User:GeorgeHarrison2429/sandbox

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This page is about the band. For their eponymous album, see The Beatles (album). For other uses, see GeorgeHarrison2429/sandbox (disambiguation).
"Beatle" and "Fab Four" redirect here. For the insect, see Beetle. For other uses, see Fab Four (disambiguation).

The Beatles
A square quartered into four head shots of young men with moptop haircuts. All four wear white shirts and dark coats.
The Beatles in 1964; clockwise from top left: John Lennon, Paul McCartney, Ringo Starr, and George Harrison
Background information
OriginLiverpool, England
Genres
Years active1960–1970
Labels
Past members
Websitethebeatles.com

The Beatles were an English rock band formed in Liverpool in 1960. The group, whose best-known line-up comprised John Lennon, Paul McCartney, George Harrison and Ringo Starr, are regarded as the most influential band of all time.[1] They were integral to the development of 1960s counterculture and popular music's recognition as an art form.[2] Rooted in skiffle, beat and 1950s rock and roll, their sound incorporated elements of classical music and traditional pop in innovative ways; the band later explored music styles ranging from ballads and Indian music to psychedelia and hard rock. As pioneers in recording, songwriting and artistic presentation, the Beatles revolutionised many aspects of the music industry and were often publicised as leaders of the era's youth and sociocultural movements.[3]

Led by primary songwriters Lennon and McCartney, the Beatles built their reputation playing clubs in Liverpool and Hamburg over three years from 1960, initially with Stuart Sutcliffe playing bass. The core trio of Lennon, McCartney and Harrison, together since 1958, went through a succession of drummers, including Pete Best, before asking Starr to join them in 1962. Manager Brian Epstein moulded them into a professional act, and producer George Martin guided and developed their recordings, greatly expanding their domestic success after their first hit, "Love Me Do", in late 1962. As their popularity grew into the intense fan frenzy dubbed "Beatlemania", the band acquired the nickname "the Fab Four", with Epstein, Martin and other members of the band's entourage sometimes given the informal title of "fifth Beatle".

By early 1964, the Beatles were international stars, leading the "British Invasion" of the United States pop market and breaking numerous sales records. They soon made their film debut with A Hard Day's Night (1964). From 1965 onwards, they produced records of greater complexity, including the albums Rubber Soul (1965), Revolver (1966) and Sgt. Pepper's Lonely Hearts Club Band (1967), and enjoyed further commercial success with The Beatles (also known as "the White Album", 1968) and Abbey Road (1969). In 1968, they founded Apple Corps, a multi-armed multimedia corporation that continues to oversee projects related to the band's legacy. After the group's break-up in 1970, all four members enjoyed success as solo artists. Lennon was shot and killed in December 1980, and Harrison died of lung cancer in November 2001. McCartney and Starr remain musically active.

The Beatles are the best-selling music act of all time, with estimated sales of 600 million units worldwide.[4] They are the best-selling act in the US, with certified sales of 183 million units. They hold the record for most number-one albums on the UK Albums Chart, most number-one hits on the Billboard Hot 100 chart, and most singles sold in the UK. The group were inducted into the Rock and Roll Hall of Fame in 1988, and all four main members were inducted individually between 1994 and 2015. In 2008, the group topped Billboard's list of the all-time most successful artists on the Billboard Hot 100. The band received seven Grammy Awards, four Brit Awards, an Academy Award (for Best Original Song Score for the 1970 film Let It Be) and fifteen Ivor Novello Awards. Time magazine named them among the 20th century's 100 most important people.

