Portal:Rock music

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Rock is a broad genre of popular music that originated as "rock and roll" in the United States in the late 1940s and early 1950s, developing into a range of different styles from the mid-1960s, particularly in the United States and the United Kingdom. It has its roots in 1940s and 1950s rock and roll, a style that drew directly from the blues and rhythm and blues genres of African-American music and from country music. Rock also drew strongly from genres such as electric blues and folk, and incorporated influences from jazz and other musical styles. For instrumentation, rock has centered on the electric guitar, usually as part of a rock group with electric bass guitar, drums, and one or more singers. Usually, rock is song-based music with a 4
4
time signature
using a verse–chorus form, but the genre has become extremely diverse. Like pop music, lyrics often stress romantic love but also address a wide variety of other themes that are frequently social or political. Rock was the most popular genre of music in the U.S. and much of the Western world from the 1950s to the 2010s.

Rock musicians in the mid-1960s began to advance the album ahead of the single as the dominant form of recorded music expression and consumption, with the Beatles at the forefront of this development. Their contributions lent the genre a cultural legitimacy in the mainstream and initiated a rock-informed album era in the music industry for the next several decades. By the late 1960s "classic rock" period, a number of distinct rock music subgenres had emerged, including hybrids like blues rock, folk rock, country rock, southern rock, raga rock, and jazz rock, which contributed to the development of psychedelic rock, influenced by the countercultural psychedelic and hippie scene. New genres that emerged included progressive rock with extended artistic elements, glam rock, highlighting showmanship and visual style. In the second half of the 1970s, punk rock reacted by producing stripped-down, energetic social and political critiques. Punk was an influence in the 1980s on new wave, post-punk and eventually alternative rock.

From the 1990s, alternative rock began to dominate rock music and break into the mainstream in the form of grunge, Britpop, and indie rock. Further fusion subgenres have since emerged, including pop-punk, electronic rock, rap rock, and rap metal. Some movements were conscious attempts to revisit rock's history, including the garage rock/post-punk revival in the 2000s. Since the 2010s, rock has lost its position as the pre-eminent popular music genre in world culture, but remains commercially successful. The increased influence of hip-hop and electronic dance music can be seen in rock music, notably in the techno-pop scene of the early 2010s and the pop-punk-hip-hop revival of the 2020s. (Full article...)

The following are images from various rock music-related articles on Wikipedia.

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Rock musician Pete Wylie is credited with coining "rockism" in 1981.
Rockism and poptimism are ideological arguments about popular music prevalent in mainstream music journalism. Rockism is the belief that rock music depends on values such as authenticity and artfulness, which elevate it over other forms of popular music. So-called "rockists" may promote the artifices stereotyped in rock music or may regard the genre as the normative state of popular music. Poptimism (or popism) is the belief that pop music is as worthy of professional critique and interest as rock music. Detractors of poptimism describe it as a counterpart of rockism that unfairly privileges the most famous or best-selling pop, hip hop and R&B acts.

The term "rockism" was coined in 1981 by English rock musician Pete Wylie. It soon became a pejorative used humorously by self-described "anti-rockist" music journalists. The term was not generally used beyond the music press until the mid 2000s, and its emergence then was partly attributable to bloggers using it more seriously in analytical debate. In the 2000s, a critical reassessment of pop music was underway, and by the next decade, poptimism supplanted rockism as the prevailing ideology in popular music criticism.

While poptimism was envisioned and encouraged as a corrective to rockist attitudes, opponents of its discourse argue that it has resulted in certain pop stars being shielded from negative reviews as part of an effort to maintain a consensus of uncritical excitement. Others argue that the two ideologies have similar flaws. (Full article...)

Selected biography

Van Morrison in 1972.
Sir George Ivan Morrison OBE (born 31 August 1945) is a singer-songwriter and musician from Northern Ireland whose recording career spans seven decades.

Morrison began performing as a teenager in the late 1950s, playing a variety of instruments including guitar, harmonica, keyboards and saxophone for various Irish showbands, covering the popular hits of that time. Known as "Van the Man" to his fans, Morrison rose to prominence in the mid-1960s as the lead singer of the Belfast R&B band Them, with whom he wrote and recorded "Gloria", which became a garage band staple. His solo career started under the pop-hit oriented guidance of Bert Berns with the release of the hit single "Brown Eyed Girl" in 1967.

