This article is within the scope of the WikiProject Composers, a group of editors writing and developing biographical articles about composers of all eras and styles. The project discussion page is the place to talk about technical and editorial issues and exchange ideas. New members are welcome!ComposersWikipedia:WikiProject ComposersTemplate:WikiProject ComposersComposers articles
This article is within the scope of WikiProject Classical music, which aims to improve, expand, copy edit, and maintain all articles related to classical music, that are not covered by other classical music related projects. Please read the guidelines for writing and maintaining articles. To participate, you can edit this article or visit the project page for more details.Classical musicWikipedia:WikiProject Classical musicTemplate:WikiProject Classical musicClassical music articles
This article is within the scope of WikiProject Biography, a collaborative effort to create, develop and organize Wikipedia's articles about people. All interested editors are invited to join the project and contribute to the discussion. For instructions on how to use this banner, please refer to the documentation.BiographyWikipedia:WikiProject BiographyTemplate:WikiProject Biographybiography articles
This article has been given a rating which conflicts with the project-independent quality rating in the banner shell. Please resolve this conflict if possible.
This article falls within the scope of WikiProject Opera, a group writing and editing Wikipedia articles on operas, opera terminology, opera composers and librettists, singers, designers, directors and managers, companies and houses, publications and recordings. The project discussion page is a place to talk about issues and exchange ideas. New members are welcome!OperaWikipedia:WikiProject OperaTemplate:WikiProject OperaOpera articles
I removed the sentence
"Even if Malipiero rarely, if ever, dealt with dodecaphony (...)"
It seemed out of context to me. Dodecaphony is not related to breaking up with traditional forms. It's merely a system for organizing the pitches, it has nothing to do with rejecting the sonata form... And dodecaphonic composers of this period usually relied on traditional structures...
I'm sorry for my English, which is really not very good. — Preceding unsigned comment added by 79.168.11.85 (talk) 17:34, 1 April 2013 (UTC)[reply]