History[edit]

History of the Beatles
The Beatles logo

1957–1963: Formation, Hamburg, and UK popularity[edit]

In March 1957, John Lennon, then aged sixteen, formed a skiffle group with several friends from Quarry Bank High School in Liverpool. They briefly called themselves the Blackjacks, before changing their name to the Quarrymen after discovering that another local group were already using the name.[5] Fifteen-year-old Paul McCartney joined them as a rhythm guitarist shortly after he and Lennon met that July.[6] In February 1958, McCartney invited his friend George Harrison to watch the band. The fifteen-year-old auditioned for Lennon, impressing him with his playing, but Lennon initially thought Harrison was too young for the band. After a month of Harrison's persistence, during a second meeting (arranged by McCartney), he performed the lead guitar part of the instrumental song "Raunchy" on the upper deck of a Liverpool bus,[7] and they enlisted him as their lead guitarist.[8][9]

By January 1959, Lennon's Quarry Bank friends had left the group, and he began his studies at the Liverpool College of Art.[10] The three guitarists, billing themselves as Johnny and the Moondogs,[11] were playing rock and roll whenever they could find a drummer.[12] Lennon's art school friend Stuart Sutcliffe, who had just sold one of his paintings and was persuaded to purchase a bass guitar with the proceeds, joined in January 1960, and it was he who suggested changing the band's name to Beatals, as a tribute to Buddy Holly and the Crickets.[13][14] They used this name until May, when they became the Silver Beetles, before undertaking a brief tour of Scotland as the backing group for pop singer and fellow Liverpudlian Johnny Gentle. By early July, they had refashioned themselves as the Silver Beatles, and by the middle of August shortened the name to the Beatles.[15]

Allan Williams, the Beatles' unofficial manager, arranged a residency for them in Hamburg, and for this they auditioned and hired drummer Pete Best in mid-August 1960. The band, now a five-piece, departed Liverpool for Hamburg four days later, contracted to club owner Bruno Koschmider for what would be a 3½-month residency.[16] Beatles historian Mark Lewisohn writes: "They pulled into Hamburg at dusk on 17 August, the time when the red-light area comes to life ... flashing neon lights screamed out the various entertainment on offer, while scantily clad women sat unabashed in shop windows waiting for business opportunities."[17]

Koschmider had converted a couple of strip clubs in the district into music venues, and he initially placed the Beatles at the Indra Club. After closing Indra due to noise complaints, he moved them to the Kaiserkeller in October.[18] When he learned they had been performing at the rival Top Ten Club in breach of their contract, he gave the band one month's termination notice,[19] and reported the underage Harrison, who had obtained permission to stay in Hamburg by lying to the German authorities about his age.[20] The authorities arranged for Harrison's deportation in late November.[21] One week later, Koschmider had McCartney and Best arrested for arson after they set fire to a condom in a concrete corridor; the authorities deported them.[22] Lennon returned to Liverpool in early December, while Sutcliffe remained in Hamburg until late February with his German fiancée Astrid Kirchherr,[23] who took the first semi-professional photos of the Beatles.[24]

During the next two years, the Beatles were resident for periods in Hamburg, where they used Preludin both recreationally and to maintain their energy through all-night performances.[25] In 1961, during their second Hamburg engagement, Kirchherr cut Sutcliffe's hair in the "exi" (existentialist) style, later adopted by the other Beatles.[26][27] When Sutcliffe decided to leave the band early that year and resume his art studies in Germany, McCartney took up the bass.[28] Producer Bert Kaempfert contracted what was now a four-piece group until June 1962, and he used them as Tony Sheridan's backing band on a series of recordings for Polydor Records.[14][29] As part of the sessions, the Beatles were signed to Polydor for one year.[30] Credited to "Tony Sheridan & the Beat Brothers", the single "My Bonnie", recorded in June 1961 and released four months later, reached number 32 on the Musikmarkt chart.[31]

After the Beatles completed their second Hamburg residency, they enjoyed increasing popularity in Liverpool with the growing Merseybeat movement. However, they were also growing tired of the monotony of numerous appearances at the same clubs night after night.[32] In November 1961, during one of the group's frequent performances at The Cavern Club, they encountered Brian Epstein, a local record-store owner and music columnist.[33] He later recalled: "I immediately liked what I heard. They were fresh, and they were honest, and they had what I thought was a sort of presence ... [a] star quality."[34]

Epstein courted the band over the next couple of months, and they appointed him as their manager in January 1962.[35] Throughout early and mid-1962, Epstein sought to free the Beatles from their contractual obligations to Bert Kaempfert Productions. He eventually negotiated a one-month-early release from their contract in exchange for one last recording session in Hamburg.[36] Tragedy greeted them on their return to Germany in April, when a distraught Kirchherr met them at the airport with news of Sutcliffe's death the previous day from what was later determined as a brain haemorrhage.[37]

