Talk:Surrealism/Archive 6

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This archive page covers approximately the dates between January 25, 2005 and August 5, 2005.

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Impact of surrealism

The latter works of Nick Gabrichidze («Chess») enriched by all the previous experience of the master became more picturesque, the manner of the artist distinctly shaped itself, his world-outlook has widened profoundly. Elle20 14 : 11 pm, 28 June 2005 (UTC)

Long Intro

It seems to me that the intro to this article is too long: it pushes the table of contents off of the bottom of the screen! If no one else takes up this project, i think i'm going to try to move some of the content out of the top of the page into the named sections below. Any input? Jes5199 17:10, 4 Apr 2005 (UTC)

Dear Stirling,...

Franklin Rosemont is friends with Boyer and I cannot stand by and watch this article be given away to Daniel C.Boyer or any of his friends. Franklin Rosemont is NOT the person who carries on Breton's work!!! That I will never tolerate, please do not allow one self-labeled surrealist gain all the credit for carrying on Breton's work. There are countless experts on Surrealism, Mary Ann Caws (in particular) and others and I do recommend that you try to get in touch with them, if you need to work on this article. However, as for Surrealism after Breton, NOBODY gets credit for personally carrying on the work of Breton!!!!!!24.168.66.27 05:22, 25 Jan 2005 (UTC)

Mary Ann Caws' work is riddled with inaccuracies, distortions and glaring errors, as was thoroughly documented in Arsenal. This self-labeled expert on surrealism should not be listened to to the exclusion of surrealists, especially as these self-described experts have fabricated, while failing to give any reason for it whatsoever, that surrealism is "over." Moreover, Rosemont is only one of the significant figures who have carried on surrealism; if you feel that others have been neglected, include mention of them in the article, but not to mention Rosemont (look up the Grove Dictionary of Art, for example, if you need expertise), given his significance, is to have a significant axe to grind. --Daniel C. Boyer 15:43, 25 Jan 2005 (UTC)
We are not here to "decide" which POVs on surrealism are "correct", we are here to document those that have made themselves notable, and what they said - including what they have said about each other. If there are critiuqes of particular works on surrealism, then it is certainly reasonable to include those critics. Rosemont, regardless of one's position on his work, has published a number of books on Surrealism, these books are cited by others, and the Surrealist Group of Chicago has been recognized as a voice in the meaning of post-Breton Surrealism. The same for each of them. This page is not the web site of belonging to a particular group.
It is disheartening to see so many editors fighting to try and remove information, and mixing their edits in an attempt to make it difficult to separate positive contributions from attempts to censor POVs on Surrealism they do not like.
But you are also guilty of this; you have repeatedly removed information without stating what you have against it, such as that on VVV, the World Surrealist Exhibition, Breton's statement that surrealism would continue after him, &c. That said, I do think that the article has improved significantly, and it strikes me that a lot of the information in it about surrealism not as an artistic movement later on could be merged with that at the beginning, or vice versa. --Daniel C. Boyer 17:32, 25 Jan 2005 (UTC)
It is further disheartening because this infighting is preventing the page from reaching a thorough documentation of the activities of surrealists and surrealist groups, the impact of surrealism on contemporaneous and contemporary movements, and so on. If editors would spend the time currently fighting over putting POV in the top few paragraphs, or removing personae non grata from the text - on documenting the material then the presentation would be far better.
More over, there is a tremendous amount of work involved in linking surrealism and its major figures into other parts of wikipedia. Currently there are dozens of articles on post-structuralism and post-modernism, and few, if any, contain proper referencing of the influence of Breton's work on figures such as Lacan, Derrida and others. The surrealist film section here is a stub - it does not mention, for example Wild Strawberries or other works which attempted to translate ideas of surrealism into film. It does not talk about the relationship of Surrealism to French Cinema, particularly Jean Renoir - one of the most important figures in the history of film making.
I would ask the other editors to place as a priority 1) increasing, not decreasing what is documented 2) increasing the depth of what is documented - why is Rosemont's own article a stub? If he is important, why isn't he getting the space? If he is wrong, why aren't his positions critiqued? There are half a dozen articles linked off of this page which are a in a similar shabby condition. 3) Increasing the breadth of linking to this article, so that Surrealism's impact on other figures, works and movements be visible to other readers. The more links, the more traffic, the more traffic, the more people will read the page and come to understand the importance of the movement in all of its manifestations.
Presently people have heard the world "surreal" or "surrealism" and associate it with a limited range of contexts, the best that this article can do is give them the entire range of meanings, and make some attempt to document the connections between them. Declarations about which sources are "primary" is counterproductive - Dali wrote on Surrealism, as did many other people who were regarded as important surrealists, they didn't all agree with Breton.
True, but there are none of these sources that would say that surrealism is an artistic movement. None. --Daniel C. Boyer
Even Breton didn't always agree with Breton - which one reason that Surrealism maintained its importance to intellectual currents long after many of the competing intellectual revolutionary movements were reduced to footnotes and scraps of paper.
On a personal note, dealing with editors who seem to regard this page as their own, and Surrealism as Surrealism(tm), goes against the entire grain of a movement which offered one of the most influential critiques of ownership and attempts to impose particular interpretations on the past. Breton's plea that art must be done by all, and not one, surely applies: and it is to have faith that those works which reflect the eternal realities of the human condition will, over time assert themselves.
Since the topic of post-Breton surrealism seems sufficiently sensitive I would propose that it be written here first, and editted here first, until everyone is certain that all of the major figures, works and POV's of Surrealism after his death have been represented.
O.k. Proposal accepted. --Daniel C. Boyer 18:51, 25 Jan 2005 (UTC)
Further, I propose that the section on Surrealism as a movement during Breton's life time - a period that spans from 1919-1966, or some 47 years, be given a full documentation, because it is only in the context of his work and activities that readers can judge for themselves the relationship of the other uses of the term "Surrealism".
More over, there is a major rewrite needed on the influence of surrealism in the context of critical theory and the disputes there in. Stirling Newberry 17:04, 25 Jan 2005 (UTC)
There is currently a Request for comment on this page, should Mr. Boyer continue to attempt to disrupt the page, I will RFC his behavior.
But I would argue that you have, to some degree, disrupted this article. What about the removals of material you don't even argue with, or argue against the relevance of? --Daniel C. Boyer 17:32, 25 Jan 2005 (UTC)
[1] Request for mediation filed against Daniel C Boyer. I am going to request that he be warned on his behavior on this page specifically for violating NPOV and for repeated vandalism of the page, as well as personal attacks. Mr. Boyer, I don't have anything further to say to you at this point. Stirling Newberry 17:34, 25 Jan 2005 (UTC)
Notice how you have ducked what I am saying. Request for mediation filed against Stirling Newberry. I am going to request that he be warned on his behavior on this space specificially for repeated vandalism of this page. --Daniel C. Boyer 18:51, 25 Jan 2005 (UTC)
I refer new people coming to this talk page to the previous archives on a proposed outline on the page. As for Mr. Boyer being friends with Mr. Rosemont, this could be all to the good if he spends time documenting Mr. Rosemont's works and activities as part of the article rather than as the point of the article. Stirling Newberry 17:28, 25 Jan 2005 (UTC)

I have temporarily moved this here so people can work on it as per Stirling Newberry's proposal, and I've a few notes on it. --Daniel C. Boyer 19:09, 25 Jan 2005 (UTC)

The Second World War and Beyond

As with many artistic movements in Europe,

  • this assumes POV that surrealism is an artistic movement, and that it is limited to Europe. A surrealist group, e.g., already existed in Japan prior to this. --Daniel C. Boyer 19:09, 25 Jan 2005 (UTC)

the coming of the Second World War proved disruptive: both because of the rift between Breton and Dali over Dali's support for Francisco Franco, and because of a diaspora of the members of the surrealist movement itself. Mark Tansey's painting The Triumph of the New York School depicts what might be called the orthodox history of modernism: namely that European movements, particularly those lead by Picasso and the surrealists, were supplanted by Abstract Expressionism.

By this point many surrealist artists had begun to deny surrealism: Dali said to remain a surrealist forever was like "painting only eyes and noses", and declared he had embarked on a "classic" period; Max Ernst in 1962 said "I feel more affinity for some German Romantics". Magritte began painting what he called his "solar" or "renoir" style.

  • O.k., but why is the discussion limited to "surrealist artists"? What about those who were surrealist writers, and what about those surrealists who were neither writers nor artists? --Daniel C. Boyer 19:09, 25 Jan 2005 (UTC)

However the works continued, many surrealist artists continued to explore their vocabularies, including Magritte. Many members of the surrealist movement continued to correspond and meet, in 1960, René Magritte, Marcel Duchamp, Max Ernst, and Man Ray met in Paris.

  • Neglects fact that meetings of groups continued, and had even more attendance, e.g. Paris Surrealist Group. Gives a distinct misimpression. --Daniel C. Boyer 19:09, 25 Jan 2005 (UTC)

And while Dali may have been excommunicated by Breton, he neither abandoned the themes from the 1930's, including references to the "persistence of time" in a later painting, nor did he become a depictive "pompier". His classic period did not represent so sharp a break with the past as some descriptions of his work might lead one to believe.

Magritte's work became more realistic in its depiction of actual objects, while maintaining the element of juxtaposition, such as in [1951]'s Personal Values and 1954's Empire of Light. Magritte continued to produce works which have entered artistic vocabulary, such as Castle in the Pyrenees which refers back to Voix from 1931, in its suspension over a landscape.

Other figures from the surrealist movement were "expelled", for example Roberto Matta, but by their own description, "remained close to surrealism." More over, many new artists explicitly took up the surrealist banner for themselves,

  • Again, POV that surrealism is an artistic movement. What about surrealists who were/are not artists? --Daniel C. Boyer 19:09, 25 Jan 2005 (UTC)

some following what they saw as the path of Dali, others holding to views they derrived from Breton, still others taking surrealism as inspiration. Duchamp continued to produce sculpture and, at his death, was working on an installation with the realistic depiction of a woman viewable only through a peephole. Dorothea Tanning and Louise Bourgeois continued to work, for example with Tanning's Rainy Day Canape from 1970.

With the 1970's, Surrealism's desire to be understandable,

  • Documentation? Surrealism desiring to be understandable? Give me a break. --Daniel C. Boyer 19:09, 25 Jan 2005 (UTC)

Duchamp quipped the only universal "ism" is eroticism, it became a point of departure for many artists, including Mark Tansey, who regard abstraction as fragmented, and incomplete as a tool of artistic conversation. It also remains enormously popular with museum patrons, the Tate Modern in 2001 held an exhibition of Surrealist Art that attracted over 170,000 vistors in its run. Surrealism, having been one of the most important of movements in the Modern period, proceded to inspire a new generation seeking to rebel, or expand, the vocabulary of art, that the Modern period focused on.

