Portal:Rock music

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Rock is a broad genre of popular music that originated as "rock and roll" in the United States in the late 1940s and early 1950s, developing into a range of different styles from the mid-1960s, particularly in the United States and the United Kingdom. It has its roots in 1940s and 1950s rock and roll, a style that drew directly from the blues and rhythm and blues genres of African-American music and from country music. Rock also drew strongly from genres such as electric blues and folk, and incorporated influences from jazz and other musical styles. For instrumentation, rock has centered on the electric guitar, usually as part of a rock group with electric bass guitar, drums, and one or more singers. Usually, rock is song-based music with a ⁴
₄ time signature using a verse–chorus form, but the genre has become extremely diverse. Like pop music, lyrics often stress romantic love but also address a wide variety of other themes that are frequently social or political. Rock was the most popular genre of music in the U.S. and much of the Western world from the 1950s to the 2010s.

Rock musicians in the mid-1960s began to advance the album ahead of the single as the dominant form of recorded music expression and consumption, with the Beatles at the forefront of this development. Their contributions lent the genre a cultural legitimacy in the mainstream and initiated a rock-informed album era in the music industry for the next several decades. By the late 1960s "classic rock" period, a number of distinct rock music subgenres had emerged, including hybrids like blues rock, folk rock, country rock, southern rock, raga rock, and jazz rock, which contributed to the development of psychedelic rock, influenced by the countercultural psychedelic and hippie scene. New genres that emerged included progressive rock, which extended artistic elements, and glam rock, which highlighted showmanship and visual style. In the second half of the 1970s, punk rock reacted by producing stripped-down, energetic social and political critiques. Punk was an influence in the 1980s on new wave, post-punk and eventually alternative rock.

From the 1990s, alternative rock began to dominate rock music and break into the mainstream in the form of grunge, Britpop, and indie rock. Further fusion subgenres have since emerged, including pop-punk, electronic rock, rap rock, and rap metal. Some movements were conscious attempts to revisit rock's history, including the garage rock/post-punk revival in the 2000s. Since the 2010s, rock has lost its position as the pre-eminent popular music genre in world culture, but remains commercially successful. The increased influence of hip-hop and electronic dance music can be seen in rock music, notably in the techno-pop scene of the early 2010s and the pop-punk-hip-hop revival of the 2020s. (Full article...)

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The following are images from various rock music-related articles on Wikipedia.

Image 1Poison, seen here in 2008, were among the most successful acts of the 1980s glam metal era. (from Hard rock)
Image 2Tommy Steele, one of the first British rock and rollers, performing in Stockholm in 1957 (from Rock and roll)
Image 3Baker, Bruce and Clapton of Cream, whose blues rock improvisation was a major factor in the development of the genre (from Hard rock)
Image 4Kiss onstage in Boston in 2004 (from Hard rock)
Image 5Original member Izzy Stradlin' on stage with Guns N' Roses in 2006 (from Hard rock)
Image 6Wolfmother, 2007 (from Hard rock)
Image 7Big Joe Turner and Pete Johnson's record "Roll 'Em Pete" is regarded as a precursor to rock and roll. (from Rock and roll)
Image 8Rush on stage in Milan, Italy, 2004 (from Hard rock)
Image 9Elvis Presley in a promotion shot for Jailhouse Rock in 1957 (from Rock and roll)
Image 10Nirvana were at the forefront of the 1990s grunge era. (from Hard rock)
Image 11Golden Earring receives a gold record in 1970. (from Hard rock)
Image 12Little Richard in 1957 (from Rock and roll)
Image 13Drum notation for a backbeat (from Hard rock)
Image 14Buddy Holly and his band, the Crickets (from Rock and roll)
Image 15Foo Fighters performing an acoustic show in 2007 (from Hard rock)
Image 16Led Zeppelin live at Chicago Stadium, January 1975 (from Hard rock)
Image 17Bill Haley and his Comets performing in the 1954 Universal International film Round Up of Rhythm (from Rock and roll)
Image 18Sign commemorating the role of Alan Freed and Cleveland, Ohio, in the origins of rock and roll (from Rock and roll)
Image 19"There's No Romance in Rock and Roll" made the cover of True Life Romance in 1956. (from Rock and roll)
Image 20The Who on stage in 1975 (from Hard rock)
Image 21Chuck Berry in 1957 (from Rock and roll)
Image 22Aerosmith performing at Quilmes Rock in Buenos Aires, Argentina on April 15, 2007 (from Hard rock)

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The Kinks were an English rock band formed in London in 1963 by brothers Ray and Dave Davies. They are regarded as one of the most influential rock bands of the 1960s. The band emerged during the height of British rhythm and blues and Merseybeat, and were briefly part of the British Invasion of the United States until their touring ban in 1965. Their third single, the Ray Davies-penned "You Really Got Me", became an international hit, topping the charts in the United Kingdom and reaching the Top 10 in the United States.

