, New York.
2011: Hosted by the Institute of Contemporary Arts and International Cultural Exchange in Tokyo.[4] Yonemoto was a resident artist at Tokyo Wonder Site in August 2011. [5]
Academic background
1971 graduated from University of California at Barkley; BA.
1979 MFA, Otis Art Institute of Art and Design
Graduate Studies at the Sokei Academy of Fine Art & Design[6] in Tokyo, Japan.
2008: submit a paper titled “Support for Art Practice” on Tsukuba University journal in Japan. [7] He was a visiting professor at the University of Tsukuba and published “Support for Art Practice” at the Graduate School of Comprehensive Human Sciences, University of Tsukuba Japan.
[8]
It was in 2009 when Bruce Yonemoto was chosen for the Freund Teaching Fellows by the Henry L. and Natalie E. Freund Art Endowment Fund. During the two months' program at Sam Fox School of Design & Visual Arts, Yonemoto taught art in the Graduate School, and he was given an opportunity to exhibit at the Saint Louis Art Museum. [9]
Biography as a multimedia artist
As a multi media artist, Bruce Yonemoto made an audio visual work in 1976 titled “Garage Sale”, a 90 minutes' 16mm feature film in color. It was in 2006 when his artwork appeared in a exhibition in Paris, France, [10][11] as well as at the Barnsdall Art Center at his alma ata Otis College of Art and Design the same year. [12][13][14][15]
Bruce and Norman Yonemoto's work “Based on Romance” was among their early works, on display at the Long Beach Museum of Art Long Beach, CA in 1980. “Garage Sale II,” had an exhibition catalog published by Long Beach Museum of Art, and the work was included into the Pacific Film Archives, University of California, Berkeley, CA. Bruce Yonemoto's early work was included in the 1979 annual City of Los Angeles Individual Artist Fellowships exhibition (C.O.L.A.), as the work of City’s best mid career artists.
[16][clarification needed]
American artists with Japanese heritage
Yonemoto has worked with his brother Norman Yonemoto until he passed away on October 01, 2015. [1]
There was an exhibition “Drawing the Line: Japanese American Art, Design & Activism in Post-War Los Angeles” Japanese American National Museum in downtown Los Angeles between October 15, 2011 and February 19, 2012. American artists with Japanese heritage introduced their artwork focused on the post war period between 1950s and the early 1980s,. The exhibition was part of the project “Pacific Standard Time: Art in LA 1945 – 1980” hosted by the Getty Research Institute.[17] Yonemotos were invited to the exhibition Norman as a filmmaker and visual artist, and Bruce as visual artist among artists ranging from painting to music to performance art. Matsumi Kanemitsu, Robert A. Nakamura, Linda Nishio, an Alternative Museum painter and printmaker Ben Sakoguchi as well as Larry Shinoda, Qris Yamashita and the seminal Asian American magazine Gidra.
Yonemoto participated in a traveling exhibition “Love in the Time of War” in 2016, during August and October, 2016.[18][19][20] His display of a series of c-print photogaph portrays an Asian man dressed in the Civil War uniform. That is titled “NSEW (North South East West)” (2007), which includes East and West, not only North and South usually imaged for Civil War in the United States, but to acknowledge the largely ignored history of Asian solders serving on either side of the war,[21] in this case across the Pacific. The costume he borrowed was by a costume company that has been providing for Hollywood films since the very early days of the film industry, and for D.W. Griffith and his production of Birth of A Nation (1915), a film that caused controversy significant to races in the United States of America.[22][23]
Also in 2016 “Far East of Eden”, a video work collaborating with Karen Finley, was presented online which was commissioned by Montalvo Arts Center that tear. Yonemoto joined a panel, “Cultural Activism Panel: What is Cultural Activism”.[24]
The Pacific Standard Time was a series of exhibitions focused on art in the west coast of the United States of America, and it hosted over fifty cultural institutions across Southern California took in collaboration, with grants from the Getty Foundation of Art to and sponsored by Bank of America Los Angeles.[25]
His retrospective exhibition is planned at the Tate Modern in London in 2017. The Tate Modern's exhibition will be a part of the project Pacific Standard Time. Over fifty cultural institutions across Southern California took part in collaboration in that, with grants from the Getty Foundation of Art and sponsored by Bank of America L.A. </ref>
In 2000, it was at InterCommunciation Center in Tokyo where Bruce Yonemoto showed the large Hanabi Fireworks on three-channel work among several video works, and the following year at the Institute of Contemporary Art, Philadelphia, on his first solo exhibition at an American museum was realized funded by Barbara Wise; Commonwealth of Pennsylvania Council on the Arts and the Advisory Board. The show was on display from February 24 to April 22, 2001.[29] Yonemoto wrote an essay in the exhibition catalog, and Carole Ann Konarides and Takuo Komatsuzaki also contributed essays.
