Simon Berger (artist)
Simon Berger | |
|---|---|
 | |
| Born | 9 April 1976 (age 48) Herzogenbuchsee, Switzerland |
| Nationality | Swiss |
| Known for | Contemporary Art Installations, Contemporary Glass Art |
| Notable work | Portrait of Kamala Harris[1][2] WeAreUnbreakable[3] Shattering Beauty, Museo del Vetro Murano[4] |
| Movement | Pop Art / Contemporary Art[5] |
| Website | www |
Simon Berger, born in 1976, is a Swiss contemporary visual artist. He is best known for pioneering the art made by breaking glass with a hammer. His work has been widely exhibited around the world.[6]
Life[edit]
Simon Berger was born on April 9, 1976. He grew up in Herzogenbuchsee, a municipality in the Oberaargau administrative district in the canton of Bern in Switzerland. Berger got professional education as a carpenter. He currently resides and works in his own studio in Niederönz.[7]
About Bergers work[edit]
Simon Berger’s glass portraits visualize a tension between strength and fragility through its motif, as well as his handling of the glass. The anonymous female portraits commonly share a powerful expression, their fierce gazes either piercing through the viewer, or fixating on an object beyond the frame. When approaching the artworks closely, these captivating images disintegrate into an amalgamation of cracks and jagged-edged shards of glass. Contrary to expectations of how glass should be handled cautiously to ensure its integrity, Berger makes use of the material’s brittleness to develop his artistic language.[8]
Reminiscent of sculptural techniques, a hammer is used to imprint the highlighted facial features into the sheet of glass. An initially transparent support of the image, the pane of glass, becomes partially opaque. The controlled shattering of the glass creates fractures which are subject to the material’s physical laws. However, instead of collapsing into itself, the safety glass keeps the shards in place. These artworks fascinate by juxtaposing strength with fragility and expectations towards glass with Berger’s approach to the material. The incidence of light is reflected by the fragments and cracks within the glass, making the artworks surface gleam and glisten and depending on the illumination, it seems as if the portrait itself were glowing. Through destruction, Simon Berger allows beauty to emerge.[9]
According to the magazine French magazine RTS, Berger's work was influenced by the pop art movement and Neorealism.[5]
Simon Berger made his first works on glass in 2017, in his studio in Niederönz, Switzerland.[7] Soon, the originality of his technique put him in the media spotlight, and he was invited by many institutions or events such as the largest street art festival in Europe, the Street Art Fest Grenoble-Alpes, where he created a live diptych. The work can be seen in Grenoble at 113 cours Berriat in a window provided by the ARaymond company. In March 2021, Simon Berger created a portrait of Kamala Harris, the Vice President of the United States, in partnership with the American National Museum of Women's History.[1] In August 2021, he was associated with the "We are Unbreakable" project,[10] sponsored by MTV Lebanon in tribute to the victims of the Beirut harbour explosion in 2020.
Berger's Broken Window Theory[edit]
Contemporary glass artist Simon Berger speaks a singular plastic language by exploring the depth of his material, the glass that he pounds, or cracks with a hammer. The window becomes the support of an expansion done by impacts playing with transparency. The closer and briefer the blows, the stronger the contrasts and the shades. In his hands, the hammer is not a tool of destruction, but rather an amplifier of effects. His lacerated portraits, sculpted in glass, bring the gaze into the intricacies of transparent wounds that he calls “morphogenesis”. A pioneer of this technic, his broken pieces evoke his fascination for faces, especially women’s. With his work on window panes, the artist takes ownership of reality, and probes the expressive copabilities of inert materials destined for factories. His