  • If you are going to say this, surrealist denunciation/protest of "surrealist" shows should be mentioned somewhere in article beyond "Brave Destiny," although text could be merged to some extent and this used as an example. --Daniel C. Boyer 19:09, 25 Jan 2005 (UTC)

Since "Surrealism" ceased to have as much cachet in the world of modern art criticism, there has been an explosion of self-identified surrealists, having no more connection to the original surrealist movement than an admiration for one or more aspects of it. A sampling of current working artists who identify in one way or another might include Howard Newman, Quentin Shih, Kunihiro Shinohara and Alan Turner.

  • What is this about the "original surrealist movement"? POV. Not too bad (besides citing a bunch of people with no connexion to surrealism), but "original surrealist movement" should be identified as POV. --Daniel C. Boyer 19:09, 25 Jan 2005 (UTC)

That surrealism has remained commercially successful and popularly recognized has lead many people associated with the Surrealist Groups that Breton established to criticise more general uses of the term, and to argue that many self-identified surrealists are not grounded in Breton's work, the techniques of the movement, or even basic talent and ability.

  • This characterisation is wildly off. Gobbledygook. Don't you know that in surrealism, "talent" is a dirty word? --Daniel C. Boyer 19:09, 25 Jan 2005 (UTC)

The 1960s saw an expansion of surrealism with the founding of The West Coast Surrealist Group as recognized by Andre Breton's personal assistant Jose Pierre and also The Surrealist Movement in the United States, and surrealist groups around the world, including many in areas in which surrealism had not previously existed, such as the Surrealist Group of Pakistan.

  • Should include mention of VVV and World Surrealist Exhibition, at a minimum. --Daniel C. Boyer 19:09, 25 Jan 2005 (UTC)

I added a paragraph, in the section on Surrealist history, WWII era, about a little-known movement within the Surrealist movement, the Da Costas, as well as cleaned up some ungrammatical wording a little further up.--David Westling 4/26/05 7:11 UTC

Clarity about the "artistic movement" dispute

As a recent drop-in here, I am confused about the nature of the objection to Surrealism an "artistic movement." Some of the objections simply seem directed at the implication that it was a "visual art" movement. Of course it wasn't only, or even primarily, that, and the fact that Surrealism did not begin or end with visual art should be made clear. But I also don't think "artistic movement" conflicts with a more expansive definition that crosses formal and other categories. "Art" or "Artistic" ,in that sense, casts a very wide umbrella. Other objections here seem to insist that surrealism was no kind of movement at all. That part I just don't understand, unless you want to separate Surrealist ideas from Surrealist activity. Please clarify. 68.164.132.95 19:31, 25 Jan 2005 (UTC)

Thoughts on the article

User 24. is right about this Rosemont being a self-labeled surrealist. Boyer's argument that his friend is significant because of a submission to an online website GROVE shows the lack of credibility in his assertion.

Your assuming that printed source edited by others is an online source Rosemont submitted to himself, without any basis for your assumption, shows your bias. --Daniel C. Boyer 15:50, 26 Jan 2005 (UTC)

Ask yourself this, did Prof. William Rubin (in 1968) document the surrealist (upon curating Dada, Surrealism and its Heritage in NY and Chicago in 68) activities of Rosemont and his group? The answer is NO!

They denounced this with both a statement and counter-exposition. And who cares what anti-surrealist Rubin "documents"? --Daniel C. Boyer 15:50, 26 Jan 2005 (UTC)

You see, after Breton died in 1966, a self-labeled surrealist and a small group of his marginal radical friends called themselves The Chicago Surrealist Group and have announced themselves as THE SURREALIST MOVEMENT IN THE USA. So, ask yourself, this simple question as a serious researcher who is sincerely interested in surrealism, WHERE ARE THERE ANY PICTURES OF THE CHICAGO SURREALIST GROUP that DOCUMENTS THEIR SURREALIST ACTIVITIES?????? There are many documented photographs of surrealists (in group pictures too) that show their activities and explorations. Can Boyer scan a few copies of ARSENAL to help us out?

Why do you have this obsession with computerized sources? Have you ever heard of a library? Why if someone has provided a citation is he, in your opinion, obliged to "scan a few copies" of it? --Daniel C. Boyer 15:50, 26 Jan 2005 (UTC)

If you want Boyer's friend to be mentioned as a historic figure in surrealism for this aricle, then go ahead. I do suggest that you will need to be true to the record and PROVE that this man, Rosemont is real (first, show us a recent picture of him)

Because he ceases to be "real" with the passage of time? Where did you get this idea that photographs have to be provided of everyone to prove they are "real"? --Daniel C. Boyer 15:50, 26 Jan 2005 (UTC)

and PLEASE provide any visual and text-reference material that we can access WITHOUT having to make a purchase from Franklin and Penelope's "BLACK SWANN" Mom and Pop Store for Radicalism!!!!

If you don't want to buy the books from them, check them out of a library. --Daniel C. Boyer 15:50, 26 Jan 2005 (UTC)

As for Boyer, Hey Dan, you need to go back and re-read what Breton had to say on the record in "INDICE", May 1935. I still have NOT seen evidence of any, "necessity of social revolution" provided by you and your friends, except for a price. By the way, at the bottom of the Wikipedia Surrealism article page, there is a book referenced, called, "SURREALIST SUBVERSIONS" by Ron Sakolsky. Daniel C.Boyer is in the book and you are helping promote SALES of a book while giving special priviledge

I don't have any "priviledge" [sic] that you do not have. Everyone is free to edit Wikipedia. --Daniel C. Boyer 15:50, 26 Jan 2005 (UTC)

to an editor who is also a contributor to the book that is on the article page as a reference. Bling, Bling$$$ right Dan?63.169.104.2 22:57, 25 Jan 2005 (UTC)

Recent drop-in here. Franklin Rosemont is for real--he edited a copy of the magazine "Cultural Correspondence" in the late 70s that was reprinted as "Surrealism and its Popular Accomplices" by City Lights Books (the beat poet Lawrence Ferlinghetti's press in San Francisco) that was quite widely distributed for years--it may still be available, I don't know. It consists of a bunch of short articles (including a few by FR) that take a very expansive view of surrealism--basically, the book looks at works in popular culture (e..g. The pre-surrealist comic strips "Little Nemo in Slumberland" and the "Upside-Downs", Buster Keaton, the Marx brothers, "Voodoo" Blues, an early article on Henry Darger) that somehow seem to partake in a surrealist sensibility. It did include a few bits by and about contemporary surrealist practitioners, most of whom I've never encountered elsewhere. The anthology argues here and there for an ongoing surrealist movement, but mostly it just discusses stuff that seems interesting from the perspective of an admirer of surrealisist ideas, with some emphasis on the associated leftist cultural critique. Anyway, the guy (or someone using that name) is for real. 68.164.132.95 23:26, 25 Jan 2005 (UTC)

User 63 comments on Franklin Rosemont appears to be questioning the validity of Mr."Andre" Rosemont, but I will definitely agree that he is real. Yes, we all know that Mr.Rosemont is real, but is he a real historic and significant figure in contemporary surrealism, even considering the period from after Breton's death, 1966, to now? I do fully agree and know that Franklin Rosemont is real and he is alive and living in Chicago. What kills me is that anyone who is seriously interested in surrealism and the wants to do some serious research as well, has much difficutly in obtaining any extensively documented material, basically the RESULTS of the Chicago Group's Surrealist Explorations and Activities, without having to pay a price$$$$. He and his wife do run a, "store" hawking $urrealist publications that are completely the dominant containment of him and his group of friends. 63 has a point. There is so much visual material of surrealist groups in pictures alone, that provide a worthy investigative research into this wonderful movement, from the 20's to the 50's, but after 1959, it does go kind of downhill from there, I am referring to the visual group pictures, etc,etc. Remember the sleeping pictures of DESNOS? They are historic, but also very enlightening and revealing. Even some of the apparently staged surrealist group photos of Breton and company in the 20's (them all huddled around Breton's first wife at the typewriter or the picture from the 1930's of the surrealist group listening to a reading by Gisele Prassinos) still provide very good evidence for RESEARCH! Boyer can prove me wrong here on this point, but didn't Rosemont and his group FAIL at creating ANY LASTING SOCIAL ACTION for Surrealism? Wouldn't that fact be recognized in the history books? It is not. Oh, before I forget, in Mr.Rosemont's edited book by Andre Breton, "What is Surrealism" (Pathfinder Press, $34.95) go to page 471 and read Franklin's own words, "The French group, it is true, later disbanded after a long internal crisis." He is referring to the GPMS, Paris Surrealist Group in the years around 1968 to 69, two years after Breton died. Jean Schuster did disband the group. I recently went to the current, "GPMS: Paris Surrealists" website (that is what you see online now, Marie D. Massoni, Guy Girard,etc) and I came across a statement from one of their, "members" that the group did not disband, I think it was Vincent Bounoure or Michel Zimbacca (Boyer can again prove me wrong, I do encourage it Dan) that they claim it never ended, but hey, isn't that statement a little late on the fugazi?24.168.66.27 05:24, 26 Jan 2005 (UTC)

You can include this information (debate as to whether or not the group disbanded) in the surrealism article, though it may be a little too detailed for this and you might want to include it in the GPMS article. --Daniel C. Boyer 15:50, 26 Jan 2005 (UTC)

Surrealism After Breton

The "Surrealism after Breton" should document all of the above POVs. NPOV means documenting POVs and giving some ability of the reader to judge credibility.

1. Whatever anyone thinks of Rosemont. He is notable - there are paper publications and recognitions of the Surrealist Group of Chicago in places such as the New York Review of Books. Not friendly recognition, but "notable" is the standard here. Having published and been commented on by others means notable.

Agreed. --Daniel C. Boyer 21:20, 26 Jan 2005 (UTC)

2. Document the controversy - if there are conflicting statements about what happened to Surrealist groups after Breton, then it is NPOV to document who said what about whom.

Agreed, so long as it is truly NPOV and comprehensive. --Daniel C. Boyer 21:20, 26 Jan 2005 (UTC)

3. Document the activity - I have been trying to add bits that link to documentable activity of Surrealists, including Post-Breton shows and exhibitions. There were shows including new works in 2000 and 2002 by people who had been in Paris in the 1930's.