Bruce and Norman joined a panel discussion at University of California, Los Angeles, when the exhibition "Sunshine & Noir: Art in L.A. 1960-1997" returned to the US and for the only exhibition nationally. It had traveled to European countries[27][30]Cite error: A <ref> tag is missing the closing </ref> (see the help page).
The Centre Pompidou
March 8 – July 17, 2006 Paris, France
Paris - Los Angeles – Paris, 1955 – 1985: The Birth of an Artistic Capital. The Centre Pompidou hosted a major exhibition on L.A. art, featuring 350 works by 85 artists. Fine Arts Chair Suzanne Lacy with Bruce Yonemoto (1979) among other alumni were included.[31][32]
Notes: the exhibition was title Exposition at the Japanese American National Museum, Los Angeles, 1999 which toured to Kandinsky Library, Ponpideu Center.
W. König in Wien, Allemagne
18 January - 29 April 2007 , Wien, Austria[33] The exhibition was title Exil des Imaginären: Politik, Asthetik, Liebe in German.
Exposition, Vienne, Generali Foundation
Hong Gah Museum
October 2015, Ho Chiming, Viet Nam
In Taiwan, Bruce Yonemoto held his first exhibition as a solo Japanese-American artist in Vie Nam at Hong Gah Museum (Chinese) titled An Asian Survey — Bruce Yonemoto (Chinese).[1]
Norman Yonemoto
Norman Yonemoto has worked with his brother Bruce from early days as video artists. One of Norman Yonemoto's work with Bruce is Garage Sale, and he was the diector, wtiter and shared the task of producer with Bruce.[34][35]
His talent as a screen writer “Based on Romance” is among their early works exhibited in 1980 in California, with “Garage Sale II” as among Pacific Film Archives, University of California at Berkeley, and in 1989 an exhibition was held at their retrospective exhibition by Long Beach Museum of Art with a catalog.
Norman collaborated with Bruce over twenty years on their impressive works of films and video. The audience would encounter those Hollywood melodrama they could recall, and popular television commercial messages but in segmented pieces fabricated together showing the repeated patterns the mass-media supply daily.[1]
The subject Bruce Yonemoto themes his works on is his perceptions of mass media and how they influence our desires as well as identity. People think that it is themselves who identify their social image, and memories of others they hold is quite personal. Yonemoto presents that it is the mass media who make people believe in virtues which they were given by the mass media.[36]
His solo exhibition were:
1995 CCF Fellowship for Visual Artists: Norman Yonemoto Mid-Career Artist. California Community Foundation (CCF) grants one-year fellowships to outstanding Los Angeles based artists working in the visual arts through the CCF Fellowship for Visual Artists. The Fellowships is a unique opportunity for artists because it is an investment in an artist’s career rather than in a particular project.[37][38]. The J. Paul Getty Trust pioneered the CCF Fellowship in 1988, and gifts from the Brody Arts Fund, the Atlass Fund, the Joan Palevsky Endowment for the Future of Los Angeles, the T.M. and R.W. Brown Fund, the Harry J. Volk Fund and other CCF funds supporting the Fellowship subsequently.[39]
His talent as a video screen writer had him apply for awards, and in the 9th annual Filmmakers International Screenwriting Awards in 2009, his work “VICTOR” was a quarter finalist among 1,400 applicants.[40]
Works of Norman Yonemoto
Chatterbox [VHS][41] For the VTR work, an exhibition catalog was published for the art show held between September 7 and October 14, 2006.[42].
