File:Queen Henrietta Maria, 1609-69 RMG BHC2761.tiff

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Summary

Anthony van Dyck: Queen Henrietta Maria, 1609-69  wikidata:Q50855392 reasonator:Q50855392
Artist
Anthony van Dyck  (1599–1641)  wikidata:Q150679 q:it:Antoon van Dyck
 
Anthony van Dyck
Alternative names
Anthony van Dyck, Anthonie van Dyck, Anton van Dijck, Antonis van Deik, Antoon van Dijk, Anthonis van Dyck, Antoine van Dyck
Description Flemish painter, drawer and printmaker
Date of birth/death 22 March 1599 Edit this at Wikidata 9 December 1641 Edit this at Wikidata
Location of birth/death Antwerp Blackfriars, London
Work location
Antwerp (1609–1610, 1615–1620), London (1620-March 1621), Zaventem (1621), Genoa (October 1621-February 1622), Rome (February 1622-July 1622), Florence (1622), Bologna (1622), Venice (1622), Rome (1623), Mantua (1623), Genoa (1623), Palermo (1623–1624), Genoa (1624–1625), Antwerp (July 1627), London (1627-March 1628), Antwerp (March 1628), The Hague (1629), Antwerp (1629–1632), Haarlem (1632), City of Brussels (1632), London (May 1632-1634), Antwerp (1634–1635), City of Brussels (1634), London (1636–1640), Antwerp (18 October 1640-...), Paris (January 1641-November 1641), Blackfriars, London (November 1641-9 December 1641)
Authority file
creator QS:P170,Q150679
 Edit this at Wikidata
image of artwork listed in title parameter on this page
Author
Studio of Sir Anthony van Dyck
Title
Queen Henrietta Maria, 1609-69 Edit this at Wikidata
title QS:P1476,en:"Queen Henrietta Maria, 1609-69 Edit this at Wikidata"
label QS:Len,"Queen Henrietta Maria, 1609-69 Edit this at Wikidata"
Object type painting
object_type QS:P31,Q3305213
Genre portrait Edit this at Wikidata
Description
English: Queen Henrietta Maria, 1609-69

A half-length portrait to right in a white lace collar and grey silk overdress. There are pearls around her neck and in her hair and she wears a fleur-de-lys brooch.

The sitter was the daughter of Henri IV of France, sister of Louis XIII and, as wife of Charles I (whom she married by proxy at his accession before coming to England), Queen Consort of Great Britain and Ireland until his execution in 1649, and Queen Dowager thereafter. She was also the first queen to reside in the Queen's House at Greenwich, which Inigo Jones completed for her structurally in 1635, although its planned complement of art works and decoration was never fully accomplished before the outbreak of the Civil War in 1642. She was extremely fond of the House and though she went into exile from 1644 she returned to live there briefly in 1662-63, following the Restoration (1660) of her son, Charles II, in 1660. In 1665 she finally left England for France, where she died.

About 1636-37, van Dyck painted a famous triple portrait of Charles I (Royal Collection) showing his head in three positions. This was sent to Rome where the sculptor, Gianlorenzo Bernini, used it to create an equally celebrated marble bust, which may originally have been placed in the large sculptural niche in the hall of the Queen's House, though it was later lost in the Whitehall Palace fire of 1698. (It is now known from a copy by Francis Bird, also in the Royal Collection). Henrietta Maria then wished to commission a companion bust of herself - despite Bernini's unwillingness to do it - and three heads on separate canvases (all still in existence) were finished by van Dyck for the purpose in 1639, although the bust was never made. This painting, with a long provenance in the family of the Earls of Denbigh, is thought to be a studio version from the original right profile now in Memphis, Tennessee. Although van Dyck's portrait implies a lady of elegance, a contemporary account described Henrietta Maria as 'a short woman perched on her chair, with long bony arms, irregular shoulders and teeth protruding from her mouth like a fence'.

Queen Henrietta Maria, 1609-69
Depicted people Henrietta Maria of France Edit this at Wikidata
Date circa 1638
date QS:P571,+1638-00-00T00:00:00Z/9,P1480,Q5727902
Medium oil on canvas Edit this at Wikidata
Dimensions Painting: 762 mm x 635 mm; Frame: 1000 mm x 880 mm x 120 mm
institution QS:P195,Q7374509
Accession number
BHC2761
Notes This object was sighted as being on display during the Collections Inventory Project (2001-2005). It will need to be checked for object numbers and its condition activity updated
References
Source/Photographer http://collections.rmg.co.uk/collections/objects/14234
Permission
(Reusing this file)

The original artefact or artwork has been assessed as public domain by age, and faithful reproductions of the two dimensional work are also public domain. No permission is required for reuse for any purpose.

The text of this image record has been derived from the Royal Museums Greenwich catalogue and image metadata. Individual data and facts such as date, author and title are not copyrightable, but reuse of longer descriptive text from the catalogue may not be considered fair use. Reuse of the text must be attributed to the "National Maritime Museum, Greenwich, London" and a Creative Commons CC-BY-NC-SA-3.0 license may apply if not rewritten. Refer to Royal Museums Greenwich copyright.
Identifier
InfoField
Acquisition Number: 1938-1214.2
id number: BHC2761
Collection
InfoField
Oil paintings

Licensing

This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
Public domain

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This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1929.

The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
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Date/TimeThumbnailDimensionsUserComment
current02:39, 21 September 2017Thumbnail for version as of 02:39, 21 September 20173,424 × 4,084 (40.01 MB)Royal Museums Greenwich Oil paintings (1638), http://collections.rmg.co.uk/collections/objects/14234 #1095
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