Talk:Nicole Eisenman

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Evaluation of Article

1) A lot of of information is missing, for example: early life, inspirations, early work, current work etc

2) There is a good list of references and links but there is little information provided from them in the article

3) There is no indication of bias (because of little information), all information is strictly facts

RidwanP (talk) 07:06, 11 February 2017 (UTC)[reply]

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Updates for 2022[edit]

The page needs major updates and improvements and does not factually reflect the artist's CV to-date nor their provenance.

A bot did not allow me to update the page so I am starting a conversation here to begin the process.

Work Love or Generosity [nl] (2020), Amsterdam

Eisenman's figurative oil paintings play with themes of sexuality, comedy, and caricature. Eisenman also creates installations, drawings, etchings, lithography, monotypes, woodcuts, and sculptures. Alongside A.L. Steiner, Eisenman co-founded the queer/feminist curatorial initiative Ridykeulous.

Sculpture

Eisenman also creates whimsical sculptures that have been shown at the 58th Venice Biennale, 2017 Skulptur Projekte Münster, and the 2019 Whitney Biennial.

Eisenman began working on Sketch for a Fountain in 2012, a bronze piece acquired by the Nasher Sculpture Center in 2019. The acquisition was funded by the Kaleta A. Doolin Acquisitions Fund for Women Artists and the Green Family Collection. Since 2019, Eisenman has been represented by Hauser & Wirth as well as Anton Kern and Vielmetter Los Angeles.

Exhibitions Nicole Eisenman, Kunsthalle Zürich (2007) Matrix 248, Berkeley Art Museum (2013) Dear Nemesis, Nicole Eisenman 1993–2013, Contemporary Art Museum St. Louis (2014). Dear Nemesis: Nicole Eisenman 1993–2013, Institute of Contemporary Art, Philadelphia (2014). Masterpieces & Curiosities: Nicole Eisenman’s Seder (2015), The Jewish Museum Nicole Eisenman: Al-ugh-ories, New Museum (2016) Nicole Eisenman: Dark Light, Secession, Vienna, Austria (2017) Baden Baden Baden, Staatliche Kunsthalle Bade-Baden (2019) Nicole Eisenman: Sturm und Drang, The Contemporary Austin, Austin Nicole Eisenman: Giant Without a Body, Astrup Fearnley Museet, Oslo, Norway Nicole Eisenman: Untitled (Show) Hauser & Wirth, New York, NY Awards Louis Comfort Tiffany Grant, 1995 Guggenheim Fellowship, 1996 Carnegie Prize, 2013 Anonymous Was a Woman Award, 2014 MacArthur Fellowship, 2015 The Forward 50, 2015 Suzanne Deal Booth/FLAG Art Foundation Prize, 2018 Collections American Academy of Arts and Letters, New York The Art Institute of Chicago Carnegie Museum of Art Centre national des arts plastiques, Paris Cornell Fine Arts Museum, Rollins College, Winter Park FL Denver Art Museum The Frances Young Tang Teaching Museum and Art Gallery at Skidmore College Hall Art Foundation Hammer Museum, Los Angeles Herbert F. Johnson Museum of Art, Ithaca NY The Jewish Museum, New York The Metropolitan Museum of Art, New York The Morgan Library & Museum, New York Museum Ludwig, Cologne Museum of Contemporary Art, Los Angeles Museum of Contemporary Art San Diego Museum of Modern Art, New York Nasher Sculpture Center, Dallas RISD Museum, Providence RI Rose Art Museum, Brandeis University, Waltham MA San Francisco Museum of Modern Art Tate, London Walker Art Center, Minneapolis Whitney Museum of American Art, New York Williams College Museum of Art, Williamstown MA Bibliography Nicole Eisenman: Behavior (Rice Gallery, 1998) Nicole Eisenman: Selected works 1993–2003 (Herbert F. Johnson Museum of Art, 2003) Nicole Eisenman: Selected Works 1994–2004 ed. Victor Mathieu (Walther König, 2008) Nicole Eisenman: The Way We Weren't (Frances Young Tang Teaching Museum and Art Gallery, 2010) Nicole Eisenman ed. Beatrix Ruf (JRP-Ringier, 2011) Parkett no. 91 (Parkett Verlag, 2012) Nicole Eisenman: Dear Nemesis, 1993–2013 (Contemporary Art Museum St. Louis/Walther König, 2014) Nicole Eisenman: Al-ugh-ories (New Museum, 2016) Nicole Eisenman: Baden Baden Baden (Walther König, Köln, 2019) Nicole Eisenman: Sturm und Drang (Radius Books/The Contemporary Austin/The FLAG Art Foundation, 2020) — Preceding unsigned comment added by Lastdaysofpop (talkcontribs) 21:19, 4 May 2022 (UTC)[reply]