The Killing of a Sacred Deer

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The Killing of a Sacred Deer
Theatrical release poster
Directed byYorgos Lanthimos
Written by
Produced by
  • Ed Guiney
  • Yorgos Lanthimos
Starring
CinematographyThimios Bakatakis
Edited byYorgos Mavropsaridis
Production
companies
Distributed byCurzon Artificial Eye
Release dates
  • 22 May 2017 (2017-05-22) (Cannes)
  • 3 November 2017 (2017-11-03) (United Kingdom and Ireland)
Running time
121 minutes
Countries
  • Ireland
  • United Kingdom
LanguageEnglish
Box office$10.7 million[1]

The Killing Of A Sacred Deer is a 2017 absurdist psychological horror thriller film directed and co-produced by Yorgos Lanthimos, who also co-wrote the screenplay with Efthimis Filippou. It stars Colin Farrell, Nicole Kidman, Barry Keoghan, Raffey Cassidy, Sunny Suljic, Alicia Silverstone, and Bill Camp. It follows a cardiac surgeon who introduces his family to a teenage boy with a connection to his past, after which they mysteriously begin to fall ill.

The film had its world premiere at the 70th Cannes Film Festival on 22 May 2017, where it was awarded Best Screenplay.[2] It was theatrically released in the United Kingdom and Ireland on 3 November 2017, by Curzon Artificial Eye. It grossed $10.7 million worldwide and received positive reviews from critics, who praised Lanthimos' direction, the screenplay, cinematography, and performances of the cast (particularly those of Keoghan, Farrell, and Kidman). At the 15th Irish Film & Television Awards, the film earned four nominations, with Keoghan winning Best Supporting Actor. It was nominated for Best Director, Best Screenwriter, and Best Actor (for Farrell) at the 30th European Film Awards, and for Best Supporting Male (for Keoghan) and Best Cinematography at the 33rd Independent Spirit Awards.

Plot[edit]

After performing an open heart surgery, Steven Murphy, a cardiothoracic surgeon in Cincinnati, goes to a diner to meet 16-year-old Martin Lang, whose father died a few years earlier. Steven then goes home to his wife, Anna, and their children, Kim, who is 14, and Bob, who is younger. Steven invites Martin to meet his family, and Martin gets along with everyone, especially Kim. That night, Martin calls to say he has already told his mother that Steven is coming to dinner the next day.

After dinner, Martin insists Steven stay to watch a movie, but Martin leaves partway through to go to bed, leaving Steven alone with his mother. Martin's mother begins to fixate on Steven's hands, saying that all surgeons have beautiful and clean hands. She continues to flirt with Steven, and upon his rejection of her, she says that Martin "wants this" as much as she does. Steven leaves.

Martin visits Steven's office, complaining of chest pain he worries is caused by the same condition that killed his father. The cardiac stress tests Steven runs show nothing wrong, and Martin invites Steven over again, saying his mother finds Steven attractive, but Steven refuses, reminding him that he already has a family. Afterwards, Martin's demands for Steven's attention grow increasingly frequent and desperate, and Steven stops responding. He is troubled when Kim tells him that Martin gave her a ride home.

One morning, Bob says he cannot move his legs, so Steven and Anna rush him to the hospital. Martin visits Bob and tells Steven that, to "balance things" for his father, who died while Steven was operating on him, Steven must kill a member of his own family, or else, within a few days, they will all die after becoming paralyzed, refusing to eat, and bleeding from the eyes. Steven has Martin escorted from the hospital and is troubled to see Bob refusing to eat. This leads him to force food into his son's mouth.

Bob's condition does not improve, but no cause can be found. Kim, who has fallen in love with Martin, collapses while singing in the choir and is also hospitalized. She chokes on a piece of apple and is unable to eat too. Thus Kim and Bob are given feeding tubes. Steven admits his true history with Martin to Anna, as well as that he had been drinking before operating on Martin's father. After witnessing Kim stand up when Martin tells her to do so over the phone and become paralyzed again when he hangs up, Anna is convinced that Martin has some sort of power, so she visits him to ask why she and her children should suffer for Steven's mistake. He says it is the closest thing to justice that he can think of, since he believes Steven killed his father.

Eventually, Kim and Bob are sent home. When Anna chastizes Steven for his passive way of dealing with the situation, he kidnaps Martin and ties him up in his basement. He beats Martin and shoots him in the leg, but Martin is not intimidated. Rather he bites Steven's arm and to be equal bites his own arm too. The children argue over whom their father will choose to kill and try to curry his favor. Steven asks the school principal which of his children is "best". (The principal tells Steven that Bob excels in maths and sciences. Kim strives in literature and history, citing her excellent essay on Iphigenia.) But at the end he says it is impossible to point out the best.

Back home, Anna tends to Martin's wounds and brings the children to see him but fails to elicit any sympathy. She then tells Steven that he should kill one of the children, not her, because she can have another child. Kim fails to persuade Martin to heal her so they can run away together and then tells Steven how much she loves her family and offers her life to save theirs. Finally, hopeless, Anna releases Martin.

