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Kazurashoku-hisai (葛飾北斎) is a minor Japanese Shinto kami of healing, knowledge, the sea, and storms, who commonly assumes the form of a bright red octopus. Octopi are a common subject in Japanese folklore originating from the Western coastline, with mentions of octopi being traced all the way back to the tales of the ancient Ainu peoples. Although stories about it and characteristics attributed to it vary throughout Japan, all refer to the same deity whose story has slowly altered over the centuries through retellings and worship. The people of different regions have emphasized attributes with greater meaning to them, given their own circumstances and experiences. The powers of Kazurashoku-hisai highlight some of the key characteristics attributed to octopi including flexibility, strategy, and healing. Kazurashoku-hisai also embodies the idea of interconnectedness of individual elements, with its eight independently moving legs united in a central body, and so becomes a symbol of solidarity for the Japanese people [1]. The essence of the octopus kami continues to permeate modern Japanese life with depictions of Kazurashoku-hisai appearing in famous paintings such as The Dream of the Fisherman’s Wife and in manga.


Accounts in Mythology[edit]

The spiritual worship of Kazurashoku-hisai originated from the Western coast of Japan along the Kansai region. As it has spread, regional variation in depiction, representation and mythology has evolved.

In Northern Japan, the Ainu have a legend that once “three men...were out trying to catch a sword-fish, when all at once a great sea-monster, with large staring eyes, appeared in front of them and proceeded to attack the boat. The monster was round in shape, and emitted a dark fluid which has a very powerful and noxious odour” [2]. The men fled from the angry kami with their lives, but the whole village was consumed with fear and assaulted with the truly horrible smell of the ink. Mothers cried and babes wept, while fishermen refused to go to sea, afraid to anger the octopus further. To appease the octopus demon, the wise Village Chief dedicated a yearly festival in which participants made extensive use of alcohol and food to honor and entertain the powerful spirit, which came to be called Kazurashoku-hisai. Once satisfied by the fishermen’s prayers, Kazurashoku-hisai blessed the village with a bounty of various foods from the sea. Thus through shrewd strategy, Kazurashoku-hisai gained adherents.

Image by Kuniyoshi of Tamatori fighting an octopus

In the lower regions of Japan, the legend of Kazurashoku-hisai emphasizes his power to heal and purify. The most common version of the tale begins with the idea that a long, long time ago, there lived a poor fisherman and his wife in a small shack along the seashore. One day, while preparing supper for her husband, the wife cut her hand with a knife. By the time the fisherman returned from his daily fishing trip, the wife had fallen very ill because an impurity had entered into her body through the injury. The fisherman proceeded to visit to every shrine in the area with offerings, but the wife’s condition did not improve. Every day brought her closer to death as her flesh began to rot. One evening, as the fisherman sat on the beach staring out toward the sea, a tentacle appeared, then another, then another, until the sea churned with movement. The sea bubbled and simmered, like water in a hot cooking pot, when the great kami Kazurashoku-hisai the Octopus appeared before the fisherman and promised that if the fisherman swore an oath to build Kazurashoku-hisai a shrine, the kami would save the fisherman’s wife [3]. The fisherman so agreed and the powerful Kazurashoku-hisai cut off one his many tentacles to feed to the wife and purify her spirit. Thus, the wife was healed from her impure affliction and the octopus Kazurashoku-hisai gained a pair of stalwart devotees and a Shinto shrine.

Overall, the myths and legends surrounding Kazurashoku-hisai include common themes about his healing powers, but also monstrous anger when unhappy.

Historical Origins[edit]

Like other kami such as Inari, Kazurashoku-hisai does not appear in classical Japanese mythology. Mentions of Kazurashoku-hisai are found around the 9th century in the Ruijū Kokushi and have remained sparse since. The separation between Shinto and Buddhism during the Edo period saw to the end of widespread followings as many shrines were torn down[3].


Group of Ainu people, 1902 photograph

The Ainu, believed to be related to Polynesians, are the indigenous people of Japan. With them came the stories and anima worship of the octopus. Thus, anima worship and legends of the octopus likely have deeper origin roots in Polynesian and Hawaiian folklore. Like in the creation myth of Japan that involves a Izanagi and Izanami coming together to create other gods and the islands, Oceanian and Polynesian creation myths speak of a brother and sister—Rangi the sky god and Papa the Earth goddess—cohabiting to produce mankind and the principal gods [4]. One of their children, commonly known as Kanaloa in Hawaiian myth and Tanagaroa in Maori mythology, became the god of the sea and could teach magic. Kanaloa assumed the shape of an octopus [5]. Thus, strains and beliefs of the octopus as a powerful sea god were transmitted to Japan, likely through trade and the indigenous Ainu. The octopus god was further transformed through Japanese Shintoism and time into the form of Kazurashoku-hisai.