As long as this is not restricted to "shows and exhibitions," agreed. Plus there is no reason to exclude exhibitions by The Surrealist Movement in the United States and other "new" groups including the World Surrealist Exhibition (which was the most extensive-ever surrealist exhibition). Other shows, such as the 1993 Totems Without Taboos show, are perhaps too great a level of detail to get into here. --Daniel C. Boyer 21:20, 26 Jan 2005 (UTC)

4. Document influence.

Stirling Newberry 13:55, 26 Jan 2005 (UTC)

Surrealism the category

Added Chagall, Maddox, Gascoyne to Category Surrealism. Added Surreaslism to Modernism and Postmodernism. Stirling Newberry 13:57, 26 Jan 2005 (UTC)

Should Surrealism really be included under Postmodernism? --Daniel C. Boyer 19:57, 29 Jan 2005 (UTC)

Boyer statement for today

exact quote, "Moreover, Rosemont is only one of the significant figures who have carried on surrealism". Well, Dan, I kindly ask you, please PROVE that your friend is, "significant"? I ask Stirling to contact Mary Ann Caws (she is an expert on Surrealism, no matter what Boyer says) and I think you can reach her at the CUNY (in New York City) University, or just go to her site and drop her a note. Correct me if I am wrong, but didn't she and Jennifer Mundy (another expert on Surrealism) CURATE the, "SURREALISM DESIRE UNBOUND" exhibit at the Musuem of Modern Art in 2002? They have a book on it too, I have it, its real good. I think Mary Ann Caws has a website and contact info, see what she has to say about the, "significance" of the man who trashes her in his publication, ARSENAL?24.168.66.27 05:41, 26 Jan 2005 (UTC)

Document the controversy. Stirling Newberry 13:47, 26 Jan 2005 (UTC)


So, how is this article now?

Well,Daniel, how do you think this article is going now?63.169.104.2 21:03, 26 Jan 2005 (UTC)


Ok, put Rosemont in

but please take out the brainstorming passage, it is complete garbage and it ruins the article. Please take it out. It might be a good idea to let Boyer present material that is more credible to the article. Stirling, I am going to have ask you to please sit back and re-think any future additions you make to this article. You place way too much emphasis on how surrealism has, "influenced" many of the components of what surrealism originally intended to destroy. When someone removed one of your HUGE additions, it is not vandalism, by the way. I am going to have to ask you to let Boyer review this article and present the material that really upholds the integrity of surrealism, while creating a great article. Boyer(though I do hate him) has more knowledge of surrealism than you. Stirling, you really have no real grasp of surrealism, if you did, you would know that it really intends to (leave as its cultural legacy) overthrow capitalist society. This article makes me want to puke.24.168.66.27 05:30, 27 Jan 2005 (UTC)

Instead of trying edit wars, censorship, blanking, turf edits and so on. Why not write a section on "the aims of the Surrealist Movement"? Stirling Newberry 14:16, 27 Jan 2005 (UTC) (edited my own typo) Stirling Newberry 21:09, 27 Jan 2005 (UTC)
This might be a good idea. --Daniel C. Boyer 15:12, 27 Jan 2005 (UTC)

Honolulu Surrealist Group/Portland Surrealist Group

Are these really notable? Wiki isn't a web guide. Is there someone associated with either who is notable? The Chicago Surrealist Group is notable - one can find examples of who they are and what they did. HSG on google comes up with --- 3 hits. Have they run an exhibition? These have been taken out and put in several times. Alternate suggestion if they are not notable is to have a page "List of Surrealist Groups" - and

Portland surrealism is supposedly an influence on Chuck Pahlaniuk. For what that's worth!

A message to Stirling in good faith about the "brainstorming" passage

Stirling, I can see that you are intent on letting the "brainstorming" passage stay in the article. To avoid any edit war, I will no longer remove the passage, since you feel that the information is important to the article. I just need to know that the reference source IS from any books on Surrealism and where I can find it. Also, can the passage be condensed at least? It is real long, but that is how I see it.24.168.66.27 18:55, 28 Jan 2005 (UTC)

I withdrawing it as too controversial for this group. The relationship of Brainstorming and Surrealism is a commonly established link in what is called "creativity studies". Stirling Newberry 19:07, 28 Jan 2005 (UTC)
My suggestion would be that the brainstorming passage be pruned down to be quite short as it is really, at best, of minor significance to the article. --Daniel C. Boyer 19:36, 29 Jan 2005 (UTC)
I agree with Dan about the brainstorming. Very minimal as long as it documents surrealist explorations and automatism, which Stirling can provide information on, I could live with it.24.168.66.27 02:23, 30 Jan 2005 (UTC)

Another message to Stirling and to all about Contemporary Surrealism today

Stirling, I need to let you know that IF there is ever going to be any passage or paragraph on Contemporary Surrealism or Surrealism after Breton, I must stress the importance of this fact as it is inevitable to begin with, as you will see. ANY, "Surrealist Groups" and any, "Surrealists" that are active today and operating under the surrealist label are: SELF-LABELED or SELF-IDENTIFIED SURREALISTS, even if they share affinities with one another and acknowledge the other as an authentic surrealist, they are not!!!! There is no such thing as, "being a surrealist" because some relative fellow traveller and unknown claims they are. Stirling, Daniel C.Boyer is a SELF-IDENTIFIED SURREALIST and so are his friends. They are: "The Portland Surrealist Group" consisting of Brandon Freels and MK Shibek (real name Jim Redden) and Morgan Miller (who is a bartender in Portland) and two others whose names I forget, they claim to be authentic surrealists, but they are not. Then there is "The St.Louis Surrealist Group", which consists of Andrew Torch and Ronnie Burke and Susan Burke, obviously you can see that this is a group of three friends. Then there is Eric W.Bragg, a self-identified surrealist who runs a terrible do-it and build it yourself website, surrealcoconut.com who writes about himself on his website and his friends as contemporary surrealists. They are self-identified surrealists and the website is very misleading too. Then there is this "Honolulu Group" that Boyer tries to keep promoting on here in the links section, that NOBODY knows about. Then there is Xtian and Lady Hannah Cadaver, from Melbourne, Australia. They are two self-identified surrealists, who are really Goth Artists, who are also friends of Boyers. In fact, everyone mentioned above is friends and collaborators of Boyers. Then you have Zazie, a self-identified surrealist and friend of Boyer's, who is really a WEBIST and denies this fact! She exhibited all over Europe in Webism Art Events and now she claims she is an Ex-webist because the self-identified surrealists in the "GPMS, Paris Surrealist Group" denounced Webism in a public statement. Stirling, can you see why Boyer is so intent on editing this article with his POV? Stirling, when I was rude to you, I apologized. When I insulted you, I apologized and when I removed your edits, I offered good faith in no longer editing what you wanted in, like the brainstorming. At least I can work with you. Boyer has an angenda to promote him and his friends as surrealists and they are the ones who really capitalize on this great movement, and they are all full of shit. That is a fact.24.168.66.27 19:18, 28 Jan 2005 (UTC)

The standard is notability. Has anyone other than members of this group written about thm as surrealists? Stirling Newberry 20:31, 28 Jan 2005 (UTC)

What group do you mean here? I can reiterate that Rosemont is mentioned in the Grove Dictionary of Art, and add that the World Surrealist Exhibition was written about in ArtNEWS, as part of the extensive media coverage of that event. I would also look at the Amazon.com entry on Penelope Rosemont's Surrealist Women (published by the University of Texas Press) and note that Franklin Rosemont online for Britannica. --Daniel C. Boyer 19:25, 29 Jan 2005 (UTC)

There was an excellent book called, "Making History" about Surrealism written by Kristen Strom, that does have Franklin Rosemont's, edited book, "What is Surrealism" by Andre Breton mentioned in its index. As for the people mentioned above, the answer is no. Again, I recommend that if you are REALLY interested in getting the facts on Surrealism, get in touch with Mary Ann Caws. These friends of Boyer's are really a scattering of writers, poets and artists that claim they are surrealists, like the pirate-radio expert Ron Sakolsky's "Surrealist Subversions" which Boyer is a contributor. That is why I protest any edits by Boyer in the Surrealism article, he DOES have a stake in promoting him and his friends and Wikipedia Surrealism articles and surrealist related articles are there for him to exploit. Even the, "Craven Destiny" turned out to be a major dud, as did the attempts by Zazie and Boyer's friends to morph Webism with Surrealism, also backfired on them, big time! Even Zazie's comrades denounced the Webism Art Movement. Stirling, you are really new to all of this, I can see. Its a shame you were not around to see what Boyer's friends did to Now Surreal.24.168.66.27 20:46, 28 Jan 2005 (UTC)

I've been in contact with Mary Ann Caws already, along with some other people on post-Breton Surrealism. The question is not whether I approve of their activities, the question is whether it is notable. I've heard of Ron Sakolsky, which means the entire controversy at least impinges on being notable. If there is a controversy, then it is to us to document it. Is there a page on Webism, a denunciation is, at least, notability. Stirling Newberry 21:08, 28 Jan 2005 (UTC)

Need to add Radovan Ivsic and Annie LeBrun. Stirling Newberry 21:08, 28 Jan 2005 (UTC)

Oh yes, Annie LeBrun, who was active in surrealism from 1963 to 1969, and is still active (on and off), yes, yes?24.168.66.27 21:30, 28 Jan 2005 (UTC)

Yes. Stirling Newberry 21:48, 28 Jan 2005 (UTC)

You might want to read about her, and many other women who participated after the approved period of surrealism, in Surrealist Women. --Daniel C. Boyer 19:26, 29 Jan 2005 (UTC)

Stirling, please take a look at this overwhelming evidence

Stirling, please take a look at this overwhelming evidence regarding WHY Daniel C.Boyer is so intent on promoting his POV and version of the Surrealism article. Please take a look at this URL here on Wikipedia no less and read down to the second paragraph, http://en.wikipedia.org/wiki/User:Daniel_C._Boyer "Two of my articles, "Are You Crazy?: Mental Illness and Whiteness" and "Seattle 1999 - Just the Beginning," and one of my drawings, "The Breakfast Club," were published in Surrealist Subversions, edited and introduced by Ron Sakolsky."

Now, Stirling, go to the Wikipedia Surrealism article and scroll down to SOURCES and look for the Sakolsky book, which Boyer blantantly promotes on here. I will remove this from the article tomorrow. It cannot stay while Boyer is allowed to edit this article to promote him and his friends.

Stirling, I also ask that a complete review of the Surrealism article be made and any and all of Boyer's edits and additions be investigated with the fullest degree of scrutiny to prevent anyone from using this service to promote their goods. Stirling, I will continue to support your edits, even those I disagree with and challenge, I will do so in good faith.24.168.66.27 21:11, 28 Jan 2005 (UTC)

Notability is fairly simple: has anyone other than themselves taken them seriously? Franklin Rosemont is cited by others, and hence, notable. Since I am adding entries such as Robert Barro, Henry Jenkins and Mary Ann Caws - people should be at least at that level of notability. Stirling Newberry 22:00, 28 Jan 2005 (UTC)

Stirling, what did Mary Ann Caws say to you?

