Jawole Willa Jo Zollar
Jawole Willa Jo Zollar (born December 21, 1950) is an American dancer, teacher and choreographer of modern dance. She is the founder of the Urban Bush Women dance company.
Biography[edit]
One of six children, she was born Willa Jo Zollar in Kansas City, Missouri, to parents Alfred Zollar Jr. and Dorothy Delores Zollar.[1] From age seven to seventeen, Zollar received her dance education from Joseph Stevenson, former student of Katherine Dunham.[2] Zollar also had early training in Afro-Cuban and other native dance forms which later helped to shape her teaching aesthetic.[3] After high school graduation she went on to receive a Bachelor of Arts in dance from the University of Missouri at Kansas City and from there also received her Master of Fine Arts from Florida State University, where she is currently[vague] a tenured dance professor.[4] In 1980, Zollar moved to New York City, where she studied under Dianne McIntyre, artistic director for Sounds in Motion Dance Company.[2] In 1984, she left the company and established her own, called the Urban Bush Women, which became the first major dance company consisting of all-female African-American dancers.[2]
Movement style and choreography[edit]
Zollar's choreographic style is influenced by the dance traditions of Black Americans—modern dance, African dance, and social dance.[3] Her movement synthesizes influences from modern dance (a combination of Dunham, Graham, Cunningham, and Limón techniques), Afro-Cuban, Haitian, and Congolese dance.[2] She emphasizes the use of weight and fluidity as opposed to creating clean shapes.[5] From her Afro-Cuban dance training she employs a strong sense of dynamic timing, rhythmic patterns, and continuous flow of movement. She derives many of her movement ideas from African-American culture—allowing the "church testifying, emotional energy shap[e] the form, and the rawness of that form, like you have in jazz," she says.[6]
In her choreography, Zollar creates avant-garde dance-theater productions that speak from the black female perspective.[3] Her pieces are collaborative performances between dancers, vocalists, artists, actors, composers and musicians, including vocalizations, a cappella singing, storytelling, and social commentary. Through these mediums, Zollar pushes towards social awareness and change. Zollar also explores African-American folk traditions and the reality of the black woman's experience, tackling uncomfortable and controversial social topics such as abortion, racism, sexism, and homelessness, in a hard-edged and straightforward way.[7] Many dance critics say that Zollar's company makes a point to show the reality of African-American culture, revealing how black Americans express themselves when not in the presence of whites.[2]
Zollar was director and choreographer of the Houston, Texas, world premiere Oct. 20, 2023, of "Intelligence," an opera based on the true story of a southern female spy for the Union in the American Civil War.[8][9]
List of works[edit]
- 1984 River Songs; Life Dance…The Fool's Journey
- 1985 Working for Free
- 1986 Anarchy, Wild Women and Dinah; Girlfriends; Madness; LifeDance I…The Magician (The Return of She)
- 1987 Bitter Tongue
- 1988 Heat; Lipstick; Shelter; LifeDance II…The Papess
- 1989 I Don’t Know, But I Been Told, If You Keep on Dancin’ You Never Grow Old
- 1990 Praise House
- 1992 LifeDance III
- 1994 Nyabinghi Dreamtime; Vocal Attack
- 1995 Batty Moves; BONES AND ASH: A Gilda Story
- 1996 Transitions
- 1997 Self Portrait
- 1998 Hand's Singing Song
- 2000 Soul Deep
- 2001 HairStories
- 2002 Shadow's Child
- 2004 Walking with Pearl- Africa Diaries
- 2005 Walking with Pearl…Southern Diaries
- 2011 visible
- 2012 Blood Muscle Bone
- 2014 Hep Hep Sweet Sweet
- 2014 Walking with 'Trane, Chapter 2
Awards[edit]
- New York Foundation for the Arts fellowship (1984)
- National Endowment for the Arts choreography fellowships (1988–90)
- New York Dance and Performance Award (1992)
- Worlds of Thought Resident Scholar, Makato State University (1993–94)
- Capezio Foundation Dance Award (1994)
- Who's Who in America (1995)
- Regent Lecturer, Department of World Arts and Culture, University of California (1995–96)
- Bessie Award for Walking With Pearl…Southern Diarie (2006)
- Dance Magazine Award (2015)[10]
- MacArthur Fellowship (2021)[11]
- 2022: The Lillian and Dorothy Gish Prize[12]
References[edit]
- ^ Great Performances: Free To Dance - Biographies - Jawole Willa Jo Zollar
- ^ a b c d e Hussie-Taylor, J. "Zollar, Jawole Willa Jo", International Dictionary of Modern Dance. Detroit: St. James Press, 1998, 852.
- ^ a b c White-Dixon, Melanye. "Zollar, Jawole Willa Jo", International Encyclopedia of Dance. 6th ed. 6 vols. New York: Oxford University Press, Inc., 1998, 448.
- ^ "Mission and History". Archived from the original on 2008-01-21. Retrieved 2008-04-24.
- ^ Office of Research: Research In Review: The Journey of Jawole
- ^ Zollar as quoted in Hussie-Taylor's "Zollar, Jawole Willa Jo", 852.
- ^ Hussie-Taylor, "Zollar, Jawole Willa Jo", 854.
- ^ "Houston Grand Opera debuts Civil War-themed 'Intelligence' this weekend". Houston Chronicle. October 7, 2023. Retrieved November 4, 2023.
- ^ "In an Opera About Civil War Spies, Dancers Help Drive the Drama". New York Times. October 15, 2023. Retrieved November 5, 2023.
- ^ Wingenroth, Lauren (8 December 2015). "Highlights of the 2015 Dance Magazine Awards in Pictures". Dance Magazine. Retrieved 10 December 2015.
- ^ "MacArthur Foundation Announces 2021 'Genius' Grant Winners". The New York Times. September 28, 2021. Retrieved September 28, 2021.
- ^ Ulaby, Neda (2022-07-18). "Dancer Jawole Willa Jo Zollar, of Urban Bush Women, wins prestigious Gish Award". NPR. Retrieved 2022-07-19.
External links[edit]
- Profile at Urban Bush Women
- Faculty profile at Florida State University
- Jawole Willa Jo Zollar collected news and commentary at The New York Times
- Jawole Willa Jo Zollar at Answers.com
- Biography at Free to Dance, PBS
- Jawole Willa Jo Zollar in Conversation with Ananya Chatterjea, October 21, 2010 at the Institute for Advanced Study, University of Minnesota.