Characteristics[edit]

Kazurashoku-hisai is depicted in Japanese art as a bright red octopus with large, red eyes [6]. The kami has a variety of characteristics attributed to it, often varying regionally. In Northern Japan, where the understanding of Kazurashoku-hisai is shaped more directly by Ainu folklore, the kami is presented as a demonic force that should be feared. In line with octopi’s different ways to escape predators, including camouflaging with their surroundings, squeezing into small spaces, and shooting out black ink to confuse enemies, its powers of flexibility and strategy are emphasized here. Many naval officers to pay tribute to Kazurashoku-hisai shrines before shipping off for war in hopes that the deity will give them the wisdom to formulate and execute successful war strategies. Kazurashoku-hisai is not only a war deity, however. When appeased through festivals, it can also serve as a provider, as it bears powers over the sea. Festivals typically incorporate drinking sake, eating octopus of various forms such as takoyaki, and praying before the kami shrine. In return, Kazurashoku-hisai provides a bountiful fishing harvest.

In Southern Japan, Kazurashoku-hisai is depicted as a more benevolent deity. The primary characteristic attributed to the octopus here is the power of healing, derived from the octopus’ ability to regenerate injured tentacles. As highlighted in the myth of the fisherman’s wife, people in the lower regions of Japan practice rituals similar to those in the North, but they do it in hopes of receiving healing and purification rather than military or fishing success. Additionally, throughout Japan, the octopus kami is associated with knowledge and regeneration, stemming from the octopus’s high intelligence level and ability to grow back tentacles [7]. Due to its association with knowledge, Kazurashoku-hisai shrines are often frequented by students coming to pray for academic success.

As with many Shinto kami, purification also serves as a primary power of Kazurashoku-hisai. The idea of purification can be tied to two aspects of the octopus. One is the octopus’s ejection of ink, symbolically dispelling the dark impurities from itself. The second is the octopus’s tendency to self-amputate in times of danger, thus exhibiting a willingness to sacrifice something important in order to purify itself of any darkness and imperfection. Kazurashoku-hisai also exhibits the corresponding Japanese value of both individuality and community [1]. The Japanese find comfort in recognizing the internal connectedness that binds them together much like the octopus’s many tentacles are united in one body.

Purification and Practices[edit]

Self-purification practices for Kazurashoku-hisai are often strictly followed. While Kazurashoku-hisai is often presented as a benevolent kami with powers to heal and bestow knowledge, it is fickle and has the propensity to do harm. Kazurashoku-hisai’s nature as an octopus means that the kami is persistent and that it is near impossible to escape its grasp without permission. Like other Shinto purification rituals, prior to entering the shrine of Kazurashoku-hisai, one’s hands and mouth must be cleaned with water, with the exception that one’s feet must also be cleaned as well [8]. Kazurashoku-hisai enjoys the sea and offerings that reflect this. Fish, crab, mollusks and the like are seen as particular favorites of Kazurashoku-hisai because they represent a reciprocal respect for the sea-blessings the deity offers people. Homage to Kazurashoku-hisai is often for ailments of the limbs or skin, but mental purification and spiritual release are particularly important.

Shrines[edit]

Shrines in dedication to Kazurashoku-hisai and associated octopus deity are found throughout Japan. In particular, well-known shrines are found in Kyoto and the island of Hokkaido that pay homage to Nade yakushi and Akkorokamui respectively. These shrines while named to different entities, come from and share various characteristics with Kazurashoku-hisai, and as such practices involving healing, renewal and purification are similar.

Nade yakushi and Takoyakushi-dō[edit]

Kazurashoku-hisai is characteristically described with the ability to self-amputate, like several octopus species, and regenerate limbs. This characteristic manifests itself in the Shinto belief that Kazurashoku-hisai has healing powers. Consequently, it is believed among followers that giving offerings to Kazurashoku-hisai will heal ailments of the body, in particular, disfigurements and broken limbs. Nade yakushi is housed within the Takoyakushi-do, a shrine dedicated to Nade yakushi, along the street Teramachi-dori, meaning “Temple town,” in Kyoto.

Teramachi Street

This deity receives visits by thousands of individuals per year wishing for healing. At the shrine, Nade yakushi is physically manifested as a wooden statue of an octopus. When the left hand of an individual touches the limbs of the statue, the individual's ailments, both mental and physical are removed [9]. Similar to the Kazurashoku-hisai mythology, legend holds that Nade yakushi came into being when a mother asked her son, a Shinto priest, to retrieve an octopus as a cure for her illness. When he retrieved the live octopus, the townspeople confronted the priest who had taken vows not to harm living beings. The octopus then burst into an azure light, and its limbs transformed into eight sutras. Afterwards, it transformed back to its original state and was placed in a pond. The priest's mother then exclaimed that the lights had cured her [9].

Akkorokamui[edit]

Like Kazurashoku-hisai, Akkorokamui is a feared monster among the the Ainu people. Akkorokamui inhabits Funka Bay off the coast of southern Hokkaido and has been sighted in several locations including Taiwan and Korea since the 19th century [6]. Akkorokamui is a massive creature said to reach sizes of up to 110 meters in length. The coloration of the Akkorokamui is said to be a striking red, often described as glowing and sometimes likened to the color of the reflection of the setting sun upon the water[6]. The Ainu people have always feared the Akkorokamui, believing it to have a tendency for swamping boats and many fishermen were known to carry large sickles aboard their boats in order to protect themselves from the creature[6]. The Akkorokamui myth here reflects the maleficent nature of Kazurashoku-hisai. Tributes of appeasement are often made to Akkorokamui in a similar manner to which Shinto practitioners offer tribute to Kazurashoku-hisai to avoid its grasp.