Stirling, what did Mary Ann Caws say to you? Please let us all know! Also, please SPECIFY the SOURCE of the, "Notability" that you assign to your subjects. By the way, Stirling, are you recently NEW to Surrealism, that is, in studying and researching it? Please let us know.24.168.66.27 21:17, 28 Jan 2005 (UTC)

Also, please name the people from the post-Breton era that you spoke to and please tell us what they had to say to you, for the benefit of the surrealism article.24.168.66.27 21:23, 28 Jan 2005 (UTC)

Stirling, what did Mary Ann Caws say to you and who are the people that you spoke to from the post-Breton era?

We need to know.24.168.66.27 21:41, 28 Jan 2005 (UTC)

It was Prof Caws recomendation to add Annie LeBrun and Radovan Ivsic. On the advice of others, I linked in Maddox and Gascoyne, and made some changes to Marc Chagall. A friend who is a professor of literature remembered the Shattuck incident and allowed me to find the NYRB letter from the Chicago Surrealist Group. In each case sources, or enough to find sources, were provided, and therefore stand on their own, or not, based on those sources. Stirling Newberry 21:46, 28 Jan 2005 (UTC)

Yes, the Roger Shattuck reply (from 1972) is old news, but very helpful for those interested in researching how uncompromising and obnoxious, "The Arsenal Group" was in their own words as can be found here at this link. http://www.nybooks.com/articles/10133 24.168.66.27 04:46, 29 Jan 2005 (UTC)

If we didn't look at art by obnoxious people, we'd be left with very little. Stirling Newberry 04:53, 29 Jan 2005 (UTC)

Then Shattuck ends his brilliant response to these gasbags, "I urge them to read the best and most recent account of Surrealism by a participant: André Thirion's Révolutionnaires sans Révolution". Remember Stirling, this was back in 1972 and even Shattuck states his doubt about this, "group". Notice how he does not state in writing that the, "Arsenal Group" are active participants in surrealism and recommends they read Thirion's personal account. Then ask yourself if Rosemont and company then responded to Shattuck's reply on record and if they did, where can we find it? Stirling, please try to examine this information with severe critical scrutiny if you are going to consider writing any information on Rosemont and his group. I always thought they were full of shit, but that is only my opinion. I know Dan is full of shit, he signed a protest letter, Craven Destiny, stating in writing no less, that he and his friends would show up to the WAH to, "burn all the paintings, etc, etc." They never even showed up to protest.24.168.66.27 05:02, 29 Jan 2005 (UTC)

And Boulez said we should blow up all the opera houses, and later ran one. What is more important is, again, notability. Franklin Rosemont, himself has reached notability, even if a negative kind. What I have not found is anyone who takes the rest of that branch of surrealism seriously as surrealists other than themselves.
Could you please explain why those outside the movement alone are qualified to say who are surrealists and on what basis the Chicago Surrealist Group may not be to be "taken seriously as surrealists?" Is there any argument here whatsoever besides a dislike of surrealism itself? --Daniel C. Boyer 17:05, 29 Jan 2005 (UTC)
Citations anyone? Clearly they exist, but it is easy to get hoardes of websites with references. I'm looking for neutral documentation such as "The Portland Surrealist Group held an exhibition of computer automatic drawings" etc. etc. Stirling Newberry 15:03, 29 Jan 2005 (UTC)
Here we go again with your novel POV that surrealism is an artistic movement. --Daniel C. Boyer 17:05, 29 Jan 2005 (UTC)
Great, add the Annie LeBrun passage, I like her. Also, please add anything on Conroy Maddox, he was a true surrealist. Where is the NYRB letter from the Chicago Surrealist Group, I want to read it too!!!24.168.66.27 22:07, 28 Jan 2005 (UTC)
I corresponded with Maddox, in case that poisons him as a surrealist in your book. --Daniel C. Boyer 17:05, 29 Jan 2005 (UTC)

Hey Dan, you also exhibited in a show that Terrance Lindall curated, "Apocalypse 1999" at the WAH center! Your name is on the website page! ITS LIKE WE ARE ONE BIG HAPPY SURREALIST FAMILY!!!

I'm still not finding anything but self promotion here. Stirling Newberry 17:39, 29 Jan 2005 (UTC)

Its not self-promotion, its fact. As for you completely taking over the article, I completely disagree with ALL your edits and I retract my previous reproach with you since you do not edit the surrealism article in good faith. The article was much better when Boyer was editing it, even though I vehementely disagree with Dan and do not like him, I respect his edits! Dan did not take over the article like you did! You are treating this article like it is your own playground for promoting your opinions on Surrealism. When you see that it is a fact that surrealism is not an art movement and you flood the article with art information and then you are challenged on it, you call it vandalism, that is not good faith. I disagree with Dan and I have much hatred for his version of surrealism, but he has the right to edit as do I and its not self-promotion.24.168.66.27 18:14, 29 Jan 2005 (UTC)

P.S. Wigdor gets mentioned if you mention Rosemont and the other groups!!! Surrealism is not a closed movement made up of scattered groups, its an open movement for many artists and poets and writers that participate in Surrealism, like Wigdor did with SURREALISM 2003, the online event and like Lindall did with BRAVE DESTINY!!! Fair is Fair and Surrealism can only transform life if it involves all, including Stirling Newberry.24.168.66.27 17:29, 29 Jan 2005 (UTC)

Self-promotion=not notable. Wiki isn't a web guide, and it isn't a free site for distributing press releases. So far the documentation that anyone cares about these people other than themselves has been zero.
I'm not sure which people you mean here. --Daniel C. Boyer 19:18, 29 Jan 2005 (UTC)
Please reread wiki-standards on NPOV, notability, not promoting a personal website, citation of sources, wikiquette. Stirling Newberry 17:51, 29 Jan 2005 (UTC)

Much needed revisions on this article. Surrealism is not an art movement

I decided to agree with Boyer on this very important fact: SURREALISM IS NOT AN ART MOVEMENT! All misleading and unsubstantiated claims cannot stay in the article, like all the overwhelming art information that Stirling has flooded the article with, I have to agree with Boyer on this fact. Surrealism does not leave its cultural legacy to someone who edits this article as a preface to an art catalogue.24.168.66.27 17:57, 29 Jan 2005 (UTC)

Why no passage on Louis Aragon?

This is an outrage! Aragon's contributions to surrealism in its development are historic.24.168.66.27 18:21, 29 Jan 2005 (UTC)

I agree he should be mentioned. Be bold and do it yourself! --Daniel C. Boyer 19:14, 29 Jan 2005 (UTC)
Oh Dan! I have to do everything myself!24.168.66.27 02:28, 30 Jan 2005 (UTC)

Four Reverts by Stirling today, count them

Four in one day! He has literally taken over this article. Its ruined!24.168.66.27 18:24, 29 Jan 2005 (UTC)


In case you did not see what happened

Stirling is now accusing me and Daniel C.Boyer of violating Wiki rules today and he has reverted the page five times today. I gave my last revert today (the third and last in accordance with Wikipolicy) and Dan only gave one revert, if I am correct. I did not violate any rules today and neither did Dan. Then Stirling makes a statement that we did violate rules but has no evidence. Now he wants us blocked just because we disagree with him. Hey, I disagree with Dan practically 99% of the time, but I reach agreement with him. Stirling, it appears wants to control this article, am I wrong?24.168.66.27 19:03, 29 Jan 2005 (UTC)

I am requesting that you both be blocked, and procedings to permanently ban you both as being unable to follow even a modicum of wiki rules, as well as obvious attempts to game the system. You and Boyer are both POV trolls and problem users, and my patience is at an end with both of you. Stirling Newberry 19:11, 29 Jan 2005 (UTC)
You are a POV troll who is "unable to follow even a modicum of wiki rules". If you will read this talk page and the archived talk pages you will see that there have been a number of times I have agreed with you, I was willing to work with you on the post-World War II section, but you have persisted in reverting (including valuable information you've not disputed the value of) and stonewalling. And what do you mean, "obvious attempts to game the system"? --Daniel C. Boyer 19:17, 29 Jan 2005 (UTC)
I have to agree with Dan, after all, he is showing good faith. Stirling, please do not engage in a, "witch trial" here against Boyer and myself. We disagree with each other and we disagree with you, but after all that is said and done, an article is there with information that is accurate. Surrealism is about total revolution and that is not my point of view or opinion.

You learn a lot about someone who edits, by what they spend their time on in here and how they edit. Dan does not like me and I do not like Dan, we both know that and that is old news, BUT we do LOVE SURREALISM and it appears Dan is very passionate about what he does and what he edits, that I respect (though I loathe him and his friends, I respect the DESIRE they have to live surrealism). Stirling, its not just art. Its not just randomly documenting material that satisfies your tastes, which appears to be classical music and the lot. That's cool, that is what you are into. However, we, Dan and I and others, have been editing on here a while and we are editing this article because we are very passionate about surrealism. You need to accept that and try to work with Boyer, especially. I still hate Dan, but I will allow his friends work to be documented in the article, I wish he would do the same for me, but that I can live with. Even if Dan, changes my edits, I still respect his DESIRE to do so, Stirling, can you?24.168.66.27 02:39, 30 Jan 2005 (UTC)


Both Andre Breton and even Mr.Rosemont have....

Both Andre Breton and even Mr.Rosemont have acknowledged the IMMENSE influence of F.W.H Meyers on Surrealism and that should be documented. I added Clark Ashton Smith into the surrealist influences paragraph. Clark Ashton Smith is documented in the Rosemont edited book, and that is important. "The Abominations of Yondo" really is a strong surrealist source of inspiration and I thank Mr.Rosemont for documenting him in his book.24.168.66.27 17:03, 30 Jan 2005 (UTC)

Stirling removed Toyen from the article from the addition that I made

Why, Stirling, Why? Why, would you remove Toyen from an encyclopedia article on Surrealism? Why? Why, would you remove any references of influence on Clark Ashton Smith? Why, today, do you state that you are reverting to the last revision made by Boyer, when you just stated yesterday that you would have both of us banned? Stirling, I did not remove all your art edits. I removed some paragraphs that are so laden with art-critiques and your opinion that it is not fair to the article's presentation of facts. This is not an art catalogue where you describe color palettes and the lot. I did condense the art-related material, and I left many of your additions in. After all, you did a complete makeover of the article. Anytime, someone changes your edits, you allege vandalism and threaten to have us banned. Sir, please be fair and try to work with us and allow us to make revisions. You completely removed ALL of my edits. When you removed TOYEN, from the article, proves to me that you are not editing this article in good faith.