metallic paintings become canvases where perceptions confront with interpretations. Simon Berger began his artistic explorations with spray can before turning to other mediums. A carpenter by training, his natural attraction to wood inspired him his first creations out of the street. A lover of mechanics, he also spent plenty of time working on car carcasses. It was while pondering about what to do with a car windshield that his art was born. “Human faces have always fascinated me”, explained Simon. “On safety glass, these motifs come into their own and magically attract visitors. It is a discovery from abstract fogging to figurative perception.” A compulsive explorer of materials, he has also sculpted hyper realistic anamorphism of colored faces using the suspenders of Jeans and T-Shirts, or skulls with the remains of a washed-out ceiling… His art shakes up the interpretation of reality and his esthetics put an interesting spin on the “broken window” theory.[11]
Exhibitions (Selection)[edit]
Selected Solo Exhibitions:
- 2023 - Solo Exhibition, Facing Grace, Museo Civico di Treviso, Treviso, Italy
- 2023 - Solo Exhibition, Echoes, Fabien Castanier Gallery, Miami, United States
- 2023 - Solo Exhibition, Beauty in Destruction, West Chelsea Contemporary, Austin, United States
- 2023 - Solo Exhibition, Morphogenesis, Bundesverwaltungsgericht, St. Gallen, Switzerland
- 2023 - Solo Exhibition, Reflected Identities, Gallotti & Radice, Milano, Italy
- 2023 - Solo Exhibition and private event, Untitled, Agence DS and Icone Gallery, Le Touquet-Paris-Plage, France
- 2023 - Solo Exhibition, The Doors of Perception, Museo Civico di Sansepolcro, Italy
- 2023 - Solo Exhibition, Shattering Beauty (curated by Sandrine Welte and Chiara Squarcina, in Collaboration with Berengo Studio), Museo del Vetro, Murano, Italy
- 2022 - Solo Exhibition, Shattered, Aurum Gallery, Bangkok, Thailand
- 2022 - Solo Exibition, Unbreakable Identities, Galotti & Radice, Italy
- 2022 - Solo Exhibition, Agence DS, Paris, France
- 2022 - Solo Exhibition, Artstübli Basel, Switzerland
- 2022 - Solo Exhibition, Le verre dans tous ses éclats, Vitromusée Romont, Switzerland
- 2022 - Solo Exhibition, Cracked Beauties, Mazel Galerie, Brussel, Belgium
- 2021 - Solo Exhibition, Simon Berger, Artstübli Gallery, Basel, Switzerland
Selected Art Fairs:
- 2023 - Laurent Marthaler Contemporary, Montreux, Switzerland, Art Miami 2023
- 2023 Artstübli Art & Culture, Basel, Switzerland, Volta Art Fair 2022 (Duo Show with Eddie Hara)
- 2022 - Laurent Marthaler Contemporary, Montreux, Switzerland, Art Miami 2022
- 2022 - Geneva Biennale, Sculpture Garden, Geneva, Switzerland
- 2021 - Laurent Marthaler Contemporary, Montreux, Switzerland, Art Miami 2021
Selected Group Exhibitions:
- 2022 - Duo Show, reFORMATION (with Pierre-Alain Münger), Frankonian Museum, Feuchtwangen, Germany
- 2022 - Group Exhibition, Glasstress, Fondazione Berengo, Venice, Italy
- 2022 - Duo Show, Defekt (with Pierre-Alain Münger), Artstübli Gallery, Basel, Switzerland
- 2022 - Group Exhibition, Sculpture Garden, Biennal Geneva, Geneva, Switzerland
- 2022 - Group Exhibition, MAMCO (Musée d’art moderne et contemporain), Geneva, Switzerland
- 2022 - Spring Break, Mazel Galerie, Brussels, Belgium
- 2022 - Glasstress - State of Mind, Fondazione Berengo, Murano, Venice, Italy (curated by Adriano Berengo, Koen Vanmechelen, Ludovico Pratesi)
- 2022 - L’Ancien Musée de Peinture, Grenoble, France[1]
- 2022 - Break that wall, Mazel Galerie, Brussel, Belgium
Selected Public Installations:
- 2023 - Tosca, Municipality of Paris and Agence DS, Paris, France
- 2023 - Réflexion Cristalline, La Villa Calvi and Agence DS, Corsica, France
- 2022 - Transformation, Artstübli Art & Culture, Basel, Switzerland
- 2022 - L’espoir, Street Art Festival Grenoble (curated by Jerome Catz), Permanent Installation, Grenoble, France
- 2022 - Untitled (front window), Spacejunk, Grenoble, France
- 2022 - Serpenti, BVLGARI, Zürich, Switzerland, curated by Florian Paul Koenig