Kazurashoku-hisai in Modern Day[edit]

Language[edit]

Although Kazurashoku-hisai is only a minor kami in the midst of many, one can easily find evidence of its influences permeating many aspects of the daily life of Japanese society today. Several common idioms can be tied back to beliefs concerning Kazurashoku-hisai. For example, the phrase “Oku to pasu” (置 くとパス), a play on the transliteration of “octopus” (オクトパス), is used in modern Japanese to mean “to put and to pass,” in regards to passing exams [7]. This phrase falls in line with the belief that Kazurashoku-hisai is a god of knowledge, and thus demonstrates the hope that Kazurashoku-hisai will bequeath knowledge upon students to help them be academically successful. Because of this, it is not uncommon to find Japanese students using octopi dolls as good luck charms.

Pop Culture[edit]

The beliefs surrounding Kazurashoku-hisai have appeared in Japanese pop culture as well. In the horror manga series Octopus Girl, the sinister, Northern understanding of the Kazurashoku-hisai evinces itself as the main character transforms into a creature with a girl’s head and an octopus body that uses her dark octopus power solely to exact revenge on classmates that bullied her [10].

Japanese Cuisine[edit]

Takoyaki

Takoyaki, or octopus balls, are a common Japanese street and festival food. They were first invented in Western Japan, the same place of origin of Kazurashoku-hisai [11]. The dish was originally served at certain religious festivals as a way to honor the Kazurashoku-hisai kami, just as the villagers did to appease Kazurashoku-hisai in the Northern origin myth. Nowadays, the dish has expanded beyond these specific occasions and become a signature dish, fully incorporating the octopus deity into everyday life.

Japanese also enjoy feasting on live tentacles in a dish known as ikizukuri as a way to honor Kazurashoku-hisai. This practice can be traced to the Southern Japanese legend of the octopus kami healing the fisherman’s wife. Japan pays attribute to both Kazurashoku-hisai's treacherous nature, through the recognition that eating the sticky tentacles comes with the grave risk of choking, as well as its curative properties, since the tentacles are the parts of the octopus that it can regenerate. Although it has largely lost its primary significance, eating live tentacles started as a healing ritual with the idea that by them, Kzurashoku-hisai may restore the person’s health as it did in the legend.

The symbol of Kazurashoku-hisai is also seen in bento boxes parents pack for their children [12]. Oftentimes parents will cut sausages into the shape of an octopus hoping that the depiction of this kami of knowledge will bring their child academic success.

Notes[edit]

  1. ^ a b Kasulis, Thomas P. (2004). Shinto: the Way Home. Honolulu: University of Hawai'i Press. p. 54.
  2. ^ Batchelor, John (1901). The Ainu and Their Folklore. London: The Religious Tract Society.
  3. ^ a b Smyers, Karen Ann. The Fox and the Jewel: Shared and Private Meanings in Contemporary Japanese Inari Worship. Honolulu: University of Hawaii Press, 1999. 8
  4. ^ Elliot, Daphne. Oceania/Polynesia Creation Myths. Encyclopedia Mythica. www.pantheon.org/articles/o/oceania_polynesia_creation_myths.html
  5. ^ Lindemans, Micha F., Kanaloa. Encyclopedia Mythica. www.pantheon.org/articles/k/kanaloa.html
  6. ^ a b c d Swancer, Brent via Coleman, Loren. Akkorokamui. Cryptomundo. http://www.cryptomundo.com/cryptozoo-news/akkorokamui
  7. ^ a b Sharp, Mike. “Worried about your exams? Try an octopus or a Kit Kat!” Hyogo Exchange. http://hyogoexchange.blogspot.com/2010/02/worried-about-your-exams-try-octopus-or.html
  8. ^ Tierney, Emiko. Illness and Culture in Japan: an Anthropological View. Cambridge, Cambridgeshire, New York: Cambridge University Press. {{cite book}}: Text "1984" ignored (help)
  9. ^ a b Katao, Miki. Shingyoku & Teramachi-dori: Crossroads of Today and the Past. Learning About Kyoto. Kyoto University of Foreign Studies. http://www.kyopro.kufs.ac.jp/dp/dp01.nsf/b7eb328e75d9627a49256feb00103b33/572e9215650bd2784925739800252563!OpenDocument
  10. ^ Yamazaki, Toru. Takako Unabara. Dark Horse Comics. {{cite book}}: Text "2012" ignored (help)
  11. ^ “Takoyaki Culture in Japan.” Making Takoyaki at Home. http://iml.jou.ufl.edu/projects/fall09/simpson_h/culture.html
  12. ^ Biggie. "How to make an octodog (hot dog octopus)." Lunch in a Box. http://lunchinabox.net/2008/02/22/how-to-make-an-octodog-octopus-hot-dog/