File:Sigrid Burton Notes From an Italian Journal (for Gene and Betye) 1985-1986.jpg
Sigrid_Burton_Notes_From_an_Italian_Journal_(for_Gene_and_Betye)_1985-1986.jpg (510 × 195 pixels, file size: 68 KB, MIME type: image/jpeg)
Summary[edit]
_1985-1986.jpg&action=edit§ion=1){kind=link}
 | This image represents a two-dimensional work of art, such as a drawing, painting, print, or similar creation. The copyright for this image is likely owned by either the artist who created it, the individual who commissioned the work, or their legal heirs. It is believed that the use of low-resolution images of artworks:
qualifies as fair use under United States copyright law. Any other use of this image, whether on Wikipedia or elsewhere, could potentially constitute a copyright infringement. For further information, please refer to Wikipedia's guidelines on non-free content. |
| Description |
Painting by Sigrid Burton, Notes From an Italian Journal (for Gene and Betye) (oil on canvas, 60" x 160" (diptych), 1985–6). The painting illustrates a key early period in Sigrid Burton’s work representing the 1970s and 1980s, when she gained recognition in New York and beyond for semi-abstract works indebted to Color field painting but suggestive of floral figuration and noted for their use of color. This work and similar works were publicly exhibited in prominent venues and discussed in major art journals and daily press publications. |
|---|---|
| Source |
Artist Sigrid Burton. Copyright held by the artist. |
| Article | |
| Portion used |
Entire artwork |
| Low resolution? |
Yes |
| Purpose of use |
The image serves an informational and educational purpose as the primary means of illustrating a key early period (representing the 1970s and 1980s) in Sigrid Burton’s career: her semi-abstract works indebted to Color field painting but suggestive of floral figuration, which were noted for their use of color, vigorous brushwork, lyricism and blurring of referentiality and abstraction. Because the article is about an artist and her work, the omission of the image would significantly limit a reader's understanding and ability to visualize this key developmental phase in her work and its impact. Burton’s work of this type and this work in particular gained her recognition in New York and beyond and is discussed extensively in the article and by prominent critics cited in the article. |
| Replaceable? |
There is no free equivalent of this or any other of this series by Sigrid Burton, and the work no longer is viewable, so the image cannot be replaced by a free image. |
| Other information |
The image will not affect the value of the original work or limit the copyright holder's rights or ability to distribute the original due to its low resolution and the general workings of the art market, which values the actual work of art. Because of the low resolution, illegal copies could not be made. |
| Fair useFair use of copyrighted material in the context of Sigrid Burton//en.wikipedia.org/wiki/File:Sigrid_Burton_Notes_From_an_Italian_Journal_(for_Gene_and_Betye)_1985-1986.jpgtrue | |
File history
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| Date/Time | Thumbnail | Dimensions | User | Comment | |
|---|---|---|---|---|---|
| current | 22:24, 27 April 2019 | | 510 × 195 (68 KB) | Mianvar1 (talk | contribs) | {{Non-free 2D art|image has rationale=yes}} {{Non-free use rationale | Article = Sigrid Burton | Description = Painting by Sigrid Burton, ''Notes From an Italian Journal (for Gene and Betye)'' (oil on canvas, 60" x 160" (diptych), 1985–6). The painting illustrates a key early period in Sigrid Burton’s work representing the 1970s and 1980s, when she gained recognition in New York and beyond for semi-abstract works indebted to Color field painting but suggestive of floral figur... |
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