When Bob begins bleeding from his eyes, which Martin said would happen a few hours before death, Steven places him, Kim, and Anna in a circle, bound with duct tape, and covers their heads. Steven pulls a woolen hat over his face, spins around, and repeatedly fires a rifle. He narrowly misses Kim and Anna, but the third shot kills Bob.

Some time later, Martin, his face still somewhat bruised, enters the diner where he and Steven used to meet. The remaining Murphys are inside and promptly leave. Martin watches as they go. Steven avoids his gaze, Anna shoots him an icy glare, and Kim, who is healed, glances back before walking out of the door.

Cast[edit]

Production[edit]

The Killing of a Sacred Deer takes its title from part of the story of the ancient Greek tragedy Iphigenia in Aulis by Euripides.[3][4][5] On 11 May 2016, it was announced that Farrell was set to star in the film, with Lanthimos directing from a screenplay he wrote alongside Filippou.[6] This was the second collaboration between Lanthimos and Farrell, after 2015's The Lobster. Kidman was cast that June,[7] and Silverstone, Cassidy, Camp, Keoghan, and Suljic joined the project in August.[8] The film was financed by Film4 Productions and New Sparta Films along with the Irish Film Board, and was developed by Element Pictures with support from Film4, while HanWay Films served as worldwide sales agent.[2]

By 23 August 2016, the film had begun principal photography at The Christ Hospital in Cincinnati.[9] Shooting also took place in the Hyde Park and Northside neighborhoods of the city.[10]

Release[edit]

The Killing of a Sacred Deer premiered at the 70th Cannes Film Festival on 22 May 2017,[11][12] where it competed for the Palme d'Or and won Best Screenplay.[2][13] In May 2016, A24 acquired North American distribution rights[14] and Haut et Court acquired French distribution rights to the film.[15] It was theatrically released in the United States on 20 October 2017,[16][17] and in the United Kingdom and Ireland on 3 November 2017.[18][19]

Reception[edit]

Box office[edit]

In North America, The Killing of a Sacred Deer made $114,585 from four theaters in its opening weekend, an average of $28,646 per venue.[20][21] It opened to £288,105 and finished on £857,615 in the United Kingdom.[22] The film ultimately grossed $2.3 million in the United States and Canada, and $8.4 million in other territories, for a worldwide total of $10.7 million.[1]

Critical response[edit]

On the review aggregator website Rotten Tomatoes, 79% of 281 critics' reviews are positive, with an average rating of 7.7/10. The website's consensus reads: "The Killing of a Sacred Deer continues director Yorgos Lanthimos' stubbornly idiosyncratic streak — and demonstrates again that his is a talent not to be ignored."[23] Metacritic, which uses a weighted average, assigned the film a score of 73 out of 100, based on 45 critics, indicating "generally favorable" reviews.[24]

Peter Bradshaw of The Guardian gave the film 4 out of 5 stars, writing that "The Killing of a Sacred Deer moves with a somnambulist's certainty along its own distinctive spectrum of weird. It's an intriguing, disturbing, amusing twist on something which in many ways could be a conventional horror-thriller from the 1970s or 1980s, or even a bunny-boiler nightmare from the 90s."[25] Mark Kermode of The Observer also gave the film 4 out of 5 stars, describing it as "a typically arch dramatic conundrum, laced with Lanthimos's trademark off-kilter artifice and deadpan humour" and "a Saw movie for the arthouse crowd, an increasingly sickening hunger game driven by an inflexible moral imperative, with a whiff of medical misadventure."[26]

A. O. Scott of The New York Times opined that "Lanthimos is less interested in moral shock therapy or social criticism than in aesthetic estrangement. Sacred Deer feels like a dark, opaque bit of folklore transplanted into an off-kilter modern setting."[27] Justin Chang of the Los Angeles Times called the film "a lightly blood-spattered but technically immaculate nightmare of a movie that invites us to cackle alongside its director into the void" and commented, "With a nastiness that seeps into the movie like a slow-acting poison, [Lanthimos] turns a domestic-medical nightmare into a feverish exercise in style."[28]

The Killing of a Sacred Deer was named "one of the best horror movies of the year" by Joey Keogh of Wicked Horror, who called it "horror in its purest, most distilled form, freed from the shackles of jump scares or exposition." Keogh wrote that Keoghan is the film's "ace card", giving "his best, most self-assured performance to date" as Martin, the "supremely frightening yet weirdly charismatic creation who makes even the act of eating spaghetti seem terrifying."[29] Zhuo-Ning Su of Awards Daily wrote that the film is "less complex than [Lanthimos's] previous work but engrosses and unsettles all the same", adding that it "palpably improves" in its second hour. While praising the cast, particularly Kidman, Su added that Keoghan "shines brightest as the plain but charismatic boy who's somehow not quite right", calling his performance "vivid" and "fully realised".[30]

In a mixed review, Nicholas Bell of ION Cinema wrote that the "mysterious, highly metaphorical" film, which he compared to "something from the Old Testament", "finds the director getting a bit too hung up on his own idiosyncrasies." He also criticized Lanthimos's and Filippou's "overtly precise dialogue", which he felt "straitjacketed" the actors, but he praised director of photography Thimios Bakatakis and the "eerie" score. Bell summarized the film as "interesting, but a bit too ambiguous to remain as uncomfortably off-putting as it hopes".[31]

