File:Ellen Harvey Arcade Arcadia 2012.jpg
Ellen_Harvey_Arcade_Arcadia_2012.jpg (387 × 258 pixels, file size: 128 KB, MIME type: image/jpeg)
Summary[edit]
 | This is a two-dimensional representation of a copyrighted sculpture, statue or any other three-dimensional work of art. As such it is a derivative work of art, and per US Copyright Act of 1976, § 106(2) whoever holds copyright of the original has the exclusive right to authorize derivative works. Per § 107 it is believed that reproduction for criticism, comment, teaching and scholarship constitutes fair use and does not infringe copyright. It is believed that the use of a picture
qualifies as fair use under the Copyright law of the United States. Any other uses of this image, on Wikipedia or elsewhere, might be copyright infringement. |
| Description |
Installation by Ellen Harvey, Arcade/Arcadia (inside view) (hand-engraved mirrors over LED screens, wood frame, 15' x 9' x 30', 2012. Photograph: Locks Gallery). The image illustrates both a key medium (rear-illuminated hand-engraved mirror panels) and thematic motif in Ellen Harvey's career in the 2000s and 2010s—landscape and mapping, through which she has explored notions of the picturesque landscape, environmental and man-made change, ephemerality and loss. These works have taken the form of installations, two- and three-dimensional elements, and public art projects have been exhibited in prominent institutions and discussed widely by prominent art publications and critics. |
|---|---|
| Source |
Artist Ellen Harvey. Copyright held by the artist. |
| Article | |
| Portion used |
Installation view |
| Low resolution? |
Yes |
| Purpose of use |
The installation image serves an informational and educational purpose as the primary means of illustrating a key medium (rear-illuminated hand-engraved mirror panels) and thematic motif in Ellen Harvey's career in the 2000s and 2010s—landscape and mapping, through which she has explored notions of the picturesque landscape, environmental and man-made change, ephemerality and loss. These works often reframing cycles of cultural production and history (in this case 19th-century and contemporary versions of a town) and have taken the form of installations, two- and three-dimensional elements, and public art projects. They have been commissioned by and exhibited in institutions such as Turner Contemporary and SMAK. Because the article is about an artist and her work, the omission of the image would significantly limit a reader's understanding and ability to unique type of work and strategy in her practice. Harvey's work of this type and this work in particular are discussed in the article and discussed by prominent critics cited in the article. |
| Replaceable? |
There is no free equivalent of this or any other of this series by Ellen Harvey, so the image cannot be replaced by a free image. |
| Other information |
The image will not affect the value of the original work or limit the copyright holder's rights or ability to distribute the original due to its low resolution and the general workings of the art market, which values the actual work of art. Because of the low resolution, illegal copies could not be made. |
| Fair useFair use of copyrighted material in the context of Ellen Harvey//en.wikipedia.org/wiki/File:Ellen_Harvey_Arcade_Arcadia_2012.jpgtrue | |
File history
Click on a date/time to view the file as it appeared at that time.
| Date/Time | Thumbnail | Dimensions | User | Comment | |
|---|---|---|---|---|---|
| current | 21:39, 14 November 2019 | | 387 × 258 (128 KB) | Mianvar1 (talk | contribs) | {{Non-free 3D art|image has rationale=yes}} {{Non-free use rationale | Article = Ellen Harvey | Description = Installation by Ellen Harvey, ''Arcade/Arcadia'' (inside view) (hand-engraved mirrors over LED screens, wood frame, 15' x 9' x 30', 2012. Photograph: Locks Gallery). The image illustrates both a key medium (rear-illuminated hand-engraved mirror panels) and thematic motif in Ellen Harvey's career in the 2000s and 2010s—landscape and mapping, through which she has explo... |
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