Linda Blair (actor), John Vernon (actor), et.al; Directors: Danny Steinmann (director); Danny Steinmann (writer), John Strong (writer), Norman Yonemoto (writer); Cleve Landsberg (producer), George Kryssing (producer), Heidi Schulte (producer), Jay Schultz (producer) (February 28, 1990). Savage Streets. Lions Gate. ASIN6302033977. {{cite AV media}}: |access-date= requires |url= (help); |format= requires |url= (help)
Higa, Karin (1999). Memory Matter and Modern Romance Bruce and Norman Yonemoto. Fellows of Contemporary Art. ISBN978-0911291261. {{cite book}}: Invalid |display-authors=1 (help) is an extensive review and interview by Ms.Karin Higa, a curator at Japanese American National Museum.
1998 Rockefeller Foundation Intercultural Film/Video/Multimedia Fellowship
Recognition in their mid-life
"Memory, Matter and Modern Romance" for Bruce and Norman Yonemoto
[46]
Norman born 1946, and Bruce 1948, they were honored with recognition in their mid-life at the exhibition Memory, Matter and Modern Romance at Japanese American National Museum in Los Angeles, January 23 - July 4, 1999.
Catalog essays included Ian Buruma, Karin Higa and Timothy Martin.[47][48]
The occasion was realized with funds from the Andy Warhol#Foundation for the Visual Arts, the Peter Norton Family Foundation, the National Endowment for the Arts, and the California Arts Council. [49]
Artworks on the show include:
Installations and Objects:
1999 “Silicon Valley”, two-channel video projection
1984-1999 “Definition of a TV Lamp”, thirty-two ceramic lamps
1997 ”La vie Secret”, altered screen, closed-circuit camera, and lens screen
1995 ”Parana”, porcelain coffee set and video of black-and-white archival footage
1995 “A Matter of Memory”, animated video projection, glass, water, and acrylic table
1995 “Asexual Clone Mutation (for Our Father)”, carnation, gold petal, glass, steel, rubber, and water. Collection of Barbara Wise, New York
1994 “Exotica: Hashi de Matto Grosso”, video projection and video of black-and-white archival footage
1994 “Exotica: Outdoor - Indoor”, table, fluorenscent bulb, and paint
1994 “Exotica: le Cabinet Chinois”, Brazilian armoire, video monitor, and framed photograph
1993 “Golden”, gold leaf on projection screen (collection of Eileen and Peter Norton, Santa Monica, California
1993 “Disintegration”, nitrate film stock and glass
1993 “Napkin Series”, beaded-glass projection screens on TV trays
1993 “Achrome Series”, Achrome V (collection of Michael Conway, Beverley Hills, California); Achrome III (collection of Kimberly and John Knight, Larkspur, California); beaded-glass projection screens; Achrome I”, altered 35mm-slide projection
1993 “Environmental”, two-channel video projection, fourteen home movie screens, and three black-and-white photographs.
1992 “Land of Projection”, multi-channel color video projection with fiberglass sculpture and audio[50]
1989 “Framed”; video and slide projection, mirror, scrim, and backdrop. Collection of the Long Beach Museum of Art [51]
“Vault”, 1984; Bruce Yonemoto (1949 - ), Norman Yonemoto (1946 - 2014); Betacam NTSC, color, purchased 1994; Inventory number: AM 1994-404 "Centre Pompidou".
“Kappa”, 1986; Mike Kelley (1954 - 2012), Bruce Yonemoto (1949 - ), Norman Yonemoto (1946 - 2014); Fichier ProRes, couleur, purchased 2014; Inventory number: AM 2014-659 "Centre Pompidou".