Dan, what is your feedback on Stirling's decision to remove Toyen? I completely disagree with this man. Toyen is a VITAL contributor to surrealism and a very important part of the history of surrealism and the surrealist movement.24.168.66.27 18:37, 30 Jan 2005 (UTC)

I think the removal of Toyen is quite unreasonable given her significance. --Daniel C. Boyer 20:09, 30 Jan 2005 (UTC)
I agree with Dan 100% on Toyen. Stirling, you have to be fair here.24.168.66.27 20:50, 30 Jan 2005 (UTC)

Stop lying - you submitted a batch of edits and are now trying to claim you made one. The diff shows that you made a series of edits, not all of which are reasonable. Presented with an up or down vote on them, I reverted them back. Stirling Newberry

But you weren't "presented with an up or down vote on them". There is nothing to prevent you (apart from time, or your inclination as to how much you'd like to spend on this, but that's really nobody's business but yours) from editing the article line by line or even word by word. --Daniel C. Boyer 20:09, 30 Jan 2005 (UTC)

Show me, Specifically, where in my statement above, that I made, "one" edit. I never stated I made, "one" edit. I revised the article(one revision today and the second was adding the disputed template, please do not remove that,sir), by condensing the art-related passages by removing your POV's and I also removed two paragraphs that are laden with inaccurate information and speculation, thus again, your opinions and tastes dominating the article and its presentation. I did leave many of your additions in and you removed ALL of my additions without any explanation. Sir, please work WITH us for a better article.24.168.66.27 20:01, 30 Jan 2005 (UTC)

Again, Stirling removes TOYEN!

It appears that Stirling feels so strongly about NOT allowing a very significant surrealist, Toyen, to be included in the article, (along with Jindrich Styrsky and Oscar Dominguez as well!).

For him to remove mention of all three of these people, without giving a reason, is of highly debatable value, to put the best possible spin on it. And it could certainly be argued that in doing so he is guilty of the same behaviour he complains of from me in RfC, as he is removing, without saying why, colourably important and certainly documentable information. --Daniel C. Boyer 14:43, 31 Jan 2005 (UTC)

Stirling also feels so strongly about the art historian Sarane Alexandrian, that he FORGOT that he SPELLED his name wrong!24.168.66.27 21:11, 30 Jan 2005 (UTC)

Dan, please read

Stirling is trying to start a campaign to really get us banned. I went to his user page and then went to the RfC page and when you scroll down towards the end of the RfC page, towards, Candidates..., you will see what Stirling is writing about us. Here take a look from, http://en.wikipedia.org/wiki/Wikipedia:Requests_for_comment

Candidate pages - still need to meet the two person threshold List newer entries on top

/User:24.168.66.27 Allegations: personal attacks, excessive POV pushing. See Talk:Surrealism. /User:Daniel C. Boyer Allegations: personal attacks, attempts to use Wiki to promote websites, inserts attacks in articles. See Talk:Surrealism and edit history of Mary Ann Caws

In the meantime, I kindly ask of Stirling to PLEASE work with Dan and myself, before you proceed on this campaign to ban us, its just not fair and is very mean-spirited. I had many disagreements with Dan for a very long time, but I never went to this extreme. He has the right to edit as do I.24.168.66.27 21:30, 30 Jan 2005 (UTC)

For the record, I have NEVER seen Daniel C.Boyer insert an attack in the article. Stirling, that is not true and that statement is intentionally misleading. I am worried about this.24.168.66.27 21:36, 30 Jan 2005 (UTC)

Adriano Monteiro????

Who is Adriano Monteiro???? and why are they (user 200.) inserting this artist in a, "neo-surrealism" and ero-whatever category in the introduction to this article? Then what kills me, is that Stirling leaves this in, he does not remove it or replace it, somewhere or anywhere else, and yesterday he removes three very important surrealists (documented in the history of the surrealist movement, no less), TOYEN, DOMINGUEZ, and STYRSKY and leaves this in!!!

Dan, have you or your comrades ever heard of Andriano Monteiro?????24.168.66.27 03:54, 1 Feb 2005 (UTC)

Stirling has removed Adriano Monteiro! Elvis has just left the building!!!!24.168.66.27 04:25, 1 Feb 2005 (UTC)

Untranslated French

Why is there untranslated French at the top of the article? If this quote is to be used at all, it should inserted after an initial summary of what Surrealism is (if anyone can agree on this point) and should definitely include an English translation and explanation. An article about Surrealism shouldn't be surreal itself. --Polynova 08:22, Feb 1, 2005 (UTC)

Removed. Stirling Newberry 21:34, 1 Feb 2005 (UTC)

Surrealism after Breton

(Proposed)

After Breton's death, Surrealism lost the figure who had been at the center of the movement since its inception. For some, such as Pierre and Chustar, it marked the end of Surrealism as a movement. However, many who had known Breton, continued to work and exhibit. Toyen, Conroy Maddox, Petr Karl and Annie LeBrun to name four figures in particular. Several artists who had broken with Breton, but continued to work in Surrealist modes also were active after Breton's Death.
I agree with the above paragraph by Stirling. Only point of observation is there is various spellings of Jean Schuster's last name in some reference material, so I propose to spell it Schuster, but I can also accept the above as well. I also recommend that you mention the two members of the GPMS who claim that the Paris Surrealist Group DID continue after Jean Schuster officially disbanded the group and that they really never did officially disband and continued their work up to today. I can give this offer in good faith to Marie Dominque Massoni, who I respect, though I can't stand some of her friends and their rants.24.168.66.27 02:47, 2 Feb 2005 (UTC)
One of the most notable groups was the Czeck Surrealist Group. Surrealist activity in Prague had risen and fallen with political fortunes: the Nazi occupation drove it underground, and many of its members fled to Paris in the 1950's. However, it was not until 1968 that the group was completely surprised as part of the Soviet crushing of the Prague Spring. With the Velvet Revolution, the group reappeared, began publishing its journal again, and its members began exhibiting their works both in the Czech Republic and abroad, most notably in concert with the Surrealist movement in the United Kingdom.
I agree with the above proposed paragraph by Stirling. Don't forget to mention(Czeck surrealist) the filmmaker Jan Svankmeyer (I hope I spelled his last name correct). Also mention Teige somewhere in the article, leading in to this paragraph.24.168.66.27 02:47, 2 Feb 2005 (UTC)
Beyond these circles however, a number of groups came into being who, while not directly connected to Breton, assumed the mantle of Surrealism. One such group, the Arsenal Group in Chicago attracted controversy for their uncompromising stance, and attacks on the state of scholarship as it had then existed. Two members of this group Franklin Rosemont and Penelope Rosemont published works on Surrealism.
I will give in to Boyer after all this time. I will accept the Rosemonts as the authentic Bonnie and Clydes of Surrealism and say yes to them being in the article. However, I have conditions: YOU MUST MENTION THE WEST COAST SURREALIST GROUP, as well! Also, its really The Chicago Surrealist Group, but if you want to call Boyer's friends the, "Arsenal Group" go ahead. Also, I must stress that you word the last sentence as follows, "Two members of this group Franklin Rosemont and Penelope Rosemont published works on Surrealism through their own publishing company Black Swann."

At least the scholars and researchers will know WHO really published(Pathfinder Press) Franklin's work. Penelope's book, "Surrealist Women" was published by University of Texas, if I am correct, but that is really not important.24.168.66.27 02:47, 2 Feb 2005 (UTC)


Surrealism also exhibited a pull on the public imagination in a way which many of the movements of Modernism had not: known to the public in a general sense, the word "surreal" having entered English. Numerous artists and writers have adopted the label as a way of describing their work to the public, and in the absence of a general consensus or scholarship, there does not exist any clear agreement as to whether these works are seen as expressions of Surrealism, or as a revival or movement inspired by Surrealism. Some scholars of Surrealism take a very broad view, namely anything which advances revolutionary surrealism is to be welcomed, in the spirit of the idea that Surrealism is thought without any aesthetic preoccupation. On the other hand, there have been denunciations of such activities as attempts to commercially appropriate the name because of its public cachet.
The above paragraph proposed by Stirling, I have issues with, but I can work something out with him and Dan.24.168.66.27 02:47, 2 Feb 2005 (UTC)


Another movement strongly associated with Surrealism are the situationalists, which grew up in Paris starting in the 1950's.
Not really. Guy Debord was a genius, but his motives were never based in surrealism. Maybe Boyer can agree with me on that observation, but it was influenced by surrealism, how to decide on what level is difficult but possible.24.168.66.27 02:47, 2 Feb 2005 (UTC)
Scholarship about Surrealism has grown considerably, with works on both the aesthetic and philosophical movement and the artistic movement, continuing to appear.
Now, I only have one catch. Let me make this clear that what I am about to write IS NOT Self-promotion!!! I propose that you, Stirling, write a passage on Contemporary Surrealism and mention (or refer to) the SERIOUS DEBATE that exists between the Self-Identified Surrealist Groups (basically ALL of Boyer's friends and fellow travellers, including Dan) and the Self-Identified Surrealist, Keith Wigdor, who challenged the movement(Dan's friends) in his Surrealism in 2004. Dan and his friends claim Keith is the enemy of surrealism, Keith claims that they do not fulfill surrealism's main goal which is the transformation of life by allowing ALL the public to join the movement and engage desire with collective force. I will even consider a proposed passage by Boyer, himself, but it is about time that the world, scholars, public and researchers KNOW the verisimilitude of Surrealism TODAY!24.168.66.27 02:47, 2 Feb 2005 (UTC)

Stirling Newberry 21:34, 1 Feb 2005 (UTC)

Other Surrealism articles


Stirling Newberry 21:46, 1 Feb 2005 (UTC)

Stirling, would you please stop referring to my edits as...

Stirling, would you please stop referring to my edits as vandalism! I am trying to work with you and Dan! In the meantime, read my responses above.24.168.66.27 02:50, 2 Feb 2005 (UTC)

After putting up with your lies and attacks, I am simply going to ignore you. The toyen scream job was simply the last straw, and from here on in, if you can't learn to write POV, I will simply revert what you write without checking it closely, the signal to noise ratio coming from your user name is simply too low to be worth anyone's time and effort. After screaming bloody murder about how important Toyen is - neither you, nor Daniel, could be bothered to actually create the article. Stirling Newberry 03:13, 2 Feb 2005 (UTC)
Stirling wants the article all to himself.24.168.66.27 05:56, 3 Feb 2005 (UTC)
To say that you have "put up with" his "lies and attacks" is somewhat questionable, given that you've made them the subject of RfC. And you are now admitting ("I will simply revert what you write without checking it closely") that you are not going to edit in good faith any more. I would ask you to reconsider this, because it is colorably grounds for being listed on RfC. --Daniel C. Boyer 21:35, 3 Feb 2005 (UTC)


An observation on the article as it is now

The Surrealism article is slowly shaping up. Today, I added some relatively minor additions, which did not get immediately removed from the article, and that shows me, that there exists an element of desire to improve the article by working together. I never would think in a million years that I would ever agree with Daniel C.Boyer on anything, but lately, I must state that both HE and Stirling are presenting edits that appear to be helpful to the article.