The Kinks' music drew from a wide range of influences, including American R&B and rock and roll initially, and later adopting British music hall, folk, and country. The band gained a reputation for reflecting English culture and lifestyle, fuelled by Ray Davies' wittily observational and satirical writing style, and made apparent in albums such as Face to Face (1966), Something Else (1967), The Village Green Preservation Society (1968), Arthur (1969), Lola Versus Powerman (1970), and Muswell Hillbillies (1971), along with their accompanying singles including the transatlantic hit "Lola" (1970). After a fallow period in the mid-1970s, the band experienced a revival with their albums Sleepwalker (1977), Misfits (1978), Low Budget (1979), Give the People What They Want (1981) and State of Confusion (1983), the last of which produced one of the band's most successful US hits, "Come Dancing". In addition, groups such as Van Halen, the Jam, the Knack, the Pretenders and the Romantics covered their songs, helping to boost the Kinks' record sales. In the 1990s, Britpop acts such as Blur and Oasis cited the band as a major influence.

The band's original line-up comprised Ray Davies (lead vocals, rhythm guitar), Dave Davies (lead guitar, vocals), Mick Avory (drums, percussion) and Pete Quaife (bass). The Davies brothers remained with the band throughout its history. Quaife briefly left the band during 1966 and was replaced by John Dalton, though Quaife returned by the end of that year before leaving permanently in 1969, once again being replaced by Dalton. Keyboardist John Gosling was added in 1970 (prior to this, session keyboardist Nicky Hopkins played on many of their recordings). After Dalton's 1976 departure, Andy Pyle briefly served as the band's bassist before being replaced by Argent bassist Jim Rodford in 1978. Gosling quit in 1978 and was first replaced by ex-Pretty Things member Gordon John Edwards, then more permanently by Ian Gibbons in 1979. Avory left the group in 1984 and was replaced by another Argent member, Bob Henrit. The band gave its last public performance in 1996 and broke up in 1997 as a result of creative tension between the Davies brothers.

The Kinks have had five Top 10 singles on the US Billboard Hot 100. chart. Nine of their albums charted in the Top 40 of the Billboard 200. In the UK, they have had seventeen Top 20 singles and five Top 10 albums. Four Kinks albums have been certified Gold by the Recording Industry Association of America (RIAA), and the band has sold over 50 million records worldwide. Among numerous honours, they received the Ivor Novello Award for "Outstanding Service to British Music". In 1990, the original four members of the Kinks were inducted into the Rock and Roll Hall of Fame, as well as the UK Music Hall of Fame in November 2005. (Full article...)

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George Harrison (25 February 1943 – 29 November 2001) was an English musician, singer and songwriter who achieved international fame as the lead guitarist of the Beatles. Sometimes called "the quiet Beatle", Harrison embraced Indian culture and helped broaden the scope of popular music through his incorporation of Indian instrumentation and Hindu-aligned spirituality in the Beatles' work.

Although the majority of the band's songs were written by John Lennon and Paul McCartney, most Beatles albums from 1965 onwards contained at least two Harrison compositions. His songs for the group include "Taxman", "Within You Without You", "While My Guitar Gently Weeps", "Here Comes the Sun" and "Something". Harrison's earliest musical influences included George Formby and Django Reinhardt; subsequent influences were Carl Perkins, Chet Atkins and Chuck Berry. By 1965, he had begun to lead the Beatles into folk rock through his interest in Bob Dylan and the Byrds, and towards Indian classical music through his use of Indian instruments, such as the sitar, which he had become acquainted with on the set of the film Help! He played sitar on numerous Beatles songs, starting with "Norwegian Wood (This Bird Has Flown)". Having initiated the band's embrace of Transcendental Meditation in 1967, he subsequently developed an association with the Hare Krishna movement.