Long Beach Museum of Art, Long Beach, CA
”Framed”, 1989; Norman Yonemoto (1946 - 2014); video and slide projection, mirror, scrim, and backdrop[51]
University of Texas, Austin (2013)
Museum of Contemporary Art (MoCA), Los Angeles <Under the Big Black Sun, Schimmel, Paul, Museum of Contemporary Art Los Angeles 2011><Under the Big Black Sun, Schimmel, Paul, Museum of Contemporary Art Los Angeles 2011>
UCLA Hammer Museum
Whitney Museum of Art
Norton Family Foundation
Fonds National d'Art Contemporain (National Collection of France)
Museum of Modern Art, New York, NY
”Green Card: An American Romance” by Bruce Yonemoto and Norman Yonemoto, with Nikolai Ursin (cameraman). [clarification needed]}}
"It's a Matter of Memory" (standard audio cassette), by Bruce and Norman Yonemoto. {{cfn|Artist biographies for Bruce and Norman Yonemoto (I.A.3165) is in the museum's general exhibition documentation Video Acts Artist Files, P-Y.[55] "It's a Matter of Memory" (vv99.3), archived on March 4, 1999, the Museum of Modern Art archives. [56]
Hara Museum of Contemporary Art, Tokyo, Japan
Donnell Library Collections, New York, NY
La Jolla Museum of Contemporary Art, La Jolla, CA
Cornell University, Ithaca, NY
Florida Atlantic University, Boca Raton, FL
Japanese American National Museum, Los Angeles, CA
Kemper Museum of Contemporary Art, Kansas City, Kansas
^Yonemoto, Bruce (2008). Institute of Art and Design; Research Development Committee of Institute of Art & Design (eds.). "Support for Art Practice". Journal, University Art Practice and Research Funding. Ibaraki, Japan: Graduate School of Comprehensive Human Sciences, University of Tsukuba.
^Horsfield, Kate; Hilderbrand, Lucas (2006). Feedback: The Video Data Bank Catalogue of Video Art and Artist Interviews. Philadelphia, Pennsylvania: Temple University Press. pp. 280–387.
^Davis, Mike (1998). William Hackman; Lars Nittve (eds.). Sunshine & Noir: Art in L.A., 1960-1997. Mike Kelley (performing artist), David Hockney (artist). Louisiana Museum of Modern Art. ISBN978-8790029197.
^von Anne Ayres; Laura Cottingham; Mike Davis; Russell Ferguson (1997). Sunshine & Noir. Art in L.A. 1960–1997. William R. Hackman, Timothy Martin, Terry R. Myers, Lars Nittve and Peter Schjeldahl. Ostfildern, Germany: Cantz Verlag. ISBN3-89322-939-6.
^Claudia Gould (curator) (ed.). Bruce Yonemoto. Philadelphia: Institute of Contemporary Art.
^Buruma, Ian; Higa, Karin; Martin, Timothy (1999). Bruce and Norman Yonemoto. Bruce Yonemoto (artist), Norman Yonemoto (artist). Los Angeles, the USA: Japanese American National Museum. ISBN0-911291-26-1.
^Adams, Parveen; Breitwieser, Sabine; Carson, Juli; Ulmer, Gregory L (2007). Exile of the imaginary: politics, aesthetics, love. Generali Foundation. Wien, Allemagne: W. König. ISBN978-3-86560-211-4.
^Yonemoto, Norman (1975). Norman Yonemoto (ed.). "Garage Sale - Full Cast and Credits". Michael Heesy (actor), Tom White (actor), Ruth Hagopian (actor). Retrieved 2016-10-10.
^Norman Yonemoto (1989). "Made in Hollywood - full cast and editing". Bruce Yonemoto (producer), Norman Yonemoto (producer), Tadayuki Kariyama (executive producer), John Wentworth (co-producer), Carl-Ludwig Rettinger (associate Producer). KYO-DAI. Retrieved 2016-10-10.
^Gamblin, Noriko (1989). Relocations and Revisions: The Japanese American Internment Reconsidered. California, USA: Long Beach Museum of Art.
^"Bruce and Norman Yonemoto: "Memory Matter and Modern ROMANCE", Installations and Objects". Karin Higa (curater), Kristine Kim (coordinater), Norman Sugimoto (photographer). 1999. {{cite web}}: Missing or empty |url= (help)CS1 maint: others (link)
^ abNorman Yonemoto (artist); Bruce Yonemoto (artist). "Memory, Matter and Modern Romance". Karin Higa (curater), Kristine Kim (assistant curater). Japanese American National Museum in Los Angeles. Retrieved 2016-10-04.
