File:Nanban-Screens-by-Kano-Naizen-c1600.png

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Summary

Kanō Naizen: Arrival of the Southern Barbarians (Nanban-jin) Screen  wikidata:Q21404077 reasonator:Q21404077
Artist
Kanō Naizen  (1570–1616) wikidata:Q374744
 
Alternative names
Kanō Shigesato; Naizen; Ichiō; Kyūz401o; Kano Naizen; Kanou Naizen
Description Japanese painter
Date of birth/death 1570 Edit this at Wikidata 1616 Edit this at Wikidata
Authority file
 Edit this at Wikidata
image of artwork listed in title parameter on this page
Author
Kanô Naizen (1570-1616)
Title
Arrival of the Southern Barbarians (Nanban-jin) Screen
label QS:Len,"Arrival of the Southern Barbarians (Nanban-jin) Screen"
label QS:Lja,"南蛮人渡来図"
label QS:Lfr,"Débarquement des barbares du sud (Nanban-jin)"
Object type painting / folding screen Edit this at Wikidata
Genre Nanban art Edit this at Wikidata
Description
English: Kano Naizen's "Arrival of the Southern Barbarians Screen" circa 1600, from the Kobe City Museum Collection. This six-fold byōbu (lacquer and gilded screen) shows foreigners arriving at a shore of Japan during the Nanban trade. The ship depicts a Nanban ship arriving at a Japanese port after a voyage from a foreign country, unloading traded goods, a group of Capitan's who landed, Jesuit missionaries, Franciscan monks, and Japanese believers welcoming them. .. The karamono shop sells traded goods such as tiger and leopard fur, silk fabrics and ceramics. At the back of the Karamonoya is Nanban-ji Temple, where ceremonies are held in front of the altar with the statue of the Messiah. It is a good representation of the reality of Nanban trade, where trade and missionary work were integrated, with the main focus being intermediary trade. It also features many rare beasts from Nanban, such as elephants, Arabian horses, and greyhound dogs. Relentlessly detailed depictions, lively portraits, and vibrant colors make Kano Naizen a prominent figure in the Nanban folding screens.
日本語: 狩野内膳作『南蛮人渡来図』(右隻)神戸市立博物館所蔵。 右隻には異国からの航海を経て日本の港へ到着した南蛮船、貿易品の荷揚げ、上陸したカピタン一行、彼らを出迎えるイエズス会宣教師やフランシスコ会修道士、日本人信者たちが描かれています。唐物屋には虎や豹の毛皮、絹織物、陶磁器などの貿易品が扱われています。唐物屋の奥には南蛮寺があり、内部では救世主像の掲げられた祭壇の前で儀式が執り行われています。仲介貿易が主体で、貿易と布教が一体となっていた南蛮貿易の実状をよく表されています。象、アラビア馬、グレイハウンド種の洋犬など、南蛮渡来の珍獣が多く描かれているのも特徴です。執拗なまでに緻密な描写、活き活きとした人物表現、鮮やかな色彩など、南蛮屏風のなかでも突出した存在です。
Date circa 1600
date QS:P571,+1600-00-00T00:00:00Z/9,P1480,Q5727902
Medium paper and paint Edit this at Wikidata
institution QS:P195,Q3330666
Source/Photographer namban-screens-right-hand-screen-kan%C3%B4-naizen/CAEfKzD1vqAV8AGoogle Arts & Culture , more information: https://www.kobecitymuseum.jp/collection/detail?heritage=365028
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Captions

Kano Naizen's "Arrival of the Southern Barbarians Screen" depicts the Nanban trade circa 1600 from the Kobe City Museum Collection.

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current07:21, 19 May 2021Thumbnail for version as of 07:21, 19 May 20219,500 × 4,112 (43.13 MB)ArtanisenUploaded a work by Kanô Naizen (1570-1616) from https://artsandculture.google.com/asset/namban-screens-right-hand-screen-kan%C3%B4-naizen/CAEfKzD1vqAV8A with UploadWizard
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