Georgie Tapps
Georgie Tapps | |
|---|---|
 Tapps in 1942 | |
| Born | Mortimer Alphonse Becker November 6, 1911 |
| Died | November 1, 1997 (aged 85) |
| Occupation(s) | Tap dancer, actor |
| Years active | 1927–1979 |
Georgie Tapps (born Mortimer Alphonse Becker; 1911–1997) was an American tap dancer. He appeared in a number of films and Broadway productions. He was known for his repertoire of ballet-tap and toured the vaudeville circuit during the 1930s and 1940s, performing in many cabarets and nightclubs.
Early life[edit]
Mortimer Alphonse Becker was born on November 6, 1911, in Washington Heights, New York.[1] At the age of seven, his dancing at a church benefit was noticed by a theatrical producer who offered him a scholarship to study ballet.[2] He received a three-year dance scholarship from choreographer Ned Wayburn. Upon its completion, Wayburn offered to sign the 10-year-old Becker to a twenty-year contract, but the offer was rejected by his parents.[3]
When he was 16, he performed at a club in New York City. The club's owner called him "Georgie Tapps".[2] However, a 1945 article in Dance Magazine credits New York politician Sol Bloom with suggesting the nickname.[4]
Career[edit]
Alongside Paul Draper, Tapps was among the first tap dancers to popularize dancing to classical music.[5] Tapps travelled the vaudeville circuit and performed in cabarets and nightclubs throughout the 1930s and 1940s.[2]
By the mid-1930s, vaudeville had become less popular,[5] and Tapps started taking roles in Broadway plays. His Broadway debut was in the revue Americana[2] in 1932 where he performed the number "Brother, Can You Spare a Dime".[3] Tapps was friends with Broadway producer George M. Cohan and danced in several of his productions. He danced and had a small speaking role in the 1937 musical I'd Rather Be Right.[6][2]
Beginning in 1935, Tapps also took film roles. He appeared in the December 4, 1935 film short Katz Pajamas, part of the Broadway Brevities series produced by Warner Bros., and the 1937 musical comedy film Vogues of 1938.[2] That same year Tapps debuted his routine to Maurice Ravel's Boléro, fusing ballet with tap.[6] He performed Bolero at the White House. Afterwards, his weekly salary went from $150 to $750.[3]
Tapps was involved in a legal case by the labor union Actors Equity in 1939.[2]
In 1941 Tapps was cast in the musical Pal Joey by Rodgers and Hart as a replacement for Gene Kelly, who was leaving for Hollywood.[2]
During World War II, Tapps performed for American troops at the American Theatre Wing's Stage Door Canteen venue in New York City in 1943.[7] He was also part of a USO tour in 1945, performing for military personnel in Oahu, Guam, Tinian, and Saipan.[4]
In 1945 Tapps performed for the dinner show of the Persian Room nightclub in the Plaza Hotel. His opening night performance included five encores. Paul Ross, writing for The Billboard, described Tapps routine in a review as including soft-shoe, a ballet-taps routine, a version of Ritual Fire Dance by Manuel de Falla, and a piece incorporating flamenco.[8]
In September 1951 Tapps appeared as a guest on the variety television show This Is Show Business. During the show, guests perform their acts and receive advice from a three-judge panel for show business-related problems. During the show, Tapps' "problem" was that he hadn't been considered for the remake of Pal Joey. After performing his act, the panel informed him that the show's producers had been viewing the telecast and thought that he would be ideal for a role in the remake.[9]
On March 9, 1952, Tapps was a guest on The Colgate Comedy Hour. That year he also participated in a demonstration of the Eidophore, a new cinema video projector.[2] He made an appearance on The Ed Sullivan Show on May 18, 1958.[6]
After the Soviet Union sent a ballet troupe to West Africa in 1959, Tapps was sent there by the United States Dance Panel in 1961. From December 1961 to April 1962 he performed tap routines in Ghana and other countries.[10]
Later career[edit]
Audience interest in tap dancing had begun to decline by the 1950s,[5] and Tapps had difficulty finding employment. He moved to Los Angeles in 1967. There he gave singing and dancing classes and worked as a salesperson in a Beverly Hills clothing store.[2]
Tapps appeared alongside singer Maxine Sullivan in a cabaret program for the Lincoln Center Out-of-Doors Festival in August 1979.[11] He also performed at the Smithsonian Institution in May 1981 as part of a Museum of American History festival.[12]
In 1992 Tapps put on the one-man show Whatever Happened to Georgie Tapps? at the Westwood Playhouse.[6]
Tapps died at St. Joseph's Center Hospital on November 1, 1997, in Burbank, California following a stroke.[2][6]
Fellow tap dancer Bill Robinson called Tapps "tops in the field of straight tap."[2]
References[edit]
- ^ "Georgie Tapps, Veteran dancer". Variety. November 10, 1997.
- ^ a b c d e f g h i j k l Dunning, Jennifer (November 18, 1997). "Georgie Tapps, 85, Tap Dancer; Performed Onstage and in Films". The New York Times. Archived from the original on December 19, 2022. Retrieved December 19, 2022.
- ^ a b c Battiata, Mary (May 2, 1981). "Tales of a Tapping Trouper". Washington Post. Archived from the original on August 27, 2017. Retrieved December 19, 2022.
- ^ a b "Tapps on Tour". Dance Magazine. 19 (12): 10. December 1945.
- ^ a b c "Nightclubs". Britannica. Archived from the original on 22 May 2022. Retrieved 10 June 2022.
- ^ a b c d e "George Tapps; Ballet and Tap Dancer". Los Angeles Times. November 7, 1997. Archived from the original on December 19, 2022. Retrieved December 19, 2022.
- ^ "American Theatre Wing advertisement" (PDF). The Billboard: 5. February 19, 1944. Archived (PDF) from the original on 2022-11-26. Retrieved 2022-12-19.
- ^ Ross, Paul (February 10, 1945). "Night Club Reviews". The Billboard. Vol. 27, no. 6. p. 26.
- ^ "This Is Show Business". The Billboard: 9. September 22, 1951.
- ^ Mehta, Anjali (April 2014). "The Dance Dilemma: The Importance of Dance for Diplomacy During the Cold War" (PDF). Proceedings of the National Conferences on Undergraduate Research. Archived (PDF) from the original on 2022-12-19. Retrieved 2022-12-19.
- ^ Van Gelder, Lawrence (August 17, 1979). "The Scene at Lincoln Center Moves Outdoors". The New York Times. p. C8. Archived from the original on December 19, 2022. Retrieved December 19, 2022.
- ^ Slide, Anthony (2012). The Encyclopedia of Vaudeville. Univ. Press of Mississippi. p. 492. ISBN 978-1-61703-250-9.