After Berns's death, Warner Bros. Records bought Morrison's contract and allowed him three sessions to record Astral Weeks (1968). While initially a poor seller, the album has come to be regarded as a classic. Moondance (1970) established Morrison as a major artist, and he built on his reputation throughout the 1970s with a series of acclaimed albums and live performances.

Much of Morrison's music is structured around the conventions of soul music and early rhythm and blues. An equal part of his catalogue consists of lengthy, spiritually inspired musical journeys that show the influence of Celtic tradition, jazz and stream of consciousness narrative, such as the album Astral Weeks. The two strains together are sometimes referred to as "Celtic soul", and his music has been described as attaining "a kind of violent transcendence". (Full article...)

Selected album

Coming Up to Breathe is the fourth studio album by Christian rock band MercyMe. Released on April 25, 2006, by INO Records, the album was intended by MercyMe to be edgier than their previous albums. Coming Up to Breathe sold 58,000 copies its first week, MercyMe's biggest sales week at the time. It debuted and peaked at number one on the Billboard Christian Albums chart, number five on the Rock Albums chart, and number thirteen on the Billboard 200. It also appeared on the Alternative Albums chart in 2007, peaking at number thirteen. Coming Up to Breathe was certified Gold by the Recording Industry Association of America (RIAA) in 2007, signifying shipments of over 500,000 copies.

Coming Up to Breathe received positive reviews from critics. It was also nominated for Best Pop/Contemporary Gospel Album at the 49th Grammy Awards, and for Pop/Contemporary Album of the Year at the 38th GMA Dove Awards. The song "Bring the Rain" was nominated for Song of the Year at the 39th GMA Dove Awards.

Three singles were released in promotion of Coming Up to Breathe. Lead single "So Long Self" peaked at number one on the Christian Songs chart, spending four weeks atop that chart. The second single from the album, "Hold Fast", peaked at number three on the Christian Songs chart. The third and final single from the album, "Bring the Rain", spent one week at number one on the Christian Songs chart. "So Long Self" and "Hold Fast" also appeared on the Adult Contemporary chart, peaking at number sixteen and number twenty-seven, respectively. (Full article...)

Selected song

"Early Winter" is a song by American singer Gwen Stefani from her second solo studio album, The Sweet Escape (2006). Written by Stefani and English pianist Tim Rice-Oxley, the song was released in Europe as the album's fifth and final single on January 18, 2008, by Interscope Records. Musically, "Early Winter" is a soft rock and synth-pop ballad with new wave influences. Critics found it similar to songs by English alternative rock band Keane, of which Rice-Oxley is a member. The lyrics of the song describe the nearing of the end of a relationship, and were speculated to be references to Stefani's own relationship with husband Gavin Rossdale.

Upon its release, "Early Winter" received generally positive reviews from music critics, many of whom commended Stefani's vocal delivery and the song's emotional appeal. The song attained moderate commercial success across Europe, reaching number six in Germany and Slovakia, number 12 in Switzerland, and number 14 in Finland. An accompanying music video for "Early Winter" was directed by Sophie Muller and was filmed in destinations like Budapest, Milan, and Prague. It contains scenes of Stefani in a palace-like hall in various gowns and at railway stations. "Early Winter" was included in the setlist of The Sweet Escape Tour, and the performances featured a special coda section delivered by American musician and bassist Gail Ann Dorsey. (Full article...)

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Credit: Carlos Delgado CC-BY-SA

Paweł Mąciwoda, bassist of German rock band Scorpions, in Madrid, Spain in 2014.

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Heavy metal (or simply metal) is a genre of rock music that developed in the late 1960s and early 1970s, largely in the United Kingdom and United States. With roots in blues rock, psychedelic rock and acid rock, heavy metal bands developed a thick, monumental sound characterized by distorted guitars, extended guitar solos, emphatic beats and loudness. (Full article...)

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Title TK is the third studio album by American alternative rock band the Breeders, released on May 20 and 21, 2002 by 4AD in the United Kingdom and Elektra Records in the United States, and on May 10 by P-Vine Records in Japan. The album—whose name means "title to come" in journalistic shorthand—generated three singles: "Off You", "Huffer", and "Son of Three". Title TK reached the top 100 in France, Germany, the UK, and Australia, and number 130 in the US.

Following multiple changes in personnel after the release of Last Splash (1993), singer and songwriter Kim Deal was the only remaining constant member of the Breeders by 1996. The next year, she returned to the studio in an attempt to record a follow-up album, but her behavior—including drug use and demanding expectations—alienated many of the musicians and engineers with whom she worked. (Full article...)

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