- 2022 - Broken Lives, Ministry of Traffic Safety of France, Paris, France, curated by Laurent Marthaler, Laurent Marthaler Contemporary
- 2022 - Kamala Harris, Abraham Lincoln Memorial, United States, curated by Philipp Brogli, Artstübli
- 2021 - We are Unbreakable, MTV Lebanon, Beirut, Lebanon, curated by Laurent Marthaler (2021)
- 2021 - Untitled, Golf Court Ätigkofen, Switzerland
- 2020 - Abribus, Geneva, Switzerland, curated by Jean-Damien Zacchariotto
- 2020 - Untitled, Genevra, Switzerland, Promenade du Lac, curated by Jean-Damien Zacchariotto
- 2020 - Untitled (front window), Artstübli Gallery, Basel, Switzerland
- 2016 - E=mc2, Motorex, Langenthal, Switzerland
Works in public and private collections[edit]
- Museo Civico di Sansepolcro, Sansepolcro, Italy
- Museo del Vetro, Murano, Italy
- Beit Beirut museum, Lebanon
- National Museum of Women's History in Washington, D.C., USA, "Portrait of Kamala Harris"
- Murten Museum, Switzerland
- Frankonian Museum, Feuchtwangen, Germany
- Vitromusée Romont, Switzerland
- Jessica Goldman Collection, Miami, USA
- Foundation Dr. Hanspeter & Christine Rentsch, Grenchen, Switzerland
- NOA Collection, Lucerne, Switzerland
Press (Selection)[edit]
- 2023 - S-quive, A l’Opéra-Comique, Simon Berger réinvente la "Tosca"[12]
- 2023 - ArtsHebdoMédias, Simon Berger fête Tosca à Paris[13]
- 2023 - La Republicca, i ritratti incisi sul vetro di Simon Berger[14]
- 2023 - Newspaper of Basel, Switzerland, Hämmern mit Fingerspitzengefühl: Simon Berger zeigt in Basel Werke aus Glas, Licht und Reflexionen[15]
- 2023 - Artemagazine, Al Museo Civico di Sansepolcro si aprono le "porte della percezione"[16]
- 2021 - Artnet News, To Celebrate the Glass Ceiling Kamala Harris Shattered, This Artist Installed a Portrait of Her in Washington Made Entirely of Cracked Glass[17]
- 2021 - Smithsonian Magazine, Kamala Harris Portrait Draws Inspiration From the Glass Ceiling She Shattered[18]
- 2020 - La Liberté, Portraits en verre brisé de Simon Berger exposés à Genève[19]
References[edit]
- ^ a b "A new Kamala Harris portrait celebrates the vice president as a glass ceiling breaker". Business Insider.
- ^ "100 art-world Instagram accounts to follow right now — Simon Berger (#4)". Christie's.
- ^ "Victims Portraits Etched in Glass in Call for Justice". CNN.
- ^ "??".
- ^ a b "With his hammer, Simon Berger sculpts faces out of broken glass (In French: "Avec son marteau, Simon Berger sculpte des visages en verre brisé)". RTS Culture.
- ^ "What is otherwise vandalism becomes art with him (Translation from German: "Was sonst Vandalismus ist, wird bei ihm Kunst"". Berner Zeitung.
- ^ a b "Simon Berger - The Broken Window Theory". The artist's official website.
- ^ "SIMON BERGER ART". simonberger (in German). Retrieved 2023-03-17.
- ^ "SIMON BERGER ART". simonberger (in German). Retrieved 2023-03-17.
- ^ "« We Are Unbreakable" : portraits des victimes en verre brisé". L'Orient-Le Jour. 2021-08-05. Retrieved 2021-12-02.
- ^ "SIMON BERGER ART". simonberger (in German). Retrieved 2023-03-17.
- ^ "A l'Opéra-Comique, l'artiste Simon Berger dévoile "Tosca"". www.s-quive.com. Retrieved 2024-01-11.
- ^ Rédaction, La (2023-10-13). "Simon Berger fête Tosca à Paris". ArtsHebdoMédias (in French). Retrieved 2024-01-11.
- ^ "Murano, i ritratti incisi sul vetro di Simon Berger". la Repubblica (in Italian). 2023-02-23. Retrieved 2024-01-11.
- ^ Kolb, Elodie (2023-01-14). "Mit dem Hammer auf Glas: Künstler Simon Berger im Artstübli". bz Basel (in German). Retrieved 2024-01-11.
- ^ Redazione, Di (2023-06-28). "Al Museo Civico di Sansepolcro l'arte dirompente di Simon Berger" (in Italian). Retrieved 2024-01-11.
- ^ Cascone, Sarah (2021-02-05). "To Celebrate the Glass Ceiling Kamala Harris Shattered, This Artist Installed a Portrait of Her in Washington Made Entirely of Cracked Glass". Artnet News. Retrieved 2024-01-11.
- ^ Magazine, Smithsonian; Davis-Marks, Isis. "Kamala Harris Portrait Draws Inspiration From the Glass Ceiling She Shattered". Smithsonian Magazine. Retrieved 2024-01-11.
- ^ "Portraits en verre brisé de Simon Berger exposés à Genève". www.laliberte.ch (in French). Retrieved 2024-01-11.