File:Negro contralto and the great emancipator. Washington, D.C., April 9. Not since Shirley Temple visited Washington last year has anybody been photographed before the sculpture of Lincoln in LCCN2016875405.tif
The original file is very high-resolution. It might not load properly or could cause your browser to freeze when opened at full size.
DescriptionNegro contralto and the great emancipator. Washington, D.C., April 9. Not since Shirley Temple visited Washington last year has anybody been photographed before the sculpture of Lincoln in LCCN2016875405.tif
English: Title: Negro contralto and the great emancipator. Washington, D.C., April 9. Not since Shirley Temple visited Washington last year has anybody been photographed before the sculpture of Lincoln in the Lincoln Memorial here. Here is Marian Anderson, singer, who gave an open air concert before the Memorial this afternoon after a high school and DAR auditorium had been refused her, standing before the dramatic statue of the man who freed her race, 4-9-39
Abstract/medium: 1 negative : glass ; 4 x 5 in. or smaller
This work is in the public domain in the United States because it was published in the United States between 1929 and 1977, inclusive, without a copyright notice. For further explanation, see Commons:Hirtle chart as well as a detailed definition of "publication" for public art. Note that it may still be copyrighted in jurisdictions that do not apply the rule of the shorter term for US works (depending on the date of the author's death), such as Canada (50 p.m.a.), Mainland China (50 p.m.a., not Hong Kong or Macao), Germany (70 p.m.a.), Mexico (100 p.m.a.), Switzerland (70 p.m.a.), and other countries with individual treaties.