Fabian: The Story of a Moralist

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Fabian: The Story of a Moralist
Cover of the 1931 edition
AuthorErich Kästner
LanguageGerman
PublisherDeutsche Verlags-Anstalt
Publication date
1931

Fabian: The Story of a Moralist (German: Fabian. Die Geschichte eines Moralisten) is a 1931 novel by German author Erich Kästner.[1]

Plot[edit]

The novel's protagonist is a Germanist, Dr. Jakob Fabian, who works as a copywriter. The first chapters of the novel deal with Fabian's confrontation with the immorality of Berlin nightlife; he visits brothels, underworld taverns, and artists' studios. In most of these situations, Fabian remains a detached observer who takes ironic note of his surroundings. He is inadvertently drawn into the increasing political polarisation of National Socialists versus Communists, and witnesses the unrestrained hedonism of Berlin's citizens with regard to sexuality, which disregards any form of love.

Over the course of the novel, Fabian becomes a realist. At the start, he is an ironist, who is waiting for the "victory of decency" (German: Sieg der Anständigkeit). However, he is repeatedly disappointed by people, and eventually only holds that he is able to improve himself. Fabian's friend, Labude, believes that it is possible to enhance mankind morally. Labude is cheated on by his fiancée, and seeks comfort in the company of various women, but remains largely unhappy.

In an artist's studio, Fabian meets Cornelia Battenberg, who has sworn off relationships after having had negative experiences with men in the past. Fabian approaches her with empathy, whereupon a love affair blossoms between the pair. The relationship has a great impact on Fabian, causing him to develop ambition and seemingly abandon his pessimistic worldview. The day after meeting Cornelia, Fabian loses his job; his former colleague later receives a raise for Fabian's work. Cornelia wants to begin a career as a film actress. She decides to enter into a relationship with a film director to enhance her career, and tries to convince Fabian that this relationship is in both of their best interests. Fabian cannot accept this arrangement and ends the relationship.

The sudden suicide of Labude is another blow for the protagonist. Fabian's friend shoots himself in the head because of the supposed refusal of his habilitation dissertation. The script was never refused, and the letter which Labude received attesting such was a "joke" played on Labude by the assistant of his doctoral assistant. After the death of Labude, Fabian leaves Berlin, returning to his home city of Dresden. He finds a job at a right-wing newspaper, but his morals prevent him from taking the job. While trying to save a boy who jumped from a bridge into the river, Fabian drowns. The boy can swim, but Fabian cannot.

Adaptations[edit]

Television and film[edit]

Theatre[edit]

Fabian has been adapted three times for the stage; in 2016, a version was staged at the Landestheater Altenburg, and in 2021 a different adaptation titled Fabian oder der Gang vor die Hunde was performed by the Berliner Ensemble.[4] An adaptation by Henrik Kuhlmann premiered on 31 March 2023 at the Staatstheater Darmstadt.[5]

References[edit]

  1. ^ Hofrichter, Ruth J. (November 1932). "Erich Kästner as a Representative of 'Neue Sachlichkeit'". The German Quarterly. 5 (4): 173–177 (176). doi:10.2307/400169. JSTOR 400169.
  2. ^ "Ein Leben wie im Film". Schaumburger Nachrichten (in German). Retrieved 11 April 2023.
  3. ^ "Wettbewerb – Neugestaltung filmischer Formen". Internationale Filmfestspiele Berlin. 11 February 2021. Archived from the original on 11 February 2021.
  4. ^ "Fabian oder Der Gang vor die Hunde" (in German). Berliner Ensemble. Retrieved 11 April 2023.
  5. ^ "Fabian oder Der Gang vor die Hunde". Staatstheater Darmstadt. Retrieved 11 April 2023.