We all can make this the BEST reference source, or a very good one, on Surrealism, if we can reach some kind of agreement on NPOV and POV, from what I see on here from the past three days. As of right now, the only suggestion that I have is, that maybe, just maybe, can we agree to CONDENSE or Shorten, some of the art-related passages that refer to influences on other movements. My point is that Surrealism (the visual arts and the poetry and literature, etc.etc) did have an influence on a large portion of Modern Culture, during the 20th century up to now, BUT that was NEVER the DIRECT intentions of Surrealism, along with all its subsets, (the visual arts, poetry, polemics, theory, etc,etc).
Boyer does present some very strong points and his argument is sincere and certainly valid, when he edits. In the past, I had BITTER feuds and disagreements with him on here, but there was some kind of need to present this article according to the intentions that Breton and ALL the surrealists DESIRE.
Stirling, I highly recommend, if you ever get the chance, to read, "PROLEGOMENA TO A THIRD MANIFESTO OF SURREALISM OR ELSE" by Breton and that would be a great window of opportunity to understand MORE of what Boyer's (and myself) thought, in regards to this article, is striving for. Let the record show that I am not in any way, shape or form, speaking and writing the above on behalf of Boyer, we still dislike each other, but for the sake of the article, WE MUST ALL AGREE to make this the BEST article on Surrealism.24.168.66.27 21:58, 6 Feb 2005 (UTC)

Who removed the following surrealist theorists from the article and WHY?

Who removed the following surrealist theorists from the article and WHY? Karel Teige, Aime Cesaire, Rene Menil, Octavio Paz and Shuzo Takiguchi are ALL VERY SIGNIFICANT Surrealist Theorists as DOCUMENTED in MANY Historical Books on SURREALISM! Ask any ART SCHOLAR as well, even ask Mary Ann Caws or even ask Mr.Rosemont and I can tell you that they would both agree that Teige, Cesaire, Menil, Paz, and Takiguchi are very important surrealist theorists, especially Teige!!!! The person that removed the addition, PLEASE RESPOND! Tell us all WHY you removed these Surrealist Theorists from the article, when I am providing accurate facts on who these surrealists are to help report and illustrate the facts!!!24.168.66.27 00:30, 7 Feb 2005 (UTC)

Good, they are back in.24.168.66.27 01:40, 7 Feb 2005 (UTC)

Please explain the immediate reverting of my edits

I made an attempt to improve the prose in the intro section, and corrected an number of grammatical and punctuation errors. Minutes after I posted the edit, the whole thing was reverted with no explanation except "POV". Please justify this wholesale reversion. 68.164.133.172 04:46, 12 Feb 2005 (UTC)

Please read wiki policy on NPOV. Thank you. Stirling Newberry 06:09, 12 Feb 2005 (UTC)

I am familiar with the policy. What, exactly was "POV" about my edits? And did whatever your POV problem is justify reverting ALL of them? Please make your case. 68.164.133.172 07:40, 12 Feb 2005 (UTC)

If a series of edits is so loaded with POV terms as to make editting it a painful process, it gets reverted. More over, having reinserted the same material twice, you've decided to run a "revert war". Editors are responsible for the NPOV status of their contributions. Judgemental terms such as "anti-art provocations", explicit judgements on the nature of Breton's leadership - self styled is inaccurate - are all examples of this. Wikipedia is different from writing your own personal web page, it is not here to immortalize the POV's of its editors, but to attempt to refine a consensus of the best representation of notable and documentable POV's. Editing boldly is good, ignoring the requirements of POV and running a revert war is bad. Turf wars are bad. This page has a checkered history, and people are notably sensitive to its contents. I would suggest that these edits require comment on the talk page (as the post-Breton section is here). I would also request that you read the section on NPOV before trying to edit again. Stirling Newberry 14:03, 12 Feb 2005 (UTC)

1. It is you, Mr. Newberry, who are unilaterally conducting the "revert war"--you are the one that reverted my edits (my IP # may be different today, but I'm the same user 68) minutes after I entered them and with no explanation or discussion. After requesting an explanation and receiving only a snide "read the rules" response, I reverted your unexplained undoing of my work. 100% of the "war" is eminating from you.

2. "Anti-art," as you must know, is a common phrase applied by critics, journalists and historians to describe Dadaist activities, and in any case I put the phrase in quotation marks; I'm fine with rewriting that, but what is controversial about it? It's a cliché to describe Dada as "anti-art," that's the reason for searching for a better description in my book, but as far as I know the idea that Dadaism was aimed to provoke and unsettle complacent attitudes about art is uncontroversial.

3. I changed what I had written about Breton's leadership to "self-styled" in a (foolish, as I now see) attempt to divine what might have possibly been "POV" about my edits in your view. It occured to me that someone might argue with the clain that Breton was effectively the leader of the movement. So I tried to soften his authority a bit by inserting "self-styled," and by removing the refernce to excommunication. Again, I have no problem negotiating changes about this.

4. You are correct that this page has a history of lots of contentiousness, and it does make sense that people will be sensitive to changes in that situation. Perhaps I should have proposed changes on the talk page first. But as you point out, "be bold" is a wikipedia commandment, and my main interest was to edit some of the knarled, repetitive and occassionally incomprehensible prose on the page. I had done this once before on this page, a few weeks ago, and my changes seem to have been well received... many of the phrases and citations that I added remain in the current versions of the intro. In the current instance, I made a number of changes that aimed to make the article more concise and readable. It did not occur to me that I was inserting wildly controversial positions (and I still don't believe that I did). I did add a mention of some of the literary figures associated with Surrealism (and the filmmaker Bunuel) in the introduction, which had somehow managed to ignore the writers in what was first a literary movement. Again, I find it hard to see how mentioning Bunuel or Aragon on a short list of prominent Surrealists is anything close to a revertable POV offense. I find it hard to believe that you do, really, either.

5. Unexplained reverts of edits that are not vandalism, "reporting the user" for no offense whatever and with no attempt at discussion, and snide and condescending tone in the remarks one does write are a profoundly counterproductive blight on this project. "Wikipedia is not here to immortalize the POV's of its editors" —that's right. 67.101.239.34 18:42, 12 Feb 2005 (UTC)

Excellent Addition to article in Surrealist Music!

Bravo to the person that added this information!!!

In the 1920's several composers were influenced by Surrealism, or by individuals in the Surrealist movment. Notably Martinu, Andre Souris and Edgar Varese who stated that his work Arcana was drawn from a dream sequence. Souris in particular was associated with the movement, he had a long, if sometimes spotty, relationship with Magritte, and worked on Paul Nouge's publication Adieu Marie.

Whoever added the above information did a wonderful job on their research, especially with the mention of Varese! Keep up the great research!Classicjupiter2 07:08, 7 Mar 2005 (UTC)

Surrealism as an active political movement

For references to surrealism's political nature see, "The Surrealist Manifesto" by Andre Breton. Various editions contain forewords detailing the political aspects of the movement, plus the relationship with Dali. Dali's two main manifestos are quite clearly political.

Surrealism's aim of "dislocation", as with that of Dada, was originally political in nature, something which is rarely commented on in popular histories of the movement. It is perhaps beneficial to some to see it as harmless "oddness", when in fact its original aim was to critique European society's hypocrisy on political, sexual, religious and general social matters. (Even Dali worked on that level). Its bizarreness was subversive in itself, but we are so used to it now we don't realise its initial impact. By turning it from political subversion into mere oddness, the movement is effectively spayed.

Tzara

Is there a reason Tzara is not mentioned? --sparkit (talk) 04:18, Jun 12, 2005 (UTC)

Questions unanswered by the article

In what ways, or with what ideas, are Freud and primitivism connected to surrealism?

What is meant by "the unconscious" or "the subconsious"?

--sparkit (talk) 04:24, Jun 12, 2005 (UTC)

"living surrealism"

"The importance of living surrealism was repeated by Breton and by those writing about him."

"Living" as a verb, right? It's not clear in the article.

--sparkit (talk) 04:26, Jun 12, 2005 (UTC)

Dissociated Comments

Don't you think that the comments about the SAI are rather not in keeping with the otherwise professional presentation in th article:

"The Society for the Art of Imagination has come under bitter criticism from a self-characterised surrealist movement (although this criticism has been characterized by at least one anonymous individual as coming from the Marxists [sic] surrealist groups, who maintain small contingents worldwide. He has also pointed out what he considers the hypocrisy of any surrealist criticism of the Society for the Art of Imagination given that Kathleen Fox designed the cover of issue 4 of the bulletin of the Groupe de Paris du Mouvement Surrealiste and also participated in the 2003 Brave Destiny[4] (http://wahcenter.net/exhibits/2003/surreal/index.html) show. "

Also, you might say about the Brave Destiny show that "The show Brave Destiny in 2003 was thought of as the largest-ever exhibit of surrealist artists, however, the show was officially billed as exhibiting Surrealism, Surreal/Conceptual, Visionary, Fantastic, Symbolism, Magic Realism, the Vienna School, Neuve Invention, Outsider, Naïve, the Macabre, Grotesque and Singulier Art.)"