Trace Thurman gave the film a five-star review in Bloody Disgusting, saying it would be "the most unsettling film you see this year" and giving particular credit to Lanthimos's direction and Bakatakis's cinematography, which he said give the film a "surreal, otherworldly quality". Thurman also praised the cast, writing that Farrell and Kidman "deliver their lines with a stilted coldness that sends chills up the spine", and calling the younger actors "equally impressive, with Keoghan being the standout. He gives an eerie performance that you believe to be that of a psychopath".[32] Also writing for Bloody Disgusting, Benedict Seal gave the film a one-star review, stating that it had "none of the escalating intrigue and tension" of The Gift and The Witch, both released in 2015. Seal added that the film plays out "mechanically" after the reveal in the middle and said the visuals were "striking at times" but became "monotonous and garish", before summing up the film as "the biggest bum note yet from one of the most overrated directors in the art-house world" and "an epic embarrassment".[33]

Accolades[edit]

Accolades for The Killing of a Sacred Deer
Award Date of ceremony Category Recipient(s) Result Ref.
AACTA International Awards 6 January 2018 Best Supporting Actress Nicole Kidman Nominated [34]
Cannes Film Festival 26 May 2017 Palme D'Or Yorgos Lanthimos Nominated [35]
Best Screenplay Award Yorgos Lanthimos and Efthymis Filippou Won
European Film Awards 10 December 2017 Best European Actor Colin Farrell Nominated [36]
Best European Director Yorgos Lanthimos Nominated
Best European Screenwriter Yorgos Lanthimos and Efthymis Filippou Nominated
Evening Standard British Film Awards 8 February 2018 Best Supporting Actor Barry Keoghan Nominated [37]
Filmfest Hamburg 14 October 2017 Sichtwechsel Film Award Yorgos Lanthimos Nominated [38]
Florida Film Critics Circle 23 December 2017 Best Supporting Actor Barry Keoghan Nominated [39]
[40]
Ghent International Film Festival 20 October 2017 Grand Prix – Best Film Yorgos Lanthimos Nominated [41]
Independent Spirit Awards 3 March 2018 Best Supporting Male Barry Keoghan Nominated [42]
Best Cinematography Thimios Bakatakis Nominated
London Film Critics Circle January 28, 2018 British/Irish Actor of the Year Colin Farrell (also for The Beguiled) Nominated [43]
Seattle Film Critics Society 18 December 2017 Best Supporting Actor Barry Keoghan Nominated [44]
Villain of the Year Barry Keoghan (as Martin) Nominated
Sitges Film Festival 14 October 2017 Best Film The Killing of a Sacred Deer Nominated [45]
José Luis Guarner Critics' Award The Killing of a Sacred Deer Won

References[edit]

  1. ^ a b "The Killing of a Sacred Deer". The Numbers. Nash Information Services, LLC. Archived from the original on 15 October 2023. Retrieved 17 January 2024.
  2. ^ a b c "The Killing of a Sacred Deer Wins Best Screenplay at the Cannes Film Festival". Screen Ireland. 29 May 2017. Archived from the original on 28 May 2023. Retrieved 17 January 2024.
  3. ^ Lanthimos, Yorgos (23 May 2017). "Yorgos Lanthimos • Director: "We don't ever really know the meaning of what we're watching"". Cineuropa (Interview). Interviewed by Fabien Lemercier. Archived from the original on 6 December 2022. Retrieved 17 January 2024.
  4. ^ Lane, Anthony (20 October 2017). ""The Killing of a Sacred Deer" and "The Square"". The New Yorker. Archived from the original on 5 January 2024. Retrieved 17 January 2024.
  5. ^ Lincoln, Kevin (27 October 2017). "The Ancient Greek Plays That Explain How The Killing of a Sacred Deer Got Its Title". Vulture. Archived from the original on 13 December 2023. Retrieved 17 January 2024.
  6. ^ Lodderhose, Diana (11 May 2016). "Cannes: Colin Farrell Reunites With Yorgos Lanthimos for 'The Killing of a Sacred Deer'". Variety. Archived from the original on 4 April 2023. Retrieved 17 January 2024.
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  8. ^ Tartaglione, Nancy (23 August 2016). "Alicia Silverstone Joins Colin Farrell, Nicole Kidman In 'Killing Of A Sacred Deer'". Deadline Hollywood. Archived from the original on 15 October 2023. Retrieved 17 January 2024.
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  40. ^ "2017 FFCC Winners". Florida Film Critics Circle. Retrieved 23 December 2017.
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  44. ^ "Blade Runner 2049 Leads the 2017 Seattle Film Critics Society Nominations". Seattle Film Critics Society. 11 December 2017. Retrieved 13 December 2017.
  45. ^ "The fantastic fable 'Jupiter's Moon' wins Sitges 2017". Sitges Film Festival. 14 October 2017. Retrieved 13 April 2018.

External links[edit]