File:Hieronymus Wierix, Ambrosius Francken (I) (After) - The seduction of man.jpg

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Summary

The seduction of man   (Wikidata search (Cirrus search) Wikidata query (SPARQL)  Create new Wikidata item based on this file)
Artist
Hieronymus Wierix  (1553–1619)  wikidata:Q2778104
 
Alternative names
Hieronymus Wiericz, Hieronymus Wierx, Hieronymus Wiricx
Description Flemish printmaker and drawer
Date of birth/death 1553 (?) 1 November 1619 Edit this at Wikidata
Location of birth/death Antwerp Antwerp
Work period between circa 1573 and circa 1619
date QS:P,+1500-00-00T00:00:00Z/6,P1319,+1573-00-00T00:00:00Z/9,P1326,+1619-00-00T00:00:00Z/9,P1480,Q5727902
Work location
Authority file
artist QS:P170,Q2778104
After Ambrosius Francken I  (circa 1544
date QS:P,+1544–00–00T00:00:00Z/9,P1480,Q5727902
/1545–1618)  wikidata:Q3613865
 
After Ambrosius Francken I
Alternative names
Ambrosius Francken , Ambrosius Franck (I), Ambrosius Vranx, Ambrosio van Errentals
Description Flemish painter and drawer
Date of birth/death between circa 1544 and circa 1545
date QS:P,+1544-00-00T00:00:00Z/8,P1319,+1544-00-00T00:00:00Z/9,P1326,+1545-00-00T00:00:00Z/9,P1480,Q5727902
 Edit this at Wikidata
16 October 1618 / 18 October 1618 Edit this at Wikidata
Location of birth/death Herentals Antwerp
Work period 1559 Edit this at Wikidata–1618 Edit this at Wikidata
Work location
Antwerp (1559–1618) Edit this at Wikidata
Authority file
artist QS:P170,Q4233718,P1877,Q3613865
Title
The seduction of man
Description

Allegory on the vanity of man. A naked woman (Vanitas) is lying on a four-poster bed, she is being watched by Unchastity (Impudicitia), a satyr who pulls off the sheet and lets a plummet commute near her pubic area. Under her feet are attributes of science and martial art. Beneath her pillow lie earthly resources that fall from the bed and disappear through a hole in the floor. On the far left is a man, the Worldly Man (Mundanus Homo), who has been exposed to the seductive naked women in the room. Next to him the Deciduous Lust (Peritura Voluptas) and Ephemeral Joy (Brevis Laetitia). On the far right is the Physical Lust (Caro), she holds a rope in her hand that is tied to a trap door on which the man stands. The representation is clarified in the Dutch, French and German captions in the margin.

Print published in Antwerp by Willem van Haecht who also composed the text. Engraved by Hieronymus Wierix after design by Ambrosius Francken (I).
Date 1578
date QS:P571,+1578-00-00T00:00:00Z/9
Medium engraving
Dimensions height: 238 mm (9.37 in); width: 323 mm (12.71 in)
dimensions QS:P2048,238U174789
dimensions QS:P2049,323U174789
institution QS:P195,Q190804
Source/Photographer http://hdl.handle.net/10934/RM0001.COLLECT.432125
Permission
(Reusing this file)
This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
Public domain

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File history

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Date/TimeThumbnailDimensionsUserComment
current14:19, 9 August 2019Thumbnail for version as of 14:19, 9 August 20196,742 × 4,964 (6.67 MB)Breskit{{Artwork |artist= {{Creator:Hieronymus Wierix}} {{creator:Ambrosius Francken (I)|After}} |title = {{title|''The seduction of man''}} |description= Allegory on the vanity of man. A naked woman (Vanitas) is lying on a four-poster bed, she is being watched by Unchastity (Impudicitia), a satyr who pulls off the sheet and lets a plummet commute near her pubic area. Under her feet are attributes of science and martial art. Beneath her pillow lie earthly resources that fall from the bed and...
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