Gabrichidze's self-promotion, sock puppets

User User:Gabrichidze has a long history of attempts to use Wikipedia for self-promotion, repeatedly inserting his art in articles such as Mermaid. He often uses a sockpuppet, Elle20, and his vanity article recently lost a vfd. I've been deleting some of his spam today, in articles like this one and Pop art, but he's been reinserting it. I don't want to violate the 3RR, so I hope others will keep an eye on the situation.--Bcrowell 7 July 2005 20:01 (UTC)

A feasible dialogue with the “grandees” of the Newest art is present in Gabrichidze`s paintings. The symbols, the insistent multitude of the art-created images became almost denser than real nature in the last two decades. Today it is really impossible to create anything totally free of tradition, everything else is either a direct borrowing or self-delusion. “Everything that has no tradition becomes a plagiarism” (Eujenio d’Ors): claims of complete independence are usually illusory. It is quite natural that Gabrichidze’ interests reveal the presence of De Kiriko, Magritt who strove for the synthesis of color and impartial symbol. Nick feels at home in surrealism, he is not a stranger there.Elle20 8 July 2005 16:49 (UTC)

Hi. The issue isn't whether your art is in some way related to surrealism. The issue is that (through your sockpuppet Elle20 account) you're using wikipedia for self-promotion, and your work is not notable enough to be discussed in the article. --Bcrowell 8 July 2005 15:45 (UTC)
Other edits are being munched in this revert controversy. --sparkit (talk) July 8, 2005 16:13 (UTC)
Hi sparkit. I'm not quite understanding what you mean...? --Bcrowell 8 July 2005 16:22 (UTC)
I edited Acephle material and the 'See also' section, then they were over written by a revert. --sparkit (talk) July 8, 2005 16:28 (UTC)
Never-freakin'-mind. They were just over written again. I'll do it some other day. --sparkit (talk) July 8, 2005 16:32 (UTC)

Hі Bcrowell, Nick’s canvases, like snapshots of a philosophical film, have their own rhythm, their own sequence and logic. They appeal to the eternal parable motives: love, hope, harmony, peace and overcoming of fear. The kaleidoscope of impetuous transnational life finds peaceful synthesis in the Gabrichidze’s paintings. It bewitches the spectator slowly and irrevocably, touching the depths of his soul, liberating it and making him see the hidden aesthetics of secret emotions and ideas. It quenches the thirst of soul peace with the rigor of a serious art workElle20 8 July 2005 20:02 (UTC)

Bcrowell it would be appropriate to remember Pushkin here, who believed that an artist can only be judged by the laws “that he created for himself”.Elle20 8 July 2005 20:21 (UTC)



Who removed Toyen from the article?

Who removed Toyen from the article? Why? This is an outrage!Classicjupiter2 8 July 2005 15:53 (UTC)

I dunno, but she's getting lost in the Gabrichidze controvery. --sparkit (talk) July 8, 2005 17:16 (UTC)

Who removed the Acephle passage?

Who removed the Acephle passage? That is very important information for this article.Classicjupiter2 8 July 2005 18:39 (UTC)

It's there. Refresh your cache. However, there is a separate article on Acéphale, so perhaps just a few sentances are needed in this article. (I found it fascinating and got the book.) --sparkit (talk) July 8, 2005 20:08 (UTC)

Just for the record: I have not even entered wikipdia for a past few weeks not to talk about self promotion. I was too busy. I am running for a public office here in Amsterdam so I am too busy to talk with you guys. However your luck of courtesy for a young lady says a lot about this recourse to me Gabrichidze Time does not matter [[


Andre Breton and Le Libertaire

How anyone can overlook this is beyond me? Why is there no mention of Andre Breton and the Paris Surrealist Group's contributions to Le Libertaire? In the 1950's the Surrealists contacted the Anarchist Federation (the Fontenis group) to contribute to Le Libertaire. They contributed to Le Libertaire and that should be documented here.Classicjupiter2 9 July 2005 19:20 (UTC)

Please stop removing my edits! They are facts!

Stirling! I take great offense at your obnoxious remark, "POV pimping"!!! Please grow up! The Fact that Surrealism is a Revolution is a Fact, just look at the one of the very first publications edited by Pierre Naville and Benjamin Peret, "La Revolution Surrelaiste"!!!! translate that to THE SURREALIST REVOLUTION!!! Shall I provide EXACT (and DOCUMENTED) quotes from Historic Surrealists, like Andre Breton and Claude Cahun, no less!!!! or the countless numbers of surrealists past to present!!!??? Stirling, you cannot deny what is HISTORIC fact. Even Dali knew this and agreed with it!!! For God's sake, please stop being so stubborn and turning this article into a snobbish art catalogue, which it was. There are numerous pamplets, publications, manifestos, that state that Surrealism is Revolution!!! Again, start from the very beginning, one of its main sources, "La Revolution Surrealiste"!!!Classicjupiter2 15:07, 15 July 2005 (UTC)

Stirling! Please stop taking out what is documented historic fact! Tomorrow I am going to put it right back in and I will keep on putting it back in in accordance with policy! I can provide countless historic sources and publications that all the historians use!!!Classicjupiter2 15:12, 15 July 2005 (UTC)

POV pushing is still not allowed on Wikipedia. This isn't your personal website, and exclamation points do not make POV assertions any more acceptable. That Surrealism made revolutionary claims is alread in the article. Stirling Newberry 17:43, 15 July 2005 (UTC)

I am not, "POV pushing" nor am I using this as my personal website. Why you make such a statement like that is beyond me, however, I can provide numerous historic documentation to back up my edit on Surrealism is a Revolution. Exact Quotes by Andre Breton, Claude Cahun, Peret, etc., etc., plus numerous other notable surrealists who also have written numerous essays on the subject of Surrealism is revolution. You, Stirling, are the one who is POV pushing and that is not right. Tomorrow my edits go back in. If you keep taking them out, I put them back in, after all, it is a documented historic fact that Surrealism is Revolution, or shall I provide the reference sources that are documented. Your expertise seems to be in the Democratic party and that punk Clarke, please leave my edits alone.Classicjupiter2 17:54, 15 July 2005 (UTC)

Surrealism is Revolution! Reference source for research

Below, you the researcher of Surrealism will find one of the many, many, many reference sources on Surrealism and Revolution. Here is one(at least I do the work and try to help!):

San Juan, Jr., E. Surrealism and Revolution: Perspectives from Antonio Gramsci, Walter Benjamin, Aime Cesaire. Pullman, WA: Working Papers in Culture Studies.

there are many, many more, but you have to do the research into Surrealism. Keep looking.Classicjupiter2 18:33, 15 July 2005 (UTC)

The relationship between surrealism and revolution is mentioned repeatedly in the text. The dispute is over the section you've added, and a matter of emphasis. Stirling Newberry 19:16, 15 July 2005 (UTC)

No, sir. You are wrong again. Maybe a quote from surrealist Nancy Cunard from 1927 on surrealism and revolution, "a moral questioning of all that is in life, anarchically, poetically expressed". Or how about a statement from surrealist Claude Cahun to fellow surrealists in 1933 that surrealism, "can and should serve the cause of working class emancipation". Something that Breton passionatley uphelp up until the day he died!!!!!! Or how about a quote from surrealist Suzanne Cesaire from 1943? or how about a quote from Leonora Carrington from 1970?????!!!!!!! Surrealism is the point of intersection between art and revolution, even Dali himself knew that!!!!! Much of the above information you can also find in the surrealist Bertha Husband's essay, "Where Art and Revolution Intersect".Classicjupiter2 19:48, 15 July 2005 (UTC)

The philosophy section is too shallow, IMO, but I set it apart because of the confusion between the philosphy, the movement and the odd juxtapostions. The philosphy and revolution are intertwined. Developing the philosophy section will, I think, bring out the revolution aspect. I'd be glad to collaborate on expanding the philosophical section of the _article_. I don't have access to the resources mentioned, but others here do. Let's put something together. However, for wikipedia I'm not interested in writing a manifesto. -->>sparkit|TALK<< 20:18, July 15, 2005 (UTC)

I am going to put my edit back in as it was as soon as the 16th shows up on Wikipedia. The Surrealism is a Revolution addition can be found in many surrealists statements, Breton's included. This article is becoming an art catalogue. Anyway, I am not changing my edit, unless someone who knows something about Surrealism can come along and work with me. Also, I plan on making many serious additions to this article, passages on Surrealism and Anarchy, plus the numerous documented information and resources I will provide. One cannot cheat history. Surrealism is revolution and that is a fact, whether Stirling likes it or not.Classicjupiter2 20:29, 15 July 2005 (UTC)

Four reverts by Stirling Newberry on July 15,2005

Count them!!!! What kills me is that nobody does nothing about it!!!!Classicjupiter2 01:21, 16 July 2005 (UTC)

If its taken out, I'll put it right back in. Up to 3 reverts, no more, then I will still follow policy!!!! Then there is tomorrow, then tomorrow, then tomorrow, then tomorrow!!!! Keep remoing my edits Stirling and I will do a major facelift to this article in accordance with Wikipedia policy!!!!!!!!!!! I will bring this article back to its original state back in the day!!!! 2003!!!! I figure I have another 20 years of editing on here no matter what and I NEVER GIVE UP!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!Classicjupiter2 01:30, 16 July 2005 (UTC)

You can report 3RR violations to Wikipedia:Administrators' noticeboard/3RR. Please tone down the rhetoric (and the exclaimation points) and attempt to come to an agreement with other editors. Gamaliel 01:57, 16 July 2005 (UTC)

Revolution

I don't dispute the revolutionary aspect of Surrealism.

For one thing the revoltion comes from the philosophy, otherwise it seems like revolution for revolution sake. Again, I'll say, the philosphical aspects of this article sorely lack depth.

As to the added paragraph...

"Revolution. The revolutionary aim of Surrealism is to engage mass revolutionary action..."

What is mass revolutionary action? What form does it take for Surrealists?

"... on a dynamic level..."

What is a dynamic level?

"... through anarchist, poetic and artistic expression, to liberate humanity from the Miserabilism..."

Miserabilism? What is Miserablism?

... of modern life. Surrealism strengthens the revolutionary attitude..."

What is the revolutionary attitude?

...towards life and the freedom of all the peoples of the world."

All these things need to be explained to the reader who is not up to speed with revolutionary rhetoric. Just like the jargon about "conscious" and "unconscious" needs to be explained.

