Harmonic Materials of Modern Music
Harmonic Materials of Modern Music is a book on musical set theory by American composer Howard Hanson that overlaps significantly with composer Elliott Carter's Harmony Book and theorist Allen Forte's subsequent Structure of Atonal Music. Published in 1960, Hanson's theory was one of the first to examine all sets of pitches in terms of their specific interval content, independent of tonality, chord root, or consonance versus dissonance.[1][2][3][4]
References[edit]
- ^ Boatwright, Howard (1964). "Review: Harmonic Materials of Modern Music: Resources of the Tempered Scale by Howard Hanson". Journal of the American Musicological Society. 17 (3): 408–413. doi:10.2307/830107. JSTOR 830107.
- ^ Lloyd, Norman (1960). "Harmonic Materials of Modern Music". Journal of Research in Music Education. 8 (2): 128–130. doi:10.2307/3344039. ISSN 0022-4294. JSTOR 3344039. S2CID 210503287.
- ^ McGill, Thomas Scott (2020-01-01). "A Study Guide for Howard Hanson's "Harmonic Materials in Modern Music" Part I".
{{cite journal}}: Cite journal requires|journal=(help) - ^ Cohen, Allen (2004). Howard Hanson in theory and practice. Westport, Conn.: Praeger. ISBN 0-313-32135-3. OCLC 52559264.
External links[edit]
- Hanson, Howard (1960) "Harmonic Materials of Modern Music", New York: Appleton-Century-Crofts]
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