The Pandoras

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The Pandoras
L-R Kim Shattuck, Karen Blankfeld, Paula Pierce, Melanie Vammen
L-R Kim Shattuck, Karen Blankfeld, Paula Pierce, Melanie Vammen
Background information
OriginChino, California, United States
GenresHard rock, garage punk, garage rock, punk rock, heavy metal
Years active1982–1991
LabelsBomp!, Rhino, Elektra, Restless
MembersMelanie Vammen
Karen Basset
Sheri Kaplan
Hillary Burton
Past membersPaula Pierce
Deborah Mendoza
Gwynne Kahn
Casey Gomez
Bambi Conway
Melanie Vammen
Julie Patchouli
Karen Blankfeld
Gayle Morency
Kim Shattuck
Kelly Dillard
Sheri Kaplan
Rita D'Albert
Billy Jo Hash
Lissa Beltri
Note: Shown in order of joining.

The Pandoras were an American all-female garage punk band from Los Angeles, California, active from 1982 to 1991. The band is among the first handful of all-female rock bands to ever be signed. From the beginning, the band found a strong following in the Hollywood garage rock and Paisley Underground scene, making the gossip pages almost weekly. The Pandoras enjoyed strong radio support from DJ Rodney Bingenheimer. The band graduated from the garage rock sound to a more contemporary, hard rock style in later years, spawning the off-shoot band The Muffs. The Pandoras founder/singer/songwriter, Paula Pierce, died of a brain aneurysm on August 10, 1991, at the age of 31.[1] The Muffs frontwoman/founder Kim Shattuck, who played bass in the Pandoras from 1985 to 1990, appeared as lead singer/lead guitarist of the reunited Pandoras until she died of complications from ALS on October 2, 2019, aged 56.

Formation[edit]

The Pandoras began in late 1982 as part of the 1960s garage rock revival. They were associated with the Paisley Underground era in Hollywood's underground rock scene that shared an aesthetic heavily influenced by 1960s garage rock and psychedelia. Pierce, a resident of Chino, California until 1984, had been a member of the Hollywood music scene; playing in bands since 1976.

The Pandoras were formed when singer/guitarist Pierce, a member of the mod/garage/pop Action Now, met singer/guitarist/bass player Deborah Mendoza (aka Menday), at Chaffey College in Rancho Cucamonga in 1982. Mendoza, an art major, answered an ad that Pierce, a graphic arts major, had posted on the bulletin board in the cafeteria. The ad read, "Wanted, another female musician to jam with! Influenced by sixties garage punk." They began bringing their guitars to school and jamming between classes.

Pierce, singer/songwriter/lead guitarist, brought in Gwynne Kahn on keyboards/guitar/backing vocals. Mendoza on bass, brought in drummer Casey Gomez. After a band meeting in December 1982, The Pandoras were born, though names such as The Keyholes, Hole, The wHolesome, and The Goodwylls were considered first.

Early career and controversy[edit]

After recording their first EP in 1983, I'm Here I'm Gone on Moxie Records, Mendoza left the group. She was replaced on bass by Bambi Conway, a childhood friend of Kahn, who recalled that the pair "used to go to the Whiskey together and we were like . . . in grade school."[2] In 1984 Conway, Kahn, Gomez, and Pierce appeared on The Pandoras' debut album, It's About Time, on Greg Shaw's Bomp! Records.[3]

In 1984, The Pandoras split into two factions just as the It's About Time LP was being released. Founder/Singer/Songwriter Paula Pierce had focus on the direction she wanted to go with her band. Bassist Conway, unhappy with Pierce, quit The Pandoras; followed by Pierce firing keyboardist Kahn. Shortly thereafter, drummer Gomez split from Pierce. Pierce decided to continue as The Pandoras, immediately recruiting three new members who embarked on tour for the It's About Time LP release. Former members Gomez and Conway joined Kahn in the short-lived Gwynne's Pandoras.

The brief dispute over the Pandoras name was discussed on a KROQ-FM radio show hosted by Rodney Bingenheimer and in the local music zines such as BAM, Music Connection, and the LA Weekly (and its "L.A. Dee Da" gossip column).

Pierce's fresh, new line-up of The Pandoras included Melanie Vammen on keyboards, Julie Patchouli on bass, and Karen Blankfeld on drums. Momentum began picking up with the release of the Hot Generation single on Bomp! Records in late 1984. The Pierce-led band toured the east coast with the Fuzztones to promote the single.