-->>sparkit|TALK<< 02:01, July 16, 2005 (UTC)

No one has been disputing the inclusion of material on Surrealism being revolutionary, it's the language. I'm going to RFC the user, as he is now engaging in personal attacks and false accusations, and has no intent of reaching any sort of consensus. Stirling Newberry 03:56, 16 July 2005 (UTC)

That's not true, Stirling. I have reached consensus many times here on Wikipedia. You are the one guilty of four reverts.Classicjupiter2 15:14, 16 July 2005 (UTC)

Sparkit, if you do not know what Miserabilism is, then you need to do some more research and study into Surrealism. Everyone from Andre Breton to surrealists today know what Miserabilism is and you who is very interested in Marcel Duchamp should already be aware of the dangers of Miserabilism. Surrealism from its very start goes against Miserabilism. There are countless surrealist publications from the 1930's to now which you need to study. You will really like it a lot. I already know how much you are into Marcel Duchamp, an ally, comrade and active participator in Surrealism. Oh, my edit goes back in.Classicjupiter2 15:14, 16 July 2005 (UTC)

The questions I posed need answered in the article if the concepts are to be included in the article. -->>sparkit|TALK<< 16:08, July 16, 2005 (UTC)

Sir, please do not give orders to me. In the meantime, the answers to your questions can be found here, so start here, http://www.surrealistmovement-usa.org/ and read everything on the site, that is not hard to do, they even make it easy for you to navigate. Then work your way back in time to the beginning of the surrealist movement and maybe you will learn something about Miserabilism. If you never heard of miserabilism, then this article deserves to be the snobby art catalogue that it is. The whole article sucks.Classicjupiter2 16:24, 16 July 2005 (UTC)

That would be "ma'am" if such designations are used. ;) I understand the concepts, including miserabilism. I suggest that the concepts be explained in the article if they are used in the article. Thanks for the reference link... and the assignment. -->>sparkit|TALK<< 17:16, July 16, 2005 (UTC)

Good, I am going to put my original passageback in. If you want to explain the concepts, that is great, but please respect my edit. I don't mind if you make some changes to my edit, but keep it nearly intact so that the researcher or student of Surrealism can understand. If you want to further explain the concepts in the article, then I am open for suggestions. The researcher of Surrealism must be given as much information they need, and a section on Anarchism is needed, as I mentioned in a few posts above. The, "rift" between Dali and Breton is a bit off the mark in this article. It was not just Dali's support for Franco, but many incidents of Dali's stances of commercialism, fascism, and his views on blacks and jazz music that really placed him at odds with his ex-comrades. Really, in respect to facts, Andre Breton was concerned over Dali's views back in 1934, Dali really was out on his own direction (seperated from the Paris Surrealist Group) towards the end of 1938. Dali's active years in Surrealism is 1929 to 1938, though Dali did manage to break out his marvelous magic even during his, "classical" era. Dali really became a snob when the money went to his head. Its a shame that Salvador and Andre could not have understood each other's incentives more. Dali hated Marxism, in his letters to Bunuel, Dali used to trash Marxism a lot. Anyway, even though many surrealists (some that are alive still from back in the days of the 40's to now) really HATE Dali, but I don't. Even Breton, looking back on Dali's contributions acknowledged that Dali was intense, real intense and his contributions to the movement are of extreme surrealist value. My guess is that the massive money he was making on the sale of his art, went to his head. Dali was certainly a revolutionary when he first joined the movement and the years 1929 to 1932 (and 1934) contain come real bizarre surrealist works and writings, that even the Paris Surrealist Group thought was too extreme, but definitely SURREALISM!!!! VIVA DALI!!!Classicjupiter2 17:59, 16 July 2005 (UTC)

Great Research Gem Found Here!

I forgot about this website.

http://oiseautempete.internetdown.org/article.php3?id_article=118

I hope it comes up. I must write a couple of passages for the Surrealist article mentioning Le Libertaire. How anyone can ignore and overlook the obvious is beyond me.Classicjupiter2 16:19, 17 July 2005 (UTC)

Great excerpt from this article too!

"To change life (poetic exploration of the world) and to transform the world (social action) became the two "problems" of Surrealism whereas the original intention was to lead the world Surrealist revolution."

This is a gem. I must write a couple of passages on this and put it into the Wikipedia Surrealism article!Classicjupiter2 16:22, 17 July 2005 (UTC)

About the edit

Please do not change my edits or RfC against me (and certifying it) without talking to me first on my user page. I am willing to reach any consensus for the benefit of the article, but I really don't like the witch-trial, (I am talking to you, Sparkit). Stirling outright refuses to work with me. I already provided a reference source and I already provided factual sources and an excellent website for research. If you want to re-word my addition, I am open to suggestions, but not being listed on RfC. I am more upset with Sparkit than I am with Stirling. He outright refuses to discuss the facts with me. You, Sparkit, I thought would be more open, especially since you are really into Duchamp. I should have known better. Anyway, none of you talked to me on my own user talk page and that upsets me. I am open to discussion, not a trial. That is not fair, really. Both, you, (Sparkit) and Stirling have literally dominated ALL changes on this article and it really sucks. It is an art catalogue! All I do is make one addition, a minor paragraph and one word and now there is an RfC against me. Thanks for nothing.Classicjupiter2 18:19, 17 July 2005 (UTC)

Talk to me and work out a consensus with me before you hog up this terrible art article.Classicjupiter2 23:09, 17 July 2005 (UTC)

I'm pondering. -->>sparkit|TALK<< 04:30, July 18, 2005 (UTC)

This was a great addition

I have to admit that this was a great addition,

"Not all Surrealists subscribe to all facets of the philosophy. Historically many were not interested in politcal matters, and this lack of interest manifested rifts in the Surrealism movement.

By the turn of the 21st century, Surrealist philosophy varied amongst Surrealist groups around the globe."

This passage I can agree 100% with.Classicjupiter2 23:32, 17 July 2005 (UTC)

Many thanks! -->>sparkit|TALK<< 04:32, July 18, 2005 (UTC)

About the Reverts

I will agree to a consensus. Please offer one so that the edit war will stop. Here is what I will offer: I will no longer add the "Revolution" passage to this article. All I ask of Stirling and Sparkit is to do a rewrite of the article removing all non-notable and unnecessary information and non-credible sources. I recommend a complete re-write on the "Impact of Surrealism" passage. Also I ask that you do state in the article that the official surrealist movement did end with the death of Andre Breton in 1966 and his group, the Paris Surrealist Group disbanding in 1969. There really is no credible Surrealist Movement in the USA, I suggest that you remove all information on Franklin Rosemont from the article in the references. Then I will agree to your consensus.Classicjupiter2 23:49, 19 July 2005 (UTC)

This is a non-starter. Stirling Newberry - Bopnews 01:09, 20 July 2005 (UTC)

Classicjupiter2, do I understand correctly that you want others to change the article at your direction? -->>sparkit|TALK<< 14:51, July 20, 2005 (UTC)

Good, tomorrow I will remove all the non-notable information and Rosemont sources, plus a lot of other changes. I will no longer put in the revolution passage.Classicjupiter2 02:59, 20 July 2005 (UTC)

This being the English language wikipedia, I will give you a free lesson in English. In negotiations, a "non-starter" means an offer which is not even the possible basis for negotiations. Stirling Newberry - Bopnews 04:06, 20 July 2005 (UTC)

Please stop being uncivil. I agreed not to put the revolution passage in, now stop harrassing me by removing all my edits. Leave me alone. I have nothing to do with you. Peace.Classicjupiter2 18:15, 20 July 2005 (UTC)

I'm not being uncivil. I am however pursuing dispute resolution, because a repetition of this circumstance is not acceptable. The purpose of all of this is not "us" but the improvement of wikipedia, and in this particular case, the coverage of surrealism. Stirling Newberry - Bopnews 18:28, 20 July 2005 (UTC)

July 20, 2005 edits

The edits by sparkit on July 20, 2005:

  • No deletion of material.
  • Additional of a literature section.
  • Movement of art related material to visual art section.
  • List of Breton movement artists (too bad its not known as the "Bretonian Surrealist Movement", things would be much clearer if it was)
  • Addition of sentance about Breton courting Duchamp and Picasso to join the movement, which they never did.
  • Added, "To further the revolutionary aim of Surrealism, in 1927 Breton and others joined the Communist Party. (Breton was ousted in 1933.)"
  • Rearranging some paragraphs within sections into chonological order.
  • Grammar changes.
  • Broke paragaphs containing not very related material into multiple paragraphs.
  • Quote mark fixing.
  • many link fixes.

-->>sparkit|TALK<< 21:45, July 20, 2005 (UTC)

I agree to all the above edits. Now, this proves that I am giving so much of myself and not changing none of your changes. Now, can you please do not change the one and only one edit that I made today and leave it alone for God's sake. I agreed to a consensus. I agreed not to put the "Revolution" passage in the article anymore and I agree with ALL, again let me repeat ALL of your edits above! So can you please do not revert the one edit that I made in the sources. That is all I ask. Please. Thank you.Classicjupiter2 22:29, 20 July 2005 (UTC)

Ok

I will agree to leave the Rosemont book source in but the Revolution passage will stay in. Good Faith on my part.Classicjupiter2 16:02, 22 July 2005 (UTC)

Verbiage

Revolution. The revolutionary aim of Surrealism as set forth by Andre Breton is to engage mass revolutionary action on a dynamic level through anarchist, poetic and artistic expression, to liberate humanity from the Miserabilism of modern life. Surrealism strengthens the revolutionary attitude towards life and the freedom of all the peoples of the world.

Things that may not be clear to many readers:

  • Is this a quote, or perhaps a paraphrase, from Breton?
  • Explain miserabilism. What are the characteristics of miserabilism? Who are the miserabilists? Who first used the term?
  • What mass revolutionary actions did the Bretonian Surrealists adovacate? What mass revolutionary actions did they take part in?
  • What is "dynamic level?" Is it one of these concepts, Dynamism? Or is it a contrast to "static"?
  • What is "revolutionary attitude?" What are its characteristics?

>>sparkit|TALK<< 20:46, July 22, 2005 (UTC)

Its a paraphrase from Breton and many other surrealists.

Miserabilism is Capitalism and all its other baggage.

Breton.

The foundation of the International Surrealist Movement in Paris 1924 and it spreading to all corners of the globe to today.

Read Le Libertaire

Contrast to Static. Surrealism in its applications and also its examinations of the Hegelian Dialectic operating on an dynamic level in its emphasis on automatism and explorations of the unconscious to discover the latent content (a Breton term) that resides deep within human being's unconscious minds. Breton even praised Dali's Paranioac Critical Method as equivalent to this examination. Dali really was revolutionary, Breton knew that and lectured a lot on Dali before their falling out with one another. I am just giving you one example to apply to the dynamic. Look at 1931, "Persistence of Memory" by Dali to examine what you are reading here. Dynamic = to operate on all human minds. Dali, Dali!

The IWW or any oppressed peoples.

In the meantime, I hope some of the answers help. I will leave the "Revolution" passage out of the article.Classicjupiter2 22:19, 22 July 2005 (UTC)

Many thanks! >>sparkit|TALK<< 00:38, July 23, 2005 (UTC)

You are very welcome, Sparkit. I do have faith in the changes and future edits that you will make to this article. I can see how much you want to make this article as strong as possible and that is noble. Plus, the more great research and information that you can get a hold of, the better. More people will get turned on to Surrealism, thanks to your great input. I am a surrealist, by the way. Peace to you, Sparkit. I will no longer add the Revolution passage as agreed to consensus.Classicjupiter2 01:32, 23 July 2005 (UTC)

Again, thanks! Do you write? Visual art? Interactive? >>sparkit|TALK<< 16:25, July 24, 2005 (UTC)
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