Helter Skelter (rave music promoter)
 | This article needs additional citations for verification. (April 2024) |
| Energy '97 | |
|---|---|
| Genre | Electronica |
| Location(s) | Turweston Aerodrome in Northamptonshire |
| Attendance | 18,000 |
Helter Skelter was one of the longest running dance music promoters in the UK, which began organising megaraves in the early 1990s.[1] Its largest-ever rave was "Energy 97 – The Carnival of Dance" in Northamptonshire which attracted 18,000 revellers.[2] The electronic dance music featured at its events was characterised as "happy hardcore".[3] By New Year's Eve 1999, its popularity had declined, as garage music clubs became more mainstream.[4][2] It regularly held events at Sanctuary Music Arena in Milton Keynes until the venue closed in 2004.[5]
History[edit]
The Helter Skelter organisation was founded in September 1989 in the midst of the acid house party era by David Pratley and his wife Penny.[citation needed] They were inspired by the early acid bungalow clubs and the M25 motorway orbital raves.[2] Helter Skelter's first event was an illegal outdoor rave but subsequent nights were held in nightclubs.
Helter Skelter then began hosting events at the 3,000-capacity Sanctuary Music Arena in Milton Keynes. The Milton Keynes events underwent an expansion in the mid-1990s, using the roller rink adjacent to The Sanctuary, expanding the capacity to 8,000. Between the two arenas, an outdoor complex was created, which had a Sony PlayStation zone, free fairground rides, cafés and other recreational facilities.
The popularity of double-arena parties led Helter Skelter to organise Energy '97 – The Carnival of Dance. The festival took place at Turweston Aerodrome in Northamptonshire (now the site of the Gatecrasher Summer Sound System festivals).[citation needed] The festival attracted 18,000 revellers, an all-time high.[2] Ten huge marquees played genres of dance music including drum and bass, techno, house music and hardcore. The event had 85 UK artists, DJs and MCs.
Helter Skelter held a Millennium Jam on New Year's Eve, 1999.[4] By then, the number of ravers had decreased, as garage house music started to become more popular.[4]
Post-2000 activity[edit]
After a year out, the team reunited and Helter Skelter returned with an event at the 4,500-capacity venue Bowlers in Trafford, Manchester, in association with the Northern dance music organisation, Compulsion. Helter Skelter also returned to the Sanctuary Music Arena in Milton Keynes, but with a new music policy. Pratley collaborated with the event management team from Club Sidewinder and introduced specialist drum and bass events, branded as Accelerated Culture. The events featured drum and bass artists and DJs, including Kosheen, Roni Size, Shy FX, Craze, Grooverider, Hype and Fabio, many of whom had played for Helter Skelter previously. Its "Deja Vu" events were dedicated old skool retrospective events, while its upfront hardcore parties were called "Human Traffic".
Helter Skelter and Sidewinder were invited by the major superclub promoter, Godskitchen, to host a 5,000-capacity Accelerated Culture arena at its first Global Gathering festival, held in summer 2001, appearing regularly at Global Gathering since. Utilising the super club's 2,000 capacity home venue CODE, Helter Skelter's relationship with Godskitchen continued as the rave promoter staged a series of nights in Birmingham, returning to the city for the first time since the mid-1990s.
Following the closure of the Sanctuary Music Arena in 2004, Helter Skelter returned to the Plaza in Milton Keynes on New Year's Eve.[5] It continued with the Accelerated Culture brand in Birmingham and brought drum and bass and old school hardcore to a predominantly house music-orientated Ibiza.
In 2005, Helter Skelter and the Ministry of Sound released a compilation CD, Hardcore Classics, mixed by Billy Daniel Bunter and Slipmatt. Further compilations followed: United In Hardcore (2006), a versus mix with Raindance in Hardcore (2007) and Billy Daniel Bunter and Slipmatt, Helter Skelter & Raindance Present The Sound Of Hardcore (2009).
See also[edit]
References[edit]
- ^ Reynolds, Simon (1998). Generation Ectasy: Into the world of tehno and rave culture. Boston: Little, Brown. p. 130. ISBN 0316741116.
- ^ a b c d "Revisiting the UK's most iconic rave spots with RMBLR". Huck. 1 December 2016. Retrieved 11 April 2024.
- ^ Reynolds, Simon (2013). Energy Flash: A Journey Through Rave Music and Dance Culture. London: Faber and Faber. p. 144. ISBN 9780571289134.
- ^ a b c Hodgson, Jaimie (20 July 2021). "'Why Don't We All Go Bonkers?' – The Rise and Fall of Happy Hardcore". VICE. Retrieved 10 April 2024.
- ^ a b Mitchell, John (18 December 2004). "The Guide: PREVIEW clubs: Life MILTON KEYNES". The Guardian. Retrieved 11 April 2024 – via ProQuest.