^The art exhibition was organized by the Japanese American National Museum, with the Fellows of Contemporary Arts initiated as well as sponsored initiated.
Baldessari, John; Martin, Tim; Yonemoto, Bruce (1986). TV Generations: (LACE, Los Angeles Contemporary Exhibitions) February 21 through April 12, 1986. Los Angeles, California, USA. ISBN0-937335-00-2.{{cite book}}: CS1 maint: location missing publisher (link) (Book consisting of two different format nested: The catalog and the texts)
1989
Bruce and Norman Yonemoto (1989). Framed: a video installation (March 19 - April 23, 1989). Long Beach Museum of Art. ASINB00072TK3Y.
1999
Buruma, Ian; Higa, Karin; Martin, Timothy (1999). Bruce and Norman Yonemoto. Bruce Yonemoto (video installation), Norman Yonemoto (artist). Los Angeles, USA: Japanese American National Museum. ISBN0-911291-26-1. Notes: Exhibition was called Exposition at Los Angeles, Japanese American National Museum, 1999; Kandinsky Library, Ponpideu Center.
Yonemoto, Bruce; Yonemoto, Norman (1999). Bruce and Norman Yonemoto Memory, Matter and Modern Romance. Sherri Schottlaender (editor). Japanese American National Museum. ISBN978-1881161042.
2006
Grenier, Catherine (2006). Experimental City, catalog for the exhibition. the Centre Pompidou. pp. 17–48. Also published Panama edition.
2007
Adams, Parveen; Breitwieser, Sabine; Carson, Juli; Ulmer, Gregory L (2007). Exile of the imaginary: politics, aesthetics, love. Generali Foundation. Wien, Allemagne: W. König. ISBN978-3-86560-211-4. Exhibition toured to Vienna (18 January through 29 April 2007). Title in German=Exil des Imaginären. Politik, Asthetik, Liebe. The exhibition was held by Generali Foundation, 2007.
2010
Buckley, Brad; Conomos, John, eds. (February 28, 2010). Rethinking the Contemporary Art School: the Artist. The PH.D. and the Academy. Su Baker (Contributor), Bruce Barber (Contributor), Mikkel Bogh (Contributor), Bruce Yonemoto (Contributor), Edward Colless (Contributor), Jay Coogan (Contributor), Luc Courchesne (Contributor) Juli Carson (Contributor). Press of the Nova Scotia College of Art and Design. ISBN978-0919616493.
2011
Pacific Standard Time: Los Angeles Art, 1945-1980. Getty Research Institute. October 18, 2011. ISBN978-1606060728.
2012
Silver, Shell (2012). Tokyo Tower. p. 122.
James, David E. "Independent Film in Los Angeles". Los Angeles from 1955-1985. Getty Institute. pp. 49–53.
Grenier, Catherine; James, David E; Dannenmüller, Sophie (2006). Los Angeles 1955-1985. Centre Pompidou. ISBN978-2755701500.
Yonemoto, Bruce (2008). Institute of Art and Design; Research Development Committee of Institute of Art & Design (eds.). "Support for Art Practice". University Art Practice and Research Funding. Ibaraki, Japan: Graduate School of Comprehensive Human Sciences, University of Tsukuba.
2012
Yonemoto, Bruce (2012). ""Kintsugi at the Tokyo Wonder Site"". Otis College of Art and Design Magazine. Vol. 13, no. Fall. Otis College of Art and Design. p. 27.
Yonemoto, Bruce (2012). ""Kintsugi at the Tokyo Wonder Site"". Otis College of Art and Design Magazine. Fall (13): 27.
Aigen, Kenneth (2013). Ongakuchusin ongaku ryoho. translated by Kotoe Suzuki and Daiyu Suzuki. Shunjusha. ISBN978-4-3939-3498-2. translated from Music Centered Music Therapy.. error: {{nihongo}}: Japanese or romaji text required (help)
Wakao, Yutaka (2000). Kanaderu koto no chikara [Empowered with music performance]. Shunjusha. ISBN978-4-3939-3753-2. error: {{nihongo}}: Japanese or romaji text required (help)
Watanabe, Ken'ichi (1995). Ongaku no shotai [Indentity of music]. Yamaha Music Media. ISBN4-6362-0878-1. error: {{nihongo}}: Japanese or romaji text required (help)
Matsui, Toshikazu (1980). Ongaku ryōhō no tebiki: Ongaku ryōhōka no tameno [Music therapy handbook: for music therapists]. Tokyo: Makino Shuppan. ISBN978-4-8950-0012-3.