Epstein began negotiations with record labels for a recording contract. To secure a UK record contract, Epstein negotiated an early end to the band's contract with Polydor, in exchange for more recordings backing Tony Sheridan.[38] After a New Year's Day audition, Decca Records rejected the band with the comment "Guitar groups are on the way out, Mr. Epstein."[39] However, three months later, producer George Martin signed the Beatles to EMI's Parlophone label.[37]

A flight of stone steps leads from an asphalt car park up to the main entrance of a white two-story building. The ground floor has two sash windows, the first floor has three shorter sash windows. Two more windows are visible at basement level. The decorative stonework around the doors and windows is painted grey.
Main entrance at Abbey Road Studios

Martin's first recording session with the Beatles took place at EMI's Abbey Road Studios in London on 6 June 1962.[40] Martin immediately complained to Epstein about Best's poor drumming and suggested they use a session drummer in his place.[41] Already contemplating Best's dismissal,[42] the Beatles replaced him in mid-August with Ringo Starr, who left Rory Storm and the Hurricanes to join them.[40] A 4 September session at EMI yielded a recording of "Love Me Do" featuring Starr on drums, but a dissatisfied Martin hired drummer Andy White for the band's third session a week later, which produced recordings of "Love Me Do", "Please Please Me" and "P.S. I Love You".[40]

Martin initially selected the Starr version of "Love Me Do" for the band's first single, though subsequent re-pressings featured the White version, with Starr on tambourine.[40] Released in early October, "Love Me Do" peaked at number seventeen on the Record Retailer chart.[43] Their television debut came later that month with a live performance on the regional news programme People and Places.[44] After Martin suggested rerecording "Please Please Me" at a faster tempo,[45] a studio session in late November yielded that recording,[46] of which Martin accurately predicted, "You've just made your first No. 1."[47]

In December 1962, the Beatles concluded their fifth and final Hamburg residency.[48] By 1963, they had agreed that all four band members would contribute vocals to their albums – including Starr, despite his restricted vocal range, to validate his standing in the group.[49] Lennon and McCartney had established a songwriting partnership, and as the band's success grew, their dominant collaboration limited Harrison's opportunities as a lead vocalist.[50] Epstein, to maximise the Beatles' commercial potential, encouraged them to adopt a professional approach to performing.[51] Lennon recalled him saying, "Look, if you really want to get in these bigger places, you're going to have to change – stop eating on stage, stop swearing, stop smoking ...."[39] Lennon said: "We used to dress how we liked, on and off stage. He'd tell us that jeans were not particularly smart and could we possibly manage to wear proper trousers, but he didn't want us suddenly looking square. He'd let us have our own sense of individuality."[39]

1963–1966: Beatlemania and touring years[edit]

Main article: Beatlemania

Please Please Me and With the Beatles[edit]

The logo of the English rock band the Beatles
The band's logo was designed by Ivor Arbiter[52]

On 11 February 1963, the Beatles recorded ten songs during a single studio session for their debut LP, Please Please Me. The album was supplemented by the four tracks already released on their first two singles. Martin originally considered recording the Beatles' debut LP live at The Cavern Club, but after deciding that the building's acoustics were inadequate, he elected to simulate a "live" album with minimal production in "a single marathon session at Abbey Road".[53] After the moderate success of "Love Me Do", the single "Please Please Me" met with a more emphatic reception. Released in January 1963, two months ahead of the album of the same name, the song reached number one on every UK chart except Record Retailer, where it peaked at number two.[54]

Recalling how the Beatles "rushed to deliver a debut album, bashing out Please Please Me in a day", AllMusic's Stephen Thomas Erlewine comments, "Decades after its release, the album still sounds fresh, precisely because of its intense origins."[55] Lennon said little thought went into composition at the time; he and McCartney were "just writing songs à la Everly Brothers, à la Buddy Holly, pop songs with no more thought of them than that – to create a sound. And the words were almost irrelevant."[56]


