Summary

anonymous: Panels from the High Altar of the Charterhouse of Saint-Honoré, Thuison-les-Abbeville: Virgin and Child
Artist	anonymous
Title	Panels from the High Altar of the Charterhouse of Saint-Honoré, Thuison-les-Abbeville: Virgin and Child  title QS:P1476,en:"Panels from the High Altar of the Charterhouse of Saint-Honoré, Thuison-les-Abbeville: Virgin and Child " label QS:Len,"Panels from the High Altar of the Charterhouse of Saint-Honoré, Thuison-les-Abbeville: Virgin and Child " label QS:Lfr,"Panneau du maître-autel de la Chartreuse Saint-Honoré, Thuison-les-Abbeville (Somme) : Vierge à l'Enfant"
Object type	painting
Genre	religious art
Depicted people	Virgin Mary  Christ Child
Date	1490s date QS:P,+1490-00-00T00:00:00Z/8
Collection	Art Institute of Chicago    Native name Art Institute of Chicago Location Chicago, United States of America Coordinates 41° 52′ 46″ N, 87° 37′ 26″ W   Established 1879 Website www.artic.edu Authority file : Q239303 VIAF: 131375374 ISNI: 0000000091672697 ULAN: 500304669 LCCN: n82144329 OSM: 1870546 WorldCat institution QS:P195,Q239303
Accession number	1933.1054 (Art Institute of Chicago)
Exhibition history	Exposition des primitifs français, Site Richelieu-Louvois, 12 April 1904 - 14 July 1904  Loan Exhibition of French Primitives and Objects of Art, Kleinberger Galleries, 17 October 1927 - 12 November 1927
References	ARTIC artwork ID: 16307
Source/Photographer	https://www.artic.edu/artworks/16307

Détails : Panneau faisant autrefois partie du retable décorant le maître-autel de la chartreuse de Thuison, à l'extérieur d'Abbeville (Somme) dans le nord de la France. Quatre saints debout dans des niches ont été peints à l'extérieur des ailes du retable. Lorsque les ailes étaient ouvertes, l'intérieur du retable racontait l'histoire de la Passion et de la Résurrection du Christ à travers des récits peints à l'intérieur des ailes et des sculptures peintes et dorées dans le sanctuaire central dont le sujet central était sans aucun doute la Crucifixion. Les sculptures n'ont pas survécu. L'avant et l'arrière des ailes ont été sciés au milieu du XIXe siècle ; tous les panneaux d'aile sauf un récit (L'Entrée à Jérusalem, Ermitage, Saint-Pétersbourg) se trouvent à l'Institut d'art. Voir source

Licensing

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