Nakamura, Akikazu (2010). Baion: oto, kotoba, shintai no bunkashi [Overtone: cultural history of tone, words and body]. Tokyo: Shunjūsha Publishing Company. ISBN978-4-3939-5704-2.
Yoneyama, Fumiaki (2007). Utsukushī koede nihongowo hanasu [Speaking Japanese with sweet voice]. Tokyo: Heibonsha. ISBN978-4-5828-5377-3.
error: {{nihongo}}: Japanese or romaji text required (help)
error: {{nihongo}}: Japanese or romaji text required (help)
error: {{nihongo}}: Japanese or romaji text required (help)
Yalom, Irvin D; Vinogradov, Sophia (1989). Concise guide to group psychotherapy (1st ed.). Washington, DC: American Psychiatric Press.
"Considering the group music therapy". Feature Article. 10 (1). Japan Music Therapy Association: 38–75. 2010.
Hiroko, Kimura (March 2014). "Potential of music therapy: Songs in the care for Japanese clients". Ethics Laboratory Bulletin (Sentan Rinri Kenkyu). 8. Kumamoto University: 197–208.
"en:Jarinko Chie", a manga, is rather true to izakaya in Osaka area after World War II, serving broiled and stewed beef and pork intestines with cheap sake and shōchū for working class customers▲, on the contrary, menus at "Izakaya Choji" is rather sophisticated with better quality sake.▲
Izakaya food is usually more substantial than tapas or mezze. Many items are designed to be shared. Always check the paper strips or notice board on the wall for seasonal treats, quantity limited.
Otsumami, the hors d'oeuvre.
sashimi, tanpin or mori-awase (sashi-mori). Mori-awase is a combination of three, five, seven, or eight kinds of fish and shellfish arranged in portion for two or more people. Example might include tai sea bream for weeks while sakura is in full bloom when they are very fat; crum and shallow water shellfish March to end of May; Katsuo in season late May to August, buri, tara (cod) and sea crab mainly in winter between October to early February. Ask for local delicacies as whit are somSquid, if you are brave to try, they will serve you the best variety of the season.
Nimono stew and nabe
nikomi, oden as they prepare ahead. Nabe is cooked by order.
Agemono deep fried; fried potato in shoestring or sectioned, isobeage, karaage, kawaebi, korokke (crocette), tenpura.
Karaage – bite-sized chicken marinade with soy sauce and fried
Udon, soba; Japanese napolitan spagetti, gratin, yakimeshi (chāhan). not necessarily put as a single category on menus, actually.
Oshokuji, meaning rice dishes such as ochazuke and noodle dishes such as yakisoba are sometimes eaten at the end to round off a drinking session. (For the most part, the Japanese do not eat rice or noodles (shushoku – "staple food") at the same time as they drink alcohol, [citation needed]since sake, brewed from rice, traditionally takes the place of rice in a meal.). With rice dishes, some soup, misoshiru or ushiojiru, dashi soup and tsukemono are ordered as condiments.
Ochazuke – small portion of rice with hot green tea poured over. Flavor is selected from Ume, Sake grilled and crushed salmon, or Nori.
I suggest to expand the food section in this article, with some research. Or is it too minute? Categorize typical food menu into several groups by how they are cooked: the common way the menu book is presented, and I guess they are ordered by how fast they are served.
(New sub section.)