Gwynne's Pandoras released "Worm Boy" on an Enigma Records compilation, Enigma Variations, in 1985. When readying for an EP on Enigma Records, the label insisted that Gwynne's Pandoras change their name. This ended the gossip-column controversies, and the Pierce-led Pandoras prevailed. Gwynne's EP, to be titled Psycho Circus, was never released, and a new band name never settled upon.

Bassist Julie Patchouli departed The Pandoras in the spring of 1985. A fill-in bassist Gayle Morency joined The Pandoras on bass for two shows. Morency was replaced by bassist, and future founder of The Muffs, Kim Shattuck in July 1985.

Rhino era[edit]

The Pandoras were signed to Rhino Records and began recording the basic tracks for the Stop Pretending album during the winter of 1985 with producer Bill Inglot, who had produced earlier Pandoras and Action Now releases. In 1986, Stop Pretending was released.[4]

The Pandoras was labeled "one of the bands that matter" by the LA Weekly. The band continued to play live and record new songs for their major label debut and were a top live club draw outside of Los Angeles, touring with Nina Hagen, and performing on bills with such acts as Iggy Pop, The Fuzztones, The Beat Farmers, Johnny Thunders, The Alarm, Madness, The Blasters, and The Cramps. The music video for "Stop Pretending" appeared on air, in the United States, Canada and Europe. The Pandoras played the inaugural LA Weekly Music Awards and showcased a slightly harder sound and were interviewed on the roof of the Variety Arts Center for French TV by Laurent Basset who would in later years go on to marry drummer Karen Blankfeld and direct the hit series Below Deck on Bravo.

Elektra era[edit]

Elektra A&R man Steve Pross signed the band to Elektra Records. The band made numerous attempts to record the album, to be titled Come Inside. During this period, Blankfeld was forced from the band due to disagreements about band management, and was replaced with Kelly Dillard on drums. Blankfeld went on to play bass with former Enigma recording artists Wednesday Week, before forming the Billboard-charting all-female band The Rebel Pebbles.

Dillard was in The Pandoras for only two months; during that time she appeared in photoshoots intended for the Elektra cover of Come Inside and recorded "Run Down Love Battery" for the album as well. She was replaced on drums in November 1987 by Sheri Kaplan.

Before the release of the LP, which had reached the test-pressing stage, Pross was let go by Elektra Records. As a result, the label dropped both bands he had signed — Jetboy and The Pandoras — with their respective records being withdrawn from release. Many of the demo recordings The Pandoras made during the Elektra-era eventually surfaced on the Psychedelic Sluts bootleg CD.

Restless era[edit]

The band continued to play live while looking for a new record deal. Rita D'Albert joined as a guitarist in 1988. The Pandoras recorded new songs and released the Rock Hard mini-LP on Restless Records. A video for "Run Down Love Battery" received airplay on MTV's Headbangers Ball, expanding their audience to include metal fans.

D'Albert left The Pandoras in February 1989, just before a tour in support of Rock Hard, to join Human Drama, which had signed to RCA records. She would go on to found Lucha VaVoom in subsequent years. The Pandoras concert at Z Rock in Dallas, Texas was recorded for a "Coast to Coast Concert Series" broadcast. They also made an appearance on the first episode of The Arsenio Hall Show where they performed "Run Down Love Battery."

Billie Jo Hash joined the band on guitar for the second leg of the Rock Hard tour. She lasted through the summer of 1989. Lissa Beltri joined The Pandoras in late 1989.

Restless Records release the Z-Rock concert as a live mini-album. Live Nymphomania. Pierce and bandmates were not happy with the release, though the band went out on tour promoting it for Restless.

Disbandment and Pierce's Death[edit]

In July 1990, keyboardist Vammen was removed from The Pandoras by Pierce, over Shattuck's and Kaplan's objections. Though Pierce toiled over removing Vammen, she felt keyboards weren't right for band's newest direction.[5]

Both an Australian tour and a European tour in 1990 were cancelled; prompting Shattuck to leave the band two months later. There was a single show with Chris from the Sunset Strip rock band Taz, on bass, and then Kaplan quit the band to join Hardly Dangerous, ending The Pandoras. In the wake of their departure, Vammen and Shattuck, had been plotting a band of their own. They went on to form The Muffs, enjoying great success in the alternative music scene.

In 1991, Pierce slowly worked on new material with guitarist Beltri. A new drummer joined Pierce and Beltri, as they began auditioning bass players. On August 9, a bass player auditioned who both Pierce and Beltri liked. She was to be brought back in for a rehearsal on August 11. However, on August 10, after dinner and an exercise session, Pierce suffered a fatal aneurysm in the shower of her Hollywood Hills apartment at the age of 31. She had been complaining of painful headaches for two weeks before her death, but did not seek medical help.