After the Beatles disbanded, Harrison released the triple album All Things Must Pass, a critically acclaimed work that produced his most successful hit single, "My Sweet Lord", and introduced his signature sound as a solo artist, the slide guitar. He also organised the 1971 Concert for Bangladesh with Indian musician Ravi Shankar, a precursor to later benefit concerts such as Live Aid. In his role as a music and film producer, Harrison produced acts signed to the Beatles' Apple record label before founding Dark Horse Records in 1974. He co-founded HandMade Films in 1978, initially to produce the Monty Python troupe's comedy film The Life of Brian (1979).

Harrison released several best-selling singles and albums as a solo performer. In 1988, he co-founded the platinum-selling supergroup the Traveling Wilburys. A prolific recording artist, he was featured as a guest guitarist on tracks by Badfinger, Ronnie Wood, and Billy Preston, and collaborated on songs and music with Dylan, Eric Clapton, Ringo Starr, and Tom Petty. Rolling Stone magazine ranked him number 31 in their 2023 list of greatest guitarists of all time. He is a two-time Rock and Roll Hall of Fame inductee – as a member of the Beatles in 1988, and posthumously for his solo career in 2004. (Full article...)

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Bat Out of Hell III: The Monster Is Loose is the ninth studio album by Meat Loaf, and the third and final album in the Bat Out of Hell trilogy. It was released in Ireland on October 20, 2006, 29 years after Bat Out of Hell (1977), and 13 years after Bat Out of Hell II: Back into Hell (1993). It was released in the UK on October 23, 2006, and in the US on October 31, 2006.

Produced by Desmond Child, it is the only Bat album not involving Jim Steinman in its production. The album was subject to a legal dispute between Meat Loaf and Steinman, who had registered the phrase "Bat Out of Hell" as a trademark and attempted to prevent the album using the phrase. In the end, seven songs that Steinman wrote for various other projects were included.

As with its predecessors, the album received mixed reviews. A tour, named The Seize the Night Tour, followed the release, concentrating upon songs from the Bat albums. (Full article...)

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"Everybody Wants to Rule the World" is a song by English pop rock band Tears for Fears from their second studio album Songs from the Big Chair (1985). It was written by Roland Orzabal, Ian Stanley, and Chris Hughes and produced by Hughes. It was released on 22 March 1985 by Phonogram, Mercury, and Vertigo Records as the third single from the album. "Everybody Wants to Rule the World" is a new wave and synth-pop song with lyrics that detail the desire humans have for control and power and centre on themes of corruption.

An international success, the song peaked at number two in Ireland, Australia, and the United Kingdom and at number one in Canada, New Zealand, and on both the US Billboard Hot 100 and Cashbox. It was certified gold by both Music Canada (MC) and the British Phonographic Industry (BPI). Retrospectively, music critics have praised "Everybody Wants to Rule the World", with some ranking the song among the decade's best. Along with "Shout" (1984), it is one of the band's signature songs.

A music video received promotion from MTV. The year of the song's release, it was featured in the ending to the science fiction comedy film Real Genius. In 1986, the song won Best Single at the Brit Awards, and was re-recorded by the band as a charity single for the Sport Aid campaign the same year. "Everybody Wants to Rule the World" has been covered extensively since its release, most notably by New Zealand singer Lorde for the soundtrack to the film adaptation of The Hunger Games: Catching Fire. (Full article...)

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Credit: Beni Köhler

Patti Smith performing at Provinssirock festival in Seinäjoki, Finland, June 2007.

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Did you know (auto-generated)

... that the heavy metal band Cradle of Filth released a T-shirt that was so offensive that several people were arrested for wearing it?
... that the Diaspora Yeshiva Band infused rock and bluegrass with Jewish lyrics, creating a music style it called "Hasidic rock" or "Country and Eastern"?
... that before charting on the UK Albums Chart with Are We There Yet?, the indie rock musician James Marriott had made a career of mocking other YouTubers' music?
... that heavy metal led Ossian D'Ambrosio to druidism?
... that Dutch radio and TV presenter Hanneke Kappen presented the second Dutch radio show dedicated to heavy metal music?
... that when rock musician Warren Zevon received a terminal diagnosis of lung cancer, he learned to "enjoy every sandwich"?

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Baroque pop (sometimes called baroque rock) is a fusion genre that combines rock music with particular elements of classical music. It emerged in the mid-1960s as artists pursued a majestic, orchestral sound and is identifiable for its appropriation of Baroque compositional styles (contrapuntal melodies and functional harmony patterns) and dramatic or melancholic gestures. Harpsichords figure prominently, while oboes, French horns, and string quartets are also common. (Full article...)