Tobias G. Natter

From Wikipedia, the free encyclopedia
Tobias G. Natter

Tobias G. Natter (born 26 May 1961 in Dornbirn, Vorarlberg) is an Austrian art historian and internationally renowned art expert with a particular expertise in "Vienna 1900".[1]

Career[edit]

Natter studied art history and history at the universities of Innsbruck, Munich, and Vienna and graduated with a PhD in 1988.[2] His museum career started at the Wien Museum, after which he spent 15 years with the Österreichische Galerie Belvedere in Vienna, serving ultimately as the museums´s head curator.[3] Natter was also a consultant and frequent guest curator for the Jewish Museum Vienna, which was re-established in 1990. In 2001, he was invited by the Neue Galerie New York, founded by Ronald S. Lauder and Serge Sabarsky, to organize the museum's first loan exhibition devoted to Oskar Kokoschka. In 2006 Natter joined the Vorarlberg Museum as director launching the museum's architectural extension and repositioning. In 2011 he was assigned artistic director of the Leopold Museum in Vienna where he continued to develop the museum's profile and broadened the exhibition policy with uncommon shows such as nude men (2012/13). On October 28, 2013, he declared his dismissal from this function due to turbulence with his CFO Peter Weinhäupl and Weinhäupl's involvement with the Gustav Klimt Wien 1900 Privatstiftung featuring the Klimt collection of Gustav Ucicky, a prominent figure of Nazi filmmaking.[4]

In 2014 he founded Natter Fine Arts, a company specializing in the development of exhibitions and the evaluation of art works. Most recently he curated amongst others exhibitions for the Schirn Kunsthalle Frankfurt (2016/17), the Neue Galerie New York (2017), the Österreichische Galerie Belvedere Vienna (2017), the Fine Arts Museums of San Francisco (2017/18) and the Kunsthaus Zurich (2021).

Natter was entrusted with the estate appraisal of major Austrian artists such as Maria Lassnig (1919-2014), Ernst Fuchs (1930-2015), and Anton Lehmden (1929-2018). As part of his extensive writings, he published the current catalogue raisonné of the paintings by Gustav Klimt (2012) and Egon Schiele (2017) both of which are available in several languages.

In 2011 Natter was enrolled as a certified court expert for Austrian art from 1800 until today and is often consulted in provenance issues.[5]

Awards[edit]

2018: awarded the title Professor by the Austrian Federal President.[6]

Books[edit]

  • Gustav Klimt: Interiors. A publication of Neue Galerie New York, Prestel, Munich e.a. 2023, ISBN 978-3-7913-7978-4.
  • Hodler, Klimt und die Wiener Werkstätte, ed. on behalf of the Kunsthaus Zürich, Scheidegger & Spiess, Zürich 2021 ISBN 978-3-03942-016-2.
  • The Self-Portrait: From Schiele to Beckmann, ed. on behalf of the Neue Galerie New York, Prestel, Munich e.a. 2019 ISBN 978-3-7913-5859-8.
  • Egon Schiele: The Complete Paintings 1909 – 1918, Taschen, Cologne 2017, ISBN 978-3-8365-4612-6.
  • Gustav Klimt: The Complete Paintings, Taschen, Cologne 2012, ISBN 978-3836527958.
  • Die Welt von Klimt, Schiele und Kokoschka. Sammler und Mäzene, DuMont, Cologne 2003, ISBN 3-8321-7258-0.

As editor[edit]

  • Der Himmel auf Erden. Barockentwürfe & Design. ed. on behalf of the abbey of Wettingen-Mehrerau, Bad Vöslau 2023, ISBN 978-3-200-09074-3.
  • Klimt & Rodin: An Artistic Encounter, ed. together with Max Hollein, DelMonico Books - Prestel Verlag, München, 2017, ISBN 978-3-7913-5708-9.
  • Klimt and Antiquity: Erotic Encounters, ed. together with Stella Rollig, Prestel, Munich, 2017, ISBN 978-3-7913-5699-0.
  • Art for all. The Colour Woodcut in Vienna around 1900, ed. together with Max Hollein and Klaus Albrecht-Schröder, Taschen, Cologne 2016, ISBN 978-9-0000-6619-3.
  • Fürstenglanz. Die Macht der Pracht, ed. together with Agnes Husslein-Arco, Belvedere, Vienna 2016, ISBN 978-3-902805-97-3.
  • Kokoschka. Das Ich im Brennpunkt, ed. together with Franz Smola, Christian Brandstätter Verlag, Vienna 2013, ISBN 978-3-85033-785-4.
  • Wolken. Welt des Flüchtigen, ed. together with Franz Smola, Hatje Cantz, Ostfildern 2013, ISBN 978-3-9503018-4-7.
  • Das Schaudepot. Zwischen offenem Magazin und Inszenierung, ed. together with Michael Fehr and Bettina Habsburg-Lothringen, transcript Verlag, Bielefeld 2010, ISBN 978-3-8376-1616-3.
  • Schnee. Rohstoff der Kunst, Hatje Cantz, Ostfildern 2009, ISBN 978-3-7757-2430-2.
  • Gustav Klimt. Painting, Design and Modern Life, ed. together with Christoph Grunenberg, Tate Publishing, London 2008, ISBN 978-1-85437-735-7.
  • Rabbiner - Bocher - Talmudschüler. Bilder des Wiener Malers Isidor Kaufmann. 1853-1921, edited on behalf of the Jewish Museum Vienna 1995, ISBN 3-901398-01-5.