Released in March 1963, the album initiated a run during which eleven of their twelve studio albums released in the United Kingdom through to 1970 reached number one.[59] The band's third single, "From Me to You", came out in April and was also a chart-topping hit, starting an almost unbroken string of seventeen British number-one singles for the Beatles, including all but one of the eighteen they released over the next six years.[60] Issued in August, the band's fourth single, "She Loves You", achieved the fastest sales of any record in the UK up to that time, selling three-quarters of a million copies in under four weeks.[61] It became their first single to sell a million copies, and remained the biggest-selling record in the UK until 1978.[62][nb 1]

Their commercial success brought increased media exposure, to which the Beatles responded with an irreverent and comical attitude that defied the expectations of pop musicians at the time, inspiring even more interest.[63] The band toured the UK three times in the first half of the year: a four-week tour that began in February, the Beatles' first nationwide, preceded three-week tours in March and May–June.[64] As their popularity spread, a frenzied adulation of the group took hold. Greeted with riotous enthusiasm by screaming fans, the press dubbed the phenomenon "Beatlemania".[65] Although not billed as tour leaders, the Beatles overshadowed American acts Tommy Roe and Chris Montez during the February engagements and assumed top billing "by audience demand", something no British act had previously accomplished while touring with artists from the US.[66] A similar situation arose during their May–June tour with Roy Orbison.[67]

Paul McCartney, George Harrison, Swedish pop singer Lill-Babs and John Lennon on the set of the Swedish television show Drop-In in 1963
McCartney, Harrison, Swedish pop singer Lill-Babs and Lennon on the set of the Swedish television show Drop-In, 30 October 1963[68]

In late October, the Beatles began a five-day tour of Sweden, their first time abroad since the final Hamburg engagement of December 1962.[69] On their return to the UK on 31 October, several hundred screaming fans greeted them in heavy rain at Heathrow Airport. Around 50 to 100 journalists and photographers, as well as representatives from the BBC, also joined the airport reception, the first of more than 100 such events.[70] The next day, the band began its fourth tour of Britain within nine months, this one scheduled for six weeks.[71] In mid-November, as Beatlemania intensified, police resorted to using high-pressure water hoses to control the crowd before a concert in Plymouth.[72]

Please Please Me maintained the top position on the Record Retailer chart for 30 weeks, only to be displaced by its follow-up, With the Beatles,[73] which EMI released on 22 November to record advance orders of 270,000 copies. The LP topped a half-million albums sold in one week.[74] Recorded between July and October, With the Beatles made better use of studio production techniques than its predecessor.[75] It held the top spot for 21 weeks with a chart life of 40 weeks.[76] Erlewine described the LP as "a sequel of the highest order – one that betters the original".[77]

In a reversal of then standard practice, EMI released the album ahead of the impending single "I Want to Hold Your Hand", with the song excluded to maximise the single's sales.[78] The album caught the attention of music critic William Mann of The Times, who suggested that Lennon and McCartney were "the outstanding English composers of 1963".[75] The newspaper published a series of articles in which Mann offered detailed analyses of the music, lending it respectability.[79] With the Beatles became the second album in UK chart history to sell a million copies, a figure previously reached only by the 1958 South Pacific soundtrack.[80] When writing the sleeve notes for the album, the band's press officer, Tony Barrow, used the superlative the "fabulous foursome", which the media widely adopted as "the Fab Four".[81]