Former Pandoras' crew Dave Eddy and organized a tribute and fundraising show at the Coconut Teaser on the Sunset Strip in Hollywood. The show saw performances by Cherie Currie of The Runaways and her twin sister Marie Currie in their first public performance together in 20 years, with the final line up of the Pandoras backing them, as well as Precious Metal, who had broken up but who reunited for the show, Robert Hecker and Abby Travis, Dramarama with Clem Burke of Blondie and Sylvain Sylvain from the New York Dolls, The Muffs (Shattuck's and Vammen's band), African Violet (D'Albert band), Hardly Dangerous (Kaplan's band,) White Flag featuring Bill Bartell. Photographer Dianne Carter's 35mm slide show played in the club, with over 800 images of Pierce and The Pandoras.

Reunions[edit]

In October 2013, Pillbox frontwoman Susan Hyatt, guitarist Lisa Black, Melanie Vammen, Karen Blankfeld-Basset, and Sheri Kaplan united to play three Pierce-penned Pandoras songs ("You Don't Satisfy", "In and Out of my Life In A Day" and "You're All Talk") at a private party in Redondo Beach, CA in October 2013.

In July 2014, the reformed Pandoras — Shattuck, Vammen, Basset, and Kaplan — recorded four songs at the Green Day studio JingleTown Recording in Oakland, California. One year later, at the same studio, three more songs were recorded with new drummer Hillary Burton.

On June 26, 2015, Shattuck, Vammen, Basset, and Kaplan performed their first official live show as the reunited Pandoras at The Casbah in San Diego, California.

On July 4, 2015, there was a reunion show billed as The Pandoras at the 2015 Burger Boogaloo (hosted by Burger Records and filmmaker John Waters at Mosswood Park, in Oakland, CA, which featured Shattuck (lead vocals, guitar), Vammen (keyboard), Basset (bass), and Kaplan (drums).

In July 2015, the reunited Pandoras — Shattuck, Vammen, Basset, and newly acquired drummer Hillary Burton — performed in Minneapolis, Minnesota at The Turf Club. The following month, they embarked on a comprehensive European tour, with two U.S. East Coast dates included. In March 2018, the group released an EP titled Hey It's the Pandoras, which featured seven songs.

On October 2, 2019, bassist/vocalist Kim Shattuck died at the age of 56 due to complications from ALS. The surviving members of Pierce's Pandoras — Vammen, Basset, Burton, and Kaplan — planned to perform at a tribute concert for Shattuck at the El Rey Theater in Los Angeles in 2020. However, the show was cancelled due to COVID-19 restrictions.

In June 2022, Vammen, Blankfeld-Basset, Kaplan-Weinstein, and Burton played as the "Tigerellas" at the Redwood in Downtown Los Angeles.

Members[edit]

Timeline[edit]

Discography[edit]

Albums and mini-albums[edit]

Singles and EPs[edit]

  • I'm Here I'm Gone (1983 - EP - Moxie Records)
  • Hot Generation/You Don't Satisfy (1984 - Single - Voxx Records)
  • In And Out of My Life (In a Day)/The Hump (1985 - Single - Rhino Records)
  • I Didn't Cry/Thunder Alley (1999 - Dionysus)

Compilation appearances[edit]

Reissues[edit]

  • Rock Hard/Live Nymphomania (2005 - Reissue - Restless)
  • Stop Pretending (2003 - Rhino Handmade - remastered re-release with additional tracks)

Videos/DVD[edit]

  • Slipping Through the Cracks (An Uprising of Young Pacifics) (video); IceWorld Video

Unreleased album[edit]

Bootlegs[edit]

  • Psychedelic Sluts (1994 - Erekta)

References[edit]

  1. ^ "* Paula Pierce; Lead Singer of The Pandoras - Los Angeles Times". articles.latimes.com. 14 August 1991. Retrieved 2014-01-25.
  2. ^ Balandran, George (1984-03-30). "Pandoras (Interview)". Fight for Freedom Fanzine (13) – via Internet Archive.
  3. ^ Strong, Martin C. (2003) The Great Indie Discography, Canongate, ISBN 1-84195-335-0, p. 449
  4. ^ "Pandoras, The - Stop Pretending (Vinyl, LP, Album) at Discogs". discogs.com. 1986. Retrieved 2014-01-25.
  5. ^ Sheppard, Amanda (2017-11-06). "The Pandoras: A Look Back, A Look Ahead". Please Kill Me. Bunny Onion Sky, LLC. Retrieved 2018-10-22. In the meantime, Paula had decided she didn't want keyboards anymore. I was dismissed of my Pandoras duties July 17, 1990.