Exhibit catalogs[edit]

  • Klimt and The Women of Vienna´s Golden Age: 1900–1918, edited on behalf of the Neue Galerie New York, Prestel Verlag, München, 2016, ISBN 978-3-7913-5582-5.
  • Nude Men: from 1800 until the present day, ed. together with Elisabeth Leopold, Hirmer, Munich 2012, ISBN 978-3-7774-5851-9.
  • Gold. Schatzkunst zwischen Bodensee und Chur, exhibition catalog Vorarlberg Museum. Hatje-Cantz, Ostfildern 2007, ISBN 978-3-7757-2213-1.
  • Angelica Kaufmann. A Woman of Immense Talent, exhibition catalog Vorarlberg Museum. Hatje-Cantz, Ostfildern 2007, ISBN 978-3-7757-1984-1.
  • Gustav Klimt and The Dialogues of the Heterae. Erotic Boundaries in Vienna Around 1900, in: Renée Price (Ed.): Gustav Klimt. The Ronald S. Lauder and Serge Sabarsky Collections. exhibition catalog Neue Galerie New York. Prestel, Munich, 2007, ISBN 978-3-7913-3834-7.
  • Die Tafelrunde. Egon Schiele und sein Kreis, together with Thomas Trummer, exhibition catalog Österreichische Galerie Belvedere. DuMont, Cologne 2006, ISBN 3-8321-7700-0.
  • nach Schiele, ed. together with Thomas Trummer, exhibition catalog Österreichische Galerie Belvedere. DuMont, Cologne 2006, ISBN 3-8321-7722-1.
  • Die nackte Wahrheit. Klimt, Schiele, Kokoschka und andere Skandale, ed. together with Max Hollein, exhibition catalog Schirn Kunsthalle Frankfurt and Leopold Museum, Vienna. Prestel, Munich, 2005, ISBN 3-7913-3284-8.
  • Schiele & Roessler. Der Künstler und sein Förderer. Kunst und Networking im frühen 20. Jahrhundert, ed. together with Ursula Storch, exhibition catalog Historisches Museum Wien. Hatje Cantz, Ostfildern 2004, ISBN 3-7757-1479-0.
  • Oskar Kokoschka. The Early Portraits 1909–1914, exhibition catalog Neue Galerie New York and Hamburger Kunsthalle. DuMont, Cologne 2001, ISBN 3-8321-7182-7.
  • Klimt und die Frauen, ed. together with Gerbert Frodl, exhibition catalog Österreichische Galerie Belvedere. DuMont, Cologne 2000, ISBN 3-7701-5370-7.
  • Max Liebermann und die französischen Impressionisten, ed. together with Julius H. Schoeps, exhibition catalog Jewish Museum Vienna. DuMont, Cologne 1997, ISBN 3-7701-4294-2.
  • Chaim Soutine. Ein französischer Expressionist, exhibition catalog Jewish Museum Vienna, Vienna 2000, ISBN 3-901398-12-0.
  • Kokoschka und Wien, exhibition catalog Österreichische Galerie Belvedere, Wien 1996, ISBN 3-85202-131-6.
  • aufBRÜCHE. Österreichische Malerei und Plastik der 50er Jahre, exhibition catalog Österreichische Galerie Belvedere, Vienna 1994, ISBN 3-901508-00-7.

References[edit]

  1. ^ "Natter: Erfolgreich mit nackten Männern und Klimt". Kleine Zeitung, Graz. 28 October 2013.
  2. ^ "Tobias G. Natter. Studium und Werdegang".
  3. ^ "Direktor ohne Scheu vor der nackten Wahrheit". Der Standard, Vienna. 29 October 2013.
  4. ^ "Klimt Dispute Prompts Leopold Museum Director to Resign". Bloomberg.com. 29 October 2013.
  5. ^ "Ein Klimt zu viel restituiert". Wiener Zeitung, Vienna. 14 July 2017.
  6. ^ "Tobias Natter erhielt Ehrentitel "Professor"". 24 February 2018.

External links[edit]

Retrieved from "https://en.wikipedia.org/w/index.php?title=Tobias_G._Natter&oldid=1169507678"