--Omotecho 19:17, 28 January 2016 (UTC)
Done. top section, deleted subsections from here as copied to the article. --Omotecho 18:52, 6 February 2016 (UTC)
--Omotecho 06:58, 6 February 2016 (UTC) --Omotecho (talk) 09:56, 7 April 2016 (UTC)
Translated Kushikatsu from Japanese article, subsections[edit]
citation needed
During the latter part of Edo period prior to 1868, those food stands called “tempura yatai” served kushikatsu that was called tempura back then.
tip--narrowing down the list of "Articles containing Japanese language": change address to desired index by replacing the last letter to, ex. X, in Articles_containing_Japanese-language_text=from=Z
Category:Articles_containing_Japanese-language_text&from=X --Omotecho (talk) 15:10, 16 September 2016 (UTC)
Got Unicode? This Page has input systems for format:
<ref>
{{cite web|url=http://www.personal.psu.edu/ejp10/psu/gotunicode/macron.html |title=PSU University : Get Unicode? |publisher=PSU.edu |date=2005-10-06 |accessdate=2015-09-15}}</ref>
Windows
Questionable writing in Wikipedia article
[[Macron#Vowel_length |macron vowel length]]
Isn't it Modified Hepburn or Revised HepburnRevised Hepburn ((修正ヘボン式), Shūsei Hebon-shiki)?
The Hepburn romanization system of Japanese, for example, "traffic (交通, こうつう) kōtsū" opposed to "bone or knack (骨, こつ) kotsu".
* HTML Codes
Use these codes to input accented letters in HTML. For instance, if you want to type bōnus with a long O, you would type bōnus.
NOTE: Your page should declare utf-8 (Unicode) encoding or else the characters may not display in older browsers. Because these are Unicode characters, the formatting may not exactly match that of the surrounding text depending on the browser.
Hepburn -> simplified Hepburn (more popular in use today) -> Modified Hepburn or Revised Hepburn (修正ヘボン式 Shūsei Hebon-shiki)
The rendering of syllabic n as m before certain consonants is no longer used, resulting in e.g. Shinbashi for 新橋（しんばし）. This style was introduced in the third edition of Kenkyusha's New Japanese-English Dictionary (1954), adopted by the Library of Congress as one of its ALA-LC romanizations, and is the most common version of the system today.
[1]
Macrons are used for Modified Hepburn or Revised Hepburn (修正ヘボン式 Shūsei Hebon-shiki). Circumflexes often used for [[Nihon-shiki]] and [[Kunrei-shiki]], or when a word processor does not allow macrons.
Double (or "geminate") consonant sounds are marked by doubling the consonant following the [[sokuon]], っ; for consonants that are digraphs in Hepburn (sh, ch, ts), double only the first consonant of the set, except for ch → tch.
MS Word<ref>{{cite web|url=http://www.language.iastate.edu/latinpreview/unit00/04type.html |title=IA State University : Latin Preview |publisher=iastate.edu |date=2005-10-06 |accessdate=2014-07-6}} </ref>
If you're using MS Word on a PC, it's easy to type with macrons without using a special font. This option will work best for you if you always use the same computer to type Latin. Here's how it works:
Open MS Word
Select the menu item INSERT>SYMBOL
In the font box choose the font you normally use
If the special characters are available, a second box ("subset") appears (as it does with the Times font) called "subset." Choose Latin Extended A in this subset box. You should then see all the characters you need. You can either click on a character to insert it from here, or at the bottom of the window you have the option of creating a shortcut.
You will need to specify different shortcut keys for lower- or uppercase characters. For example, you could use alt+the character for lower case and shift+alt+the character for its uppercase equivalent.
Japan
BLIK登録であることを示す案内板。ゲロルフ邸 (レーヴェンヴァル)
文化遺産のライオンの噴水
自然遺産のイェーデブルンネンの泉
ニーダーザクセン州指定の標章。三角形と菱形を組み合わせたデザインはja:武力紛争の際の文化財の保護に関する条約の定める標章で、その下に所在する都市の名前が入る。
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.JPG)
鈴木憲蔵さん –Omotecho (talk) 20:52, 21 December 2016 (UTC)
Comment:Sources yet to find. File:市谷高力松（東京府史蹟名勝天然記念物調査報告書２・1924）.jpg
Done
Images without article—Media in category "Female aviators"
USA (WASP), Frence , Nepal , Romania 
Done. top section, deleted subsections from here as copied to the article. --Omotecho 18:52, 6 February 2016 (UTC)