  1. ^ Hasted 2017, p. 425.
  2. ^ Frontani 2007, p. 125.
  3. ^ Frontani 2007, p. 157.
  4. ^ Hotten, Russell (4 October 2012). "From Fab Four to fabulously rich". BBC. Retrieved 8 January 2020.
  5. ^ Spitz 2005, pp. 47–52.
  6. ^ Spitz 2005, pp. 93–99.
  7. ^ Miles 1997, p. 47; Spitz 2005, p. 127.
  8. ^ Miles 1997, p. 47.
  9. ^ Lewisohn 1992, p. 13.
  10. ^ Harry 2000a, p. 103.
  11. ^ Lewisohn 1992, p. 17.
  12. ^ Harry 2000b, pp. 742–743.
  13. ^ Lewisohn 1992, p. 18.
  14. ^ a b Gilliland 1969, show 27, track 4.
  15. ^ Lewisohn 1992, pp. 18–22.
  16. ^ Lewisohn 1992, pp. 21–25.
  17. ^ Lewisohn 1992, p. 22.
  18. ^ Lewisohn 1992, p. 23.
  19. ^ Lewisohn 1992, pp. 24, 33.
  20. ^ Gould 2007, p. 88.
  21. ^ Lewisohn 1992, p. 24.
  22. ^ Lewisohn 1992, pp. 24–25.
  23. ^ Lewisohn 1992, p. 25.
  24. ^ Spitz 2005, pp. 222–224.
  25. ^ Miles 1997, pp. 66–67.
  26. ^ Lewisohn 1992, p. 32.
  27. ^ Miles 1997, p. 76.
  28. ^ Gould 2007, pp. 89, 94.
  29. ^ Spitz 2005, pp. 249–251.
  30. ^ Lewisohn 2013, p. 450.
  31. ^ Everett 2001, p. 100.
  32. ^ Lewisohn 1992, p. 33.
  33. ^ Miles 1997, pp. 84–87.
  34. ^ Lewisohn 1992, pp. 34–35.
  35. ^ Miles 1997, pp. 84–88.
  36. ^ Winn 2008, p. 10.
  37. ^ a b Lewisohn 1992, p. 56.
  38. ^ Lewisohn 2013, p. 612, 629.
  39. ^ a b c The Beatles 2000, p. 67.
  40. ^ a b c d Lewisohn 1992, p. 59.
  41. ^ Spitz 2005, pp. 318, 322.
  42. ^ Miles 1998, pp. 49–50.
  43. ^ Lewisohn 1992, pp. 59–60.
  44. ^ Lewisohn 1992, pp. 81, 355.
  45. ^ The Beatles 2000, p. 90.
  46. ^ Lewisohn 1992, pp. 62, 84.
  47. ^ Harry 2000a, p. 875.
  48. ^ Lewisohn 1992, pp. 62, 86.
  49. ^ Gould 2007, p. 191.
  50. ^ Harry 2000a, p. 494.
  51. ^ Gould 2007, pp. 128, 133–134.
  52. ^ Womack 2007, p. 76.
  53. ^ Gould 2007, p. 147.
  54. ^ Lewisohn 1992, pp. 88, 351.
  55. ^ Erlewine, Stephen Thomas. "Please Please Me – The Beatles". AllMusic. Archived from the original on 30 May 2012. Retrieved 21 December 2011.
  56. ^ Sheff 1981, p. 129.
  57. ^ Davies 1968, p. 200.
  58. ^ Lewisohn 1988, p. 35.
  59. ^ Lewisohn 1992, pp. 90, 351.
  60. ^ Lewisohn 1992, pp. 89, 350–351.
  61. ^ Gould 2007, p. 159.
  62. ^ a b Harry 2000a, p. 990.
  63. ^ Gould 2007, pp. 166–169.
  64. ^ Lewisohn 1992, pp. 90, 98–105, 109–112.
  65. ^ Spitz 2005, pp. 444–445.
  66. ^ Lewisohn 1992, p. 88.
  67. ^ Lewisohn 1992, p. 90.
  68. ^ Miles 1998, p. 86.
  69. ^ Harry 2000a, p. 1088.
  70. ^ Lewisohn 1992, pp. 92–93.
  71. ^ Lewisohn 1992, pp. 127–133.
  72. ^ Davies 1968, pp. 184–185.
  73. ^ Lewisohn 1992, pp. 90, 92, 100.
  74. ^ Lewisohn 1992, p. 93.
  75. ^ a b Gould 2007, p. 187.
  76. ^ Harry 2000a, p. 1161.
  77. ^ Erlewine, Stephen Thomas. "With the Beatles – The Beatles". AllMusic. Archived from the original on 30 May 2012. Retrieved 21 December 2011.
  78. ^ Gould 2007, pp. 187–188.
  79. ^ Harry 2000a, p. 1162.
  80. ^ Harry 2000b, p. 978.
  81. ^ Harry